Ravel
Moore, LSO, Zhang, Barbican review – virtuosity worn lightlyMonday, 25 April 2022
Xian Zhang is clearly a versatile conductor. In this concert, with the London Symphony Orchestra, she presented a fascinating strings work by Chinese composer Qigang Chen and a new trombone concerto by Dani Howard, all framed with favourites from... Read more... |
Classical CDs: Two clarinets and stereo snare drumsSaturday, 29 January 2022
Handel: Six Concerti Grossi Van Diemen’s Band/Martin Gester (BIS)I wanted to hear this disc purely on the basis of the group’s name. My instincts didn’t let me down. Martin Gester and Van Diemen’s Band, (based, naturally, in Tasmania) give... Read more... |
Aimard, Mahler Chamber Orchestra, Benjamin, BBC Proms review - a revealing composer portraitTuesday, 31 August 2021
Composer George Benjamin has dazzling talent, but he is difficult to showcase. He is not a naturally extrovert type, and most of his projects take years to formulate, and only come about through collaboration with close and trusted performers. But... Read more... |
Sean Shibe, Wigmore Hall review - a bewitching hourThursday, 20 May 2021
Last time I was in a Wigmore audience for a Sean Shibe recital, his electric-guitar second half had many regulars fleeing the hall (he later said that the amplification had been meddled with – it was too loud, though the work in question, Georges... Read more... |
L'heure espagnole, Grange Park Opera online review - seduction and sandwiches in 60 minutesTuesday, 30 March 2021
Some production concepts seem so obvious, in retrospect, that you wonder why they haven’t been tried more often. Traffic hums in the foreground in the opening shots of Grange Park Opera’s new film of Ravel’s L’heure espagnole, the passing cars... Read more... |
Gillam, Hallé, Bloxham, Hallé online review - music of poetryFriday, 15 January 2021
Jonathan Bloxham makes his debut as conductor with the Hallé Orchestra in the third of the Hallé’s Winter Season concerts on film. It’s a poetry-connected programme in several respects and features poet laureate Simon Armitage reading both his the... Read more... |
Kanneh-Mason Trio/Cassadó Ensemble, Kings Place review - the fewer the players, the greater the musicSaturday, 12 December 2020
For the performers and the venue there can be nothing but praise. To be back in Kings Place’s Hall One after so long was to realise afresh that no other London venue gives such air to soaring strings – and these ones truly did soar and gleam. For... Read more... |
Classical CDs Weekly: Kirill Petrenko, Avi Avital, RavelSaturday, 28 November 2020
Berliner Philharmoniker/Kirill Petrenko: Music by Beethoven, Tchaikovsky, Franz Schmidt, Rudi Stephan (Berliner Philharmoniker Recordings)Kirill Petrenko’s supposed indifference to making recordings is overstated: there’s a whole load of stuff... Read more... |
L'enfant et les sortilèges, VOPERA, LPO, Reynolds online – Ravel and Colette reimaginedThursday, 26 November 2020
Colette’s sharply fantastical libretto for Ravel’s second one-act opera imagines wrongs exercised upon objects and animals by a naughty child revisited by the victims upon the perpetrator. In a giddying venture which may be the most imaginative use... Read more... |
Julia Bullock, Philharmonia, Salonen, RFH review – bewitching dreamscapesFriday, 30 October 2020
Nobody would wish it this way, but orchestras playing on a stage specially built-up for distancing to a handful of invitees have never sounded better in the Royal Festival Hall. The Philharmonia’s outgoing principal conductor Esa-Pekka Salonen is a... Read more... |
Classical CDs Weekly: Gabriela Montero, Ravel, Caroline Shaw, Edith HemenwaySaturday, 19 October 2019
Gabriela Montero: Piano Concerto No 1, ‘Latin Concerto’, Ravel: Concerto in G Gabriela Montero (piano), The Orchestra of the Americas/Carlos Miguel Prieto (Orchid Classics)Venezuelan pianist Gabriela Montero describes herself as “a globalised... Read more... |
CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - joy unboundedSaturday, 01 June 2019
You can tell a lot from the opening of Brahms’s Second Symphony. Mirga Gražinytė-Tyla and the City of Birmingham Symphony Orchestra began it – and it’s not the first time they’ve done this in a big German symphony – as if in mid-... Read more... |
