punk
Kieron Tyler
“The Gun Club were true originals and Jeffrey Lee Pierce a genius. They were the inspiration behind many bands, I myself never thought about being a singer until I dropped the needle on Fire Of Love and in that instant I knew what I wanted to do with my life. Jeffrey was funny, smart and generous. He taught me so much about songwriting that I could never repay.”Mark Lanegan’s tribute to Jeffrey Lee Pierce – who died in 1996 at age 37 –and the band he co-formed is revealing as it makes plain an often unacknowledged truth. Now it’s said, it’s obvious. The spirit of Pierce, his LA-born band and Read more ...
Kieron Tyler
The title borrows from the lyrics of Siouxsie and the Banshees’s August 1978 debut single “Hong Kong Garden”: “Harmful elements in the air, Symbols clashing everywhere.” It also refers to Marcus Garvey’s prediction that on 7 July 1977 two sevens would clash with damaging consequences, a forewarning acknowledged that year by Culture’s Two Sevens Clash album.Yet Jon Savage's 1977-1979 - Symbols Clashing Everywhere collects “Voices,” “Hong Kong Garden’s” B-side, and Two Sevens Clash producer Joe Gibbs’s single “Prophesy Reveal,” a version of "Two Sevens Clash" voiced by Marvin Pitterson in his Read more ...
Barney Harsent
If ever there were a year to cherish new music, 2021 was it. Lockdown v3.0 came with unwelcome updates (shit weather, structured home-schooling) and the only end in sight was of the nation’s collective tether.With passports rendered next to useless, the arts offered an escape like never before, and music was no exception. In March, Jane Weaver’s phenomenal album Flock arrived full of psychedelic swagger and propulsive momentum. Retaining the melodic sensibilities and esoteric influences that defined her previous records, most notably 2017’s Modern Kosmology and 2015’s The Silver Globe, Weaver Read more ...
Kieron Tyler
The archive release which had the greatest impact, and still does, was Linda Smith’s Till Another Time 1988-1996. After it turned up, the reaction to a first play was instant. How could this have escaped attention? The compilation opened the door on a brilliant artist, one previously known to a particular audience.Till Another Time raises the point that it’s impossible to keep on top of everything, to know about everything. Even though she issued new releases until relatively recently, Smith had slipped through a personal knowledge crack. Thankfully, that’s now rectified.That’s one aspect of Read more ...
Katie Colombus
There’s something about a search for fine detail in the music I’ve listened to this year, whether it’s reaching to recognise the Orkney birdsong in Erland Cooper’s Holm (Variations & B-Sides) or conjuring up images of the characters Arlo Parkes so vividly portrays in Collapsed in Sunbeams.One of the best places I’ve found such specific lyric description is in the fascinatingly fresh spoken word of post-punk South London band Dry Cleaning, fronted by Florence Shaw. The feminist fury of punk’s leading female figures Bikini Kill, Pussy Riot and Siouxsie and the Banshees have here been Read more ...
Thomas H. Green
As we ride towards the holiday break on our magic reindeer, it’s time for one last theartsdesk on Vinyl, a seasonal special that, if you scroll down, contains all the usual up-to-date music reviews but, before that, takes a look at Yuletide-themed releases, reissues and heritage fare that might make great presents. As ever, all musical life newly pressed to plastic is here. Dive in.VINYL OF THE FESTIVE SEASONPatrik Fitzgerald featuring Lemur No Santa Clauses (Crispin Glover)This year’s VINYL OF THE FESTIVE SEASON top pick is by long lost new wave troubadour Patrik Fitzgerald. It’s only his Read more ...
Jonathan Geddes
According to local press, Yungblud’s fans had been queuing up outside the Barrowland throughout the day before each gig in his two-night Glasgow stint. If that was one indication of the reverence his following hold him in, another came early in this performance, when he briefly delayed “I Love You, Will You Marry Me” to allow an actual proposal to go ahead down at the front. If your songs are considered suitable for popping the question to, then you know you are connecting with people.That attachment is something that ran through this noisy, entertaining show, that veered between polished and Read more ...
Guy Oddy
Christmas albums can traditionally be slippery beasts with a whole host of quality control issues. This is not unlike the compilation albums that also make an appearance at this time of year, with one or maybe two previously unreleased tracks, which are targeted to separate long-term fans from their cash.An artist may write a handful of tunes to celebrate overindulgence, inclement weather and, occasionally, a mythical birth at the eastern end of the Mediterranean. However, from there on in, it’s usually cover versions that sound like carbon copies of the originals and shockingly large amounts Read more ...
Guy Oddy
When those cold winter nights start closing in, there is really only two choices for facing up to the unpleasantness that this brings. Stay at home, batten down the hatches, whack up the heating and blow the expense. Or go out and immerse yourself in some hot and sweaty rock’n’roll.Clearly, the majority of us at theartsdesk.com favour the second option. So, when the raucous Pigsx7 finally made it to Birmingham to support their Viscerals album of 18 months ago, there really was no choice about what to do.It may have been cold and wet outside, but Pigsx7 weren’t going to be guided by that with Read more ...
Thomas H. Green
Perhaps surprisingly for a band famed for the raw, tightly wrought, balled-up fury of their music, the most affecting moments of Idles’ fourth album are slower numbers. Chief among these is “Progress”, whose looping, repeated lyrics may reflect singer Joe Talbot’s ongoing reflections on putting drug addiction behind him. Lines such as “I don’t wanna feel myself come down” are given added potency by a threatening shroud of tunefully warped, loping band underpinning. While the album’s words sometimes – and enigmatically – offer hope, the tone of the music often sounds doomed.This is Read more ...
Peter Culshaw
Peter Culshaw’s occasional global music radio show returns with a two-hour conversation with one of the most innovative and enduring post-punk artists.TO LISTEN TO THE SHOW CLICK THIS LINKMatt Johnson, under his nom de guerre The The emerged into the shiny 1980s with some music that has lasted more than most, notably with the album Soul Mining with its classic songs and mix of despair and euphoria.With its warm lyrics and unusual-for-the-time sounds like accordion and melodica, his work was opposite to the ”Cold Wave” of the time with its Numanesque synths and automaton chic. Other Read more ...
Sebastian Scotney
“We’ve always tossed in some super-dire, high-voltage, death-trip lyrics that offset the merriment of a melody,” John Flansburgh of They Might Be Giants explained recently. And that, in essence, has been a substantial part of the band’s unchanging proposition ever since 1982 when Flansburgh and John Linnell, who had been high school friends in Lincoln, Massachusetts, started the band.And so, all but 40 years on, we find a song that asks the question “Who ate the babies...?” To which the most cogent answer the listener is offered is “Doodly doodly doodly-doo”. Followed by “Doodly doo doo doo”. Read more ...