psychedelia
Album: Gruff Rhys - Sadness Sets Me FreeWednesday, 24 January 2024Halfway through this album, “They Sold My Home to Build a Skyscraper” unlocks it. On first listen I’d been nodding along with the first few songs, enjoying how they find glimmers of more or less forlorn hope in amongst sadness and middle-aged... Read more... |
Music Reissues Weekly: Hawkwind - Space RitualSunday, 24 December 2023As Britain headed towards the end of 1972, pop fans had fair cause to scratch their heads about a single which first charted in July. In mid-August, Hawkwind’s “Silver Machine” peaked at number three behind Terry Dactyl and the Dinosaurs skiffle-... Read more... |
Music Reissues Weekly: High Tide - The Complete Liberty RecordingsSunday, 19 November 2023High Tide were one of many late Sixties and early Seventies British bands unearthed in the early Eighties by record collectors digging into what came after psychedelia. The bands didn’t have similar musical styles but were united by their obscurity... Read more... |
Album: Lucidvox - That's What RemainedThursday, 16 November 2023That's What Remained is the aural equivalent of being pulled into a maelstrom and then surrendering to this powerful natural force. Initially, it does not seem safe. But it soon becomes apparent that submission isn’t a problem. It will be fine.... Read more... |
theartsdesk on Vinyl 80: Nanci Griffith, Scuba, Dope Lemon, Aerosmith, Bob Marley, Pharoah Sanders and moreTuesday, 14 November 2023VINYL OF THE MONTH Being Dead When Horses Would Run (Bayonet)Being Dead are ostensibly an indie trio from Austin, Texas, but that description doesn’t really do justice to their smörgåsbord sound. Their default setting seems to be Trashmen “Surfin’... Read more... |
Music Reissues Weekly: When the Alarm Clock Rings - A Compendium of British Psychedelia 1966-1969Sunday, 05 November 2023“How psychedelic is your pop? This is the demanding question posed to many groups today, struggling for acceptance. It's no longer any good to say: ‘Well, mate, we can play Wilson Pickett, James Brown and all that gear,’ to anybody contemplating... Read more... |
Young Fathers, Usher Hall, Edinburgh review - powerful set from a band who keep pushing boundariesFriday, 03 November 2023Fresh from winning this year’s Scottish Album of the Year Award – for the third time no less! – Young Fathers gave a spectacular performance on Tuesday night on their home turf, at Edinburgh’s Usher Hall. Sure, it seems odd that a competition that’s... Read more... |
Music Reissues Weekly: Pale Saints - In RibbonsSunday, 08 October 2023In an interview following the release of Pale Saints’ March 1992 second album In Ribbons, the band’s Ian Masters expressed his admiration for Eyeless in Gaza, Laura Nyro and Television. He told Option magazine “I find it incredible how much I am... Read more... |
Album: Devendra Banhart - Flying WigThursday, 21 September 2023Had Devendra Banhart been born between 1940 and 1950, he’d likely be a household name. His output – very loosely – sits between Cat Stevens, Syd Barrett and Richie Havens, studded with a greatness not widely acknowledged. He had a spell around 15-20... Read more... |
Music Reissues Weekly: March of the Flower Children - The American Sounds of 1967Sunday, 03 September 2023“March of the Flower Children” was a June 1967 B-side by Los Angeles psych-punks The Seeds. The track was extracted from their third album Future, a peculiar dive into psychedelia which was as tense as it was turned on. While the song’s lyrics... Read more... |
Music Reissues Weekly: The Boo Radleys - Giant StepsSunday, 20 August 2023The final track of Giant Steps is titled “The White Noise Revisited.” Its lyrics recount the crushing impact of a job where you “kill yourself at work for what seems nothing at all.” After coming home, “you listen to the Beatles and relax and close... Read more... |
Album: Dot Allison - ConsciousologyThursday, 27 July 2023This album promises to be an expansion of the sound and ideas of its 2021 predecessor Heart Shaped Scars, and boy does it deliver. HSS was the Scottish singer-songwriter Dot Allison’s first album in some nine years, and only her... Read more... |