mon 06/01/2025

Prokofiev

Khatia Buniatishvili, Wigmore Hall/ Pierre-Laurent Aimard, Queen Elizabeth Hall

Before his slightly over-extended majesty drops behind a cloud at the end of this bicentenary year, and following Louis Lortie’s light-and-shade monodrama on Sunday, Franz Liszt has moved back to left-of-centre in two ambitious midweek concerts. In...

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Mutter, London Symphony Orchestra, Gergiev, Barbican Hall

Praise be, or slava if you prefer, to Valery Gergiev for honouring new Russian music alongside his hallmark interpretations - ever evolving or dangerously volatile according to taste – of Prokofiev, Shostakovich and Stravinsky. Last LSO season...

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Rostropovich: The Genius of the Cello, BBC Four

How can even a generously proportioned documentary do justice to one of the musical world’s greatest life forces? John Bridcut knows what to do: make sure all your interviewees have a close personal association with your chosen giant in one of his...

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BBC Proms: Wang, Royal Philharmonic Orchestra, Litton

Conductor Andrew Litton: bouncing around like a rubber ball, busily keeping track

Roger Wright’s reign as director of the BBC Proms has luckily spared us some of the more desperate themed programming that ran through the seasons in Nicholas Kenyon’s day. "Music and Shakespeare", I remember; music and the sea; and one year of...

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BBC Proms: Midori, CBSO, Nelsons

Andris Nelsons: a conductor whose legend proves equal to the great Alexander Nevsky

Jealousy of people who live in Birmingham is not (I venture to hazard) so widespread a phenomenon as to merit a name all its own. After last night’s Prom from the CBSO and music director Andris Nelsons however, a term may well have to be coined for...

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BBC Proms 2011: theartsdesk recommends...

Tonight the doors open for the biggest classical music festival in the world, the BBC Proms at the Royal Albert Hall. To help you plan your summer visits and listening, theartsdesk's critics gently steer you with their own preferences from the 90...

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Romeo and Juliet, Royal Ballet, O2 Arena

Taking ballet to the masses: the Royal Ballet's corps de ballet on the roof of the O2

The Royal Ballet says it is inviting a new audience to experience the thrill of live ballet by taking Romeo and Juliet to the gigantic O2. Beware what you wish for. It’s the thrill of the live audience I’m starting with before I get onto the...

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Gergiev's Prokofiev Romeo and Juliet: a worthy winner?

Gergiev's Prokofiev 'Romeo and Juliet': 'The 20th century's greatest ballet score, captured live at the Barbican for the LSO's own label'

It's just been crowned the BBC Music Magazine Awards' CD of the Year. But is Valery Gergiev's second complete recording of the 20th century's greatest ballet score, captured live at the Barbican for the LSO's own label, right at the top? In my...

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Ax, London Philharmonic Orchestra, Jurowski, Royal Festival Hall

Vladimir Jurowski: A demonic twinkle in the eye

Send in the clowns. Or at least that was Vladimir Jurowski’s musical thinking in bringing together the mighty foursome of Prokofiev, Stravinsky, Haydn and Shostakovich and seeing just how far their capricious natures might take us. The allusions and...

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Classical CDs Round-Up 16

Geneviève Laurenceau plays Prokofiev's Violin Concerto No 2 in our CD of the Month

This month’s selection includes historical recordings by a neglected violinist and interesting interpretations of Brahms and Mahler. A notorious choral blockbuster works its insidious magic, and Australia’s best-known classical musician takes on...

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Leonidas Kavakos, Enrico Pace, Wigmore Hall

No doubt about it, Leonidas Kavakos is one of the world's top 10 live-wire violinists. But here in London he seems to have sold himself a bit short recently with a less than great concerto repertoire (Korngold, Szymanowski's Second). Korngold...

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Romeo and Juliet, English National Ballet, London Coliseum

Yat-Sen Chang demonstrating Mercutio's high-flying cheekiness at the Capulet Ball

Busy, busy, busy tends to have been the watchword of Rudolf Nureyev’s elaborate choreographies. Prokofiev, as the most direct of musical dramatists, demanded streamlining from Sergey Radlov’s complicated scenario in 1935, but Nureyev tends to have...

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