sun 02/02/2025

Prokofiev

London Symphony Orchestra, Gergiev, Royal Albert Hall

On paper it was a perfect Monday night programme – Scriabin’s extravagant sprawl of a First Symphony and Stravinsky’s The Firebird in its roomy original ballet score. A pairing of youthful 20th-century Russians conducted by the 21st-...

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Fischer, LPO, Jurowski, Royal Albert Hall

Julia Fischer: poised and Olympian in Shostakovich

How did they do it? This was another Prom which looked almost too much on paper but worked hair-raisingly well in practice. It was a Vladimir Jurowski special: whizzing, clamorous demons versus introspective reveries, church bells bringing one...

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Cinderella, English National Ballet, London Coliseum

The ball scene designed by David Walker: 'the inky blue court theme allows Cinderella to arrive in her silvery tutu like the full moon in the night'

English National Ballet turns 60 next week, and nowadays just enduring has to be enough. Smelling of greasepaint and tour buses from the very first, it also smelled of stars - Alicia Markova and Anton Dolin who began it, Rudolf Nureyev and Natalia...

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Ivana Gavrić, Wigmore Hall

There are some recitals where you think only about the abstracted music - the harmonic arguments, the structural cleverness, the textural ingenuity - and there are others where you are forced to confront  the presence of a set of living,...

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Philharmonia Orchestra, Temirkanov, Royal Festival Hall

Perhaps we'd better get the Prokofiev part of the opening concert out of the way first.  I have a real problem with Russian whizz pianist of the moment Denis Matsuev. His iron-clad technique and heavyweight thunder still leave some room for...

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The Love for Three Oranges, Grange Park Opera

“Art and love, these have been my life,” sings Tosca in Puccini’s opera. “Music or words first?” the Countess worries in Strauss’s Capriccio. Now in the third of Grange Park’s operas this summer we have the warring advocates of tragedy, comedy,...

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LPO, Jurowski, Royal Festival Hall

For many of us, this was bound to be an emotional evening. Noëlle Mann, doyenne of all things Prokofievian on the editorial, archival, teaching and performing fronts, died peacefully at home last Friday, and it was to her that Vladimir Jurowski...

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Thomas Adès, Barbican Hall

It's still not clear whether his clever, brilliantly orchestrated compositions are here to stay (though they're certainly having a good run at the moment). As a conductor, he's not yet nimble on his feet. Yet after yesterday evening's colossal...

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Cinderella, Royal Ballet

No longer, it seems, need ballet's most transformable heroine languish by the seasonal fireside. It's true that you'll have to wait until Christmas to see the most visually striking Cinderella of all again - Ashley Page's fitfully ingenious Scottish...

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BBCSO, Bĕlohlávek, Barbican Hall

Jiři Bĕlohlávek, great interpreter of Czech music, champions a masterpiece by compatriot Martinů

It needs saying yet again, until the message gets through: Bohuslav Martinů is one of the great symphonic masters of the 20th century, and his fellow Czech, chief conductor of the BBC Symphony Orchestra Jiři Bĕlohlávek, once more proves the right...

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Cinderella, English National Ballet, touring

Was it with a hollow laugh that ENB programmed Cinderella for the election period - as a reminder that glittery fairy phaetons are in fact pumpkins with money? Was it a hint that ballet needs political fairy godmothers? With airwaves full of budget...

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Classical Music CDs Round-up 5

Joanna MacGregor: her releases this month stretch from John Dowland to Moondog

This month's classical music releases include mighty new recordings of Bach, Brahms, Rachmaninov and Prokofiev by major orchestras. Other recordings shine new light on Nielsen and Dallapiccola and make a case for the genius of Bernard Herrmann. From...

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