progressive rock
CD of the Year: Rustie - Glass SwordsMonday, 19 December 2011
If 2011 was the year when dance music's natural tendency to fragmentation was taken to extremes, this album was the one that bound those fragments together into one demented but scintillating vision. Russell Whyte – Rustie – comes from a very... Read more... |
Deep Purple, O2 ArenaThursday, 01 December 2011
If anyone tells you that Deep Purple’s Concerto for Group and Orchestra (1969) wasn’t a masterpiece then they’re an idiot. In fact, it was, more or less, the only successful use of an orchestra with a rock band ever. Now, 40 years on, a pensionable... Read more... |
Tubular Bells, The Charles Hazlewood All Stars, St George's BristolSunday, 06 November 2011
Tubular Bells, the first half of which is being currently revived as a live piece in the UK, sold between 15 and 17 million units worldwide. Quite apart from the work’s innocence being co-opted and made spooky in William Friedkin's The Exorcist,... Read more... |
CD: The Horrors - SkyingWednesday, 06 July 2011
Mention of Southend-on-Sea calls to mind tawdry seafront attractions and Dr Feelgood, and certainly wouldn't prime you to expect The Horrors. Prepare to be flabbergasted, however, because with their third album, this quietly purposeful quintet have... Read more... |
CD: Battles - Gloss DropFriday, 03 June 2011
They started as a band of hyper-accomplished musicians aiming to play fiddly electronica in a guitar-band format and thereby creating a rather witty new kind of progressive rock. Now, minus key member Tyondai Braxton but plus a few leftfield star... Read more... |
Wolfmother, ForumThursday, 02 June 2011
Did Wolfmother spring from outer space, or drift down to Earth from the tail of a comet? Did they slip into our age from another dimension, burrowing through a wormhole in the space-time continuum to land in Sydney, Australia in the 21st century... Read more... |
CD: Explosions in the Sky – Take Care Take Care Take CareTuesday, 05 April 2011
Post-rock shares more with prog rock than six letters. Both are rock music that doesn’t want to rock, be rock and are beyond quotidian rock. Of course, these labels are never self-defined. But post-rock is what Austin Texas’s Explosions in the Sky... Read more... |
Peter Gabriel, Hammersmith ApolloThursday, 24 March 2011
If you just knew him from the pop and world-music part of his career you might struggle to believe that Peter Gabriel was once considered to be synonymous with everything that was white and stiff in music. His Genesis work, all public-school poetry... Read more... |
A Taste of Sónar, RoundhouseSunday, 20 March 2011
The Sónar festival occupies a very special place in the New Music calendar – and is this year expanding outwards temporally and geographically, with new franchises in Tokyo and A Coruña, Galicia. Now into its 17th year, the parent festival in... Read more... |
theartsdesk Q&A: Composer James DillonSunday, 31 October 2010
Glaswegian James Dillon (b 1950) is one Britain's most critically acclaimed living composers. Early detours as a drunken and drug-taking wastrel gave way to what he calls "musical terrorism". By which he means his blistering career as one of the... Read more... |
Interview: Muse - Paranoid, Glam and SupermassiveTuesday, 21 September 2010
Maybe I hadn’t been paying enough attention. It was only at last year’s Children in Need concert, broadcast on prime time which featured the great and the good of British pop that it finally sunk in just how huge Muse have become – they were there... Read more... |
Muse, Wembley StadiumSaturday, 11 September 2010
Some years ago I saw Muse playing at the Corn Exchange in Cambridge. Towards the end of the show, at a climactic moment (I think it might have been during their proggy epic, “New Born”), singer and guitarist Matt Bellamy reached into a bag attached... Read more... |
