post-modernism
Jonathan Coe: The Proof of My Innocence review - a whodunnit with a differenceTuesday, 29 October 2024
Anyone who has been on a British train in the last ten years will have been irritated to distraction by the inane and ubiquitous “See it, say it, sorted” announcement that punctuates every journey, but only Jonathan Coe has channelled that annoyance... Read more... |
Album: Ded Hyatt - GlossyWednesday, 09 October 2024
This record keeps you guessing. It starts off with “Hybrid Romance”, an ambient piece that’s very pretty but has swooping glassy synths that crack and fracture and could easily be about to break into some super jagged Berlin deconstructed club music... Read more... |
Album: Aksak Maboul - Une aventure de VV (Songspiel)Thursday, 02 March 2023
One of the greatest things a musical artist can achieve is world building. That is, creating a distinctive type of environment, language and coordinates for everything they do such that the listener is forced to come into the musical world, and to... Read more... |
Prom 17, Walshe, Tsallagova, Shenyang, NYC, BBCSSO, Volkov review - the sublime and the (enjoyably) ridiculousSaturday, 30 July 2022
The giraffe still baffles me. This model beast appeared stage right at the Royal Albert Hall during Jennifer Walshe’s The Site of an Investigation, only to be loudly wrapped by a pair of percussionists and then removed. A critique of mindless... Read more... |
That Is Not Who I Am, Royal Court review – gimmicky post-truth spoofMonday, 20 June 2022
What is the shelf life of a theatre gimmick? In April, the Royal Court announced that they were going to stage a debut play by an unknown writer, Dave Davidson, who has worked for decades in the security industry. His drama was hyped up, helped by... Read more... |
Stuart Jeffries: Everything, All the Time, Everywhere - How We Became Post-Modern review - entertaining origin-story for the world of todayTuesday, 02 November 2021
In his 1985 essay “Not-Knowing”, the American writer Donald Barthelme describes a fictional situation in which an unknown “someone” is writing a story.“From the world of conventional signs,” Barthelme writes, laying out for the reader this story... Read more... |
Madam Butterfly, Welsh National Opera review - decent performance, disagreeable contextWednesday, 29 September 2021
It’s easy enough to see the difficulty Madam Butterfly places your thinking director in. I share her pain. What the whirring brain will quickly see as a penetrating, or at least surface scratching, study of a whole repertoire of modern obsessions –... Read more... |
Psappha, Phillips, Hallé St Peter’s, Manchester online review - Turnage world premiereFriday, 30 April 2021
Manchester’s Psappha have been proudly flying the flag of new and radical music right through the year of lockdown, and last night’s livestream, with two-and-a-half world premieres, one of them by Mark-Anthony Turnage, showed they haven’t given up... Read more... |
I'm Thinking of Ending Things review - only disconnectThursday, 03 September 2020
I’m Thinking of Ending Things ends in a giddying gusher of weirdness, the steady drip of earlier oddness finally bursting its narrative banks, till a horror scene becomes a Gene Kelly ballet, and an Oklahoma! tune is sung in bitter valediction by a... Read more... |
Gina Apostol: Insurrecto review – a treacherous archipelago of storiesSunday, 14 July 2019
As in other countries born out of 19th-century uprisings against imperial power, the literary roots of the Philippines run deep. Executed by the Spanish in 1896, the novelist, poet and physician José Rizal remains the adored hero of his archipelago’... Read more... |
CD: Billie Eilish - When We All Go To Sleep Where Do We Go?Saturday, 30 March 2019
Billie Eilish is a vaudevillian. Crack that and everything else falls into place. Her impossible precociousness (at 17, she's a superstar and has been in the public eye for four years) and voraciousness (her and her brother Finneas's writing swerves... Read more... |
Scott and Sid review - self-absorbed vanity projectTuesday, 06 March 2018
There’s a Big Reveal that comes right at the end of this new indie movie from first-time writer/producer/directors Scott Elliott and Sid Sadowskyj (whose names, in retrospect, should have given the game away right from the start). For (complete... Read more... |
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