politics
Disbelief - 100 Russian Anti-War Poems (ed. Julia Nemirovskaya) review - writing battle-linesThursday, 23 February 2023
On 24th February 2022, when Vladimir Putin launched his “special military operation”, life in Ukraine changed abruptly and in a brutal fashion. Soon the impact of the war was felt around the world – and not only in rising food and energy prices. Yet... Read more... |
Standing at the Sky's Edge, National Theatre review - razor-sharp musical with second-act woesTuesday, 21 February 2023
Buildings can hold memories, the three dimensions of space supplemented by the fourth of time. Ten years ago, I started every working week with a meeting in a room that, for decades, had been used to conduct autopsies – I felt a little chill... Read more... |
Sylvia, Old Vic review - great leads, rambling storyFriday, 17 February 2023
For many years, I would ask groups of students to vote in elections because “it’s important to honour those who gave up so much to ensure that the likes of us can”. Some would nod, others would shrug, a few might have inwardly scoffed – too... Read more... |
Smoke, Southwark Playhouse review - dazzling Strindberg updateMonday, 06 February 2023
A play’s title can be an almost arbitrary matter – there’s no streetcar but plenty of desire in that one for example – and it might have crossed Kim Davies’ mind to call her play Ms Julie, since it is a reimagining of August Strindberg’s... Read more... |
Watch on the Rhine, Donmar Warehouse review - Lillian Hellman's 1940 play is still asking awkward questionsWednesday, 11 January 2023
We’re reminded, in a grainy black and white video framing device, that, as late as the summer of 1941, the USA saw World War II as just another European war. As brilliantly illustrated in Phillip Roth’s The Plot Against America, not only was such... Read more... |
Stonehouse, ITV review - history repeats itself as farceThursday, 05 January 2023
A disclaimer in the opening credits confessed that some scenes in this three-part history of disgraced Labour MP John Stonehouse had been “imagined for dramatic purposes”, but there was no need. The man’s life story fell comfortably into the “you... Read more... |
Album of the Year 2022: Hercules & Love Affair - In AmberFriday, 16 December 2022
It’s been a shit year. Global horrors from Kiev to Karachi and Tehran to Texas all somehow feeling too close for comfort, and even closer to home heatstroke, frostbite, floods, strikes, impoverishment, the grinding realisation that pestilence is a... Read more... |
Mandela, Young Vic review - baffling bio-musicalFriday, 09 December 2022
As bio-musicals continue to have their heyday, it makes sense for the Young Vic to throw its hat in the ring and champion a work about the hugely influential Nelson Mandela. But this new musical about the South African anti-apartheid activist and... Read more... |
A Christmas Carol, RSC, Stratford review - family show eases back the terror and winds up the politicsSaturday, 19 November 2022
Life is full of coincidences and contradictions. As I was walking to the Royal Shakespeare Theatre, the Chancellor of the Exchequer was on his feet in the House of Commons delivering yet another rebalancing of individual and collective resources. On... Read more... |
Mary, Hampstead Theatre review - compelling study of power politicsWednesday, 02 November 2022
Scottish playwright Rona Munro is both prolific and ambitious. After her trilogy of historical dramas, The James Plays, was staged in 2016, she continues to work on her cycle of seven works, covering the years from 1406 to 1625, which are designed... Read more... |
Tammy Faye, Almeida Theatre review - Elton John's often dazzling new musicalFriday, 28 October 2022
I’ll confess to a certain schadenfreude when the American televangelists who seemed so foreign to us Brits were led away to be papped on their perp walks, ministers in manacles: One big name after another skewered on their own hubris, gulling the... Read more... |
The Caucasian Chalk Circle, Rose Theatre review - new production of classic proves a gruelling experienceFriday, 07 October 2022
Brecht – as I suppose he intended – is always a shock to the system. With not a word on what to expect from his commitment to the strictures of epic theatre in the programme, a star of West End musical theatre cast in the lead and a venue... Read more... |
