politics
howard.male
You might think that an hour-long documentary mainly shot around a slaughter yard and rubbish dump might not make for particularly agreeable television, but trust me, this opener of a three-part series is by turns amusing, life-enhancing and gripping. Producer Will Anderson and director Gavin Searle have done an excellent job of getting under the surface of one of the worlds great megacities. A place that in the space of 50 years has grown from a population of about 300,000 to 16 million today.At first, parts of Lagos society appear to be on the brink of meltdown, but as the documentary Read more ...
sheila.johnston
Roman Polanski's vice-like paranoid thriller received its world premiere in Berlin in February amid the Chilcot inquiry and headlines about MI5's complicity in torture at Guantánamo Bay, and its topical echoes will rumble on uncomfortably (for some) in the run-up to next month's UK elections. Based on Robert Harris's best-seller, The Ghost (or The Ghost Writer, as it's titled in certain territories), it features an ex-prime minister accused of precisely such crimes and the perhaps even more heinous ones of being in possession of bouffant hair, a cheesy, unconvincing grin and a manipulative, Read more ...
Peter Culshaw
Laurie Anderson's new show Delusion opens at the Barbican in London next week. Since the late 1960s she has been at the forefront of artistic innovation. From early pieces where she appeared in art galleries (wearing ice-skates in a block of ice that slowly melted), to her epic opera United States I-IV, she has carved out a niche as something between a poet, artist, technician, humourist, pop star and magician. We chatted over a coffee for breakfast in Paris last week, after I had seen Delusion the previous night.Anderson's last show, Homeland, was partly a response to the fact Read more ...
Joe Muggs
The protests around the Iranian presidential elections of 2009 brought home to many in the West not only how dominated by youth the pro-democracy movement in Iran is, but also how westernised the youth of that country are. Symbolised by Neda Agha-Soltan, the young woman whose death at the hands of security forces was caught on camera and beamed around the world, this was an Iran a world away from the glowering Ayatollahs and pepperpot women in black chadors we tended to see on news reports.No One Knows About Persian Cats is a timely reminder of the existence of this young, modern Iran Read more ...
fisun.guner
Richard Hamilton, the true father of Pop art and spiritual descendant of Duchamp, is not a particularly prolific artist. Rather, he sticks to an idea and works on it over several editions and in different media, so that we get a large body of work repeating the same image in paint, in collage, in photography and in mixed media. For Hamilton, now 87, in so much of what he has done over the decades the key idea cannot be conveyed by a single unique work of art, because the key idea is often to do with the multiplicity of images: in other words, the medium is the message.Modern Moral Matters, Read more ...
gerard.gilbert
Imagine if Rory Bremner had been banned from British television for the past 20 years, and Gordon Brown had put pressure on the BBC to get rid of Question Time because it had been critical of him. In the Italy of Silvio Berlusconi these things happen. The country’s top satirist, Beppe Grillo, has effectively been denied access to the airwaves since Berlusconi became prime minister in 1994, while just this week allegations emerged that Berlusconi had tried to block transmission of a state television talk show, Annozero, that had discussed the alleged mafia ties of members of his government. Read more ...
ash.smyth
When the subversive graphic artist Sarnath Banerjee won a MacArthur grant he opted "to research the sexual landscape of contemporary Indian cities", embroiling himself in the aphrodisiac market of old Delhi and introducing the English reading public to the great Hindi word swarnadosh (erm, "nocturnal emissions"). Banerjee (b. 1972) is generally credited with having introduced the graphic novel to India. Incorrectly, as it happens; but with Corridor (2004) and The Barn Owl’s Wondrous Capers (2007) – over and above his work as illustrator, publisher and film-maker – the Goldsmiths-trained Read more ...
ash.smyth
The subversive artist and film-maker Sarnath Banerjee, credited with introducing the graphic novel to India, features in a London show, Royale With Cheese, at Aicon Gallery, 8 Heddon Street, London W1, where his eight-scene graphic narrative Che in Africa is displayed. You can see it here. And read the interview with him here: "I’m very interested in the disreputable men of history, especially the Big Men in Africa – the leaders known as the grandes légumes..."
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Royale With Cheese is at Aicon Gallery, 8 Heddon Street, London W1 until 3 April
Sarnath Banerjee's Read more ...
graeme.thomson
If ever there was a classic case of artist and audience meeting on terribly comfortable ground, Karine Polwart's performance at last night’s fundraiser for the Green Party was it. Held in a beautiful converted church, there was more than a trace of the Vicar of Dibley lurking around the edge of the proceedings. Whatever your political affiliations, the Greens undeniably put on a good spread: it was organic beer, home bakes and Curious Colas all round, a repast matched only in its wholesomeness by a lot of thoroughly fine if sometimes overly polite musical manoeuvres.A gifted singer and Read more ...
Adam Sweeting
You don't have to be female to wonder where the feminist revolution went. You only have to look at the not-very-private lives of footballers and the gaggles of wannabe WAGs flinging themselves in their path, or the way female pop stars seem to relish the requirement to dress up (or down) like porno queens, to wonder if it isn't high time somebody wrote an update of Kate Millett's Sexual Politics. But they'd all be too busy Tweeting to read it.Millett was one of the pioneering feminist icons tracked down by Vanessa Engle in Libbers, the first of her three-part series, Women. Read more ...
Adam Sweeting
As one of the opening captions put it, "you couldn't make it up", and this sprightly drama about the House of Commons expenses scandal duly tacked its way skilfully up the channel between satire and slapstick. Concluding correctly that wallowing in moral outrage was not the way to handle a subject whose full ramifications have yet to land on us (and them) with their full crushing force, writer Tony Saint instead deftly depicted the Commons as a kind of Swiftian monstrosity, ludicrous yet malevolent.Speaker Michael Martin, Labour MP for Glasgow Springburn, was presented as an antediluvian Read more ...
Adam Sweeting
It was a bit like the Ghost of Labour Past at Channel 4’s screening of this biopic of Mo Mowlam at BAFTA a couple of weeks ago. A cohort of party veterans turned out, including Charles Clarke, Neil Kinnock and Adam Ingram (a close ally of Mowlam’s and played by Gary Lewis in the film). There was even a brief introductory talk by "Batty" Hattie Harman, recalling how she first met Mowlam at Westminster. What a thrill that must have been for Mo.The star of the piece, Julie Walters, admits that she has become so disillusioned with politicians that she doesn’t know if she can bear to vote for any Read more ...