sun 05/05/2024

politics

Edinburgh Fringe 2023 reviews: The Insider / Sensuous Governing

The Insider, ZOO Southside ★★★★Uncovered and investigated in 2017, the Cum-Ex scam was a complex tax fraud that stole billions from the coffers of several European countries. Its principal was simple (well, fairly simple): companies would...

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Makeshifts and Realities, Finborough Theatre review - Edwardian dramas with a pinch of Chekhov

We’re in (pretty much literally so in this most intimate of venues) an Edwardian sitting room, time hanging heavily in the air, gentility almost visibly fading before our eyes. Two sisters (young, educated, attractive) bicker with each other. But...

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La Cage Aux Folles, Regent's Park Open Air Theatre review - 40 years on, the drag show still entertains and educates

Forty years ago, the world was very different for gay men. AIDS was devastating their communities, especially in the big cities where hard-won enclaves of acceptance were being hollowed out, one sunken-eyed friend after another. Media screamed “Gay...

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Macbeth, Shakespeare's Globe review - uneven production of intermittent power

That Shakespeare speaks to his audiences anew with every production is a cliché, but, like so many such, the glib blandness of the assertion conceals an insistent truth. The Thane of Glamis has had some success in life, gains preferment from those...

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Edinburgh International Festival 2023 reviews: FOOD / Dusk

FOOD, The Studio ★★★There’s no denying it: Los Angeles-born Geoff Sobelle is a theatrical magician (quite literally – it’s how he began his career). Through a string of visually spectacular shows on the Fringe and more recently at the...

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A Kind of Kidnapping review - claustrophobic class-division satire

A Kind of Kidnapping is a low-budget British comedy with a neat premise and satirical view of class and politics in the midst of a cost of living crisis.A young couple struggling to make ends meet and facing eviction from their squalid flat come up...

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Modest, Kiln Theatre review - tale of Victorian would-be trailblazer fails and succeeds

Whether you believe that Ellen Brammar’s play, Modest, newly arrived in London from Hull Truck Theatre, succeeds or not, rather depends on your criteria for evaluating theatre. On storytelling, character development and nuance, it is two and a half...

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Album: ANOHNI - My Back Was a Bridge for You to Cross

A “back to basics” album is a risky thing. When an act has expanded into big, lavish or experimental production, it’s not a simple act to strip that away. Trying to go back to the intimacy or spontaneity of early work can feel forced: they may find...

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Jacqueline Rose: The Plague review - tracing our response to tragedy

In The Plague: Living Death in Our Times, Jacqueline Rose makes a surprising pivot from her usual topics – Sylvia Plath, children’s fiction, Zionism, to name a few – to throw a spotlight on the Covid-19 pandemic. It was hard to process the...

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Andrey Kurkov: Jimi Hendrix Live in Lviv review - a city speaks its multitudes

Rock music helped to subvert the Soviet Union by glamorising youthful rebellion and the West. In the opening scene of Andrey Kurkov’s novel Jimi Hendrix Live in Lviv, a bunch of ageing hippies gather at night on the anniversary of the American...

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Polly Toynbee: An Uneasy Inheritance - My Family and Other Radicals review - looking back

There are few contemporary journalists whose names are instantly familiar – and usually it’s for the wrong reasons. Polly Toynbee occupies a special place in the hearts and minds of all those on the left. To those on the right, she is among the most...

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The Circle, Orange Tree Theatre review - acerbic reflections on the price paid for love

Tom Littler opens his account as artistic director of the Orange Tree Theatre with one of the more radical choices one can make in 2023 – directing a 102 year-old play pretty much how it would have been done in 1921.It’s all very period (...

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