playwrights
Neil Simon: 'I don’t think you want it really dark'Monday, 27 August 2018
Asked to nominate the most important playwright in America since the war, theatregoers would probably plump for Arthur Miller, Edward Albee or David Mamet. But in terms of sheer popularity there is another candidate. Neil Simon’s wiseacre comedies,... Read more... |
Pericles, National Theatre review - a fizzingly energetic productionMonday, 27 August 2018
A break-dancing mini Michael Jackson, a transvestite Neptune, and a hero who wears his hubris as proudly as his gold-tipped trainers, are unconventional even by Shakespeare’s standards, but they all play a key part in this joyful act of subversion.... Read more... |
h 100 Young Influencers of the Year: Hannah Greenstreet on Three SistersFriday, 24 August 2018
Dear RashDash,I know you don’t like critics because Abbi read out a lot of reviews of famous Chekhov productions very fast, wearing a ruff and sequined hot pants. But I promise I won’t rate you out of five or patronise you with a gold star or give... Read more... |
Aristocrats, Donmar Warehouse review - fresh but unevenFriday, 10 August 2018
Chekhovian is a rather over-used word when it comes to describing some of the late Brian Friel's best work, but you can see why it might apply to Aristocrats, his 1979 play which premiered at the Abbey Theatre in Dublin before becoming a... Read more... |
h 100 Awards: Theatre and Performance - excellence and inclusion across the mapSaturday, 04 August 2018
Amidst ever-uncertain times, one thing is for sure: this country's ability to regenerate and renew itself theatrically remains alive and well. From an ever-bustling array of activity in the capital to all manner of bracing enterprise up and down the... Read more... |
King Lear, Duke of York's Theatre, review - towering Ian McKellenFriday, 27 July 2018
Jonathan Munby's production starring Ian McKellen, first seen last year in Chichester and now transferred to the West End, reflects our everyday anxieties, emphasising in the world of a Trump presidency, the dangers of childish, petulant... Read more... |
Allelujah!, Bridge Theatre review - hilarious but dark, darker, darkestFriday, 20 July 2018
The NHS is us. For decades our national identity has been bandaged together with the idea, and reality, of a health service that is free at the point of delivery. Such an object of myth and pride cries out for comic treatment, and now the spritely... Read more... |
A Monster Calls, Old Vic - wild, beautiful theatre that beguiles and bruisesThursday, 19 July 2018
A raw pagan vitality animates this extraordinary story about a teenage boy wrestling with tumultuous emotions in the face of his mother’s terminal illness. Director Sally Cookson has taken the potent blend of myth and realism in Patrick Ness’s book... Read more... |
The Lehman Trilogy, National Theatre review - an acting tour de forceSaturday, 14 July 2018
There's surprising and then there's The Lehman Trilogy, the National Theatre premiere in which a long-established director surprises his audience and, in the process, surpasses himself. The talent in question is Sam Mendes, who a quarter-century or... Read more... |
Alkaline, Park Theatre review - faith, friendship and failureSaturday, 14 July 2018
Britain is rightly proud of its record on multiculturalism, but whenever cross-cultural couples are shown on film, television or the stage they are always represented as a problem. Not just as a normal way of life, but as something that is going... Read more... |
Charlotte Jones: ‘Plays come from your scar tissue’Tuesday, 10 July 2018
I think it’s always a dangerous sport to try and consciously unravel where your ideas come from. Lest you break the spell and inadvertently silence yourself…There’s always the superficial reasons, of course: the geography and the history of a play.... Read more... |
The Lieutenant of Inishmore, Noel Coward Theatre review - Aidan Turner makes a magnetic West End debutThursday, 05 July 2018
Aidan Turner may not reveal those famously bronzed pecs that have made TV's Poldark box office catnip in his West End debut. But what Michael Grandage's funny and fiery revival of The Lieutenant of Inishmore reveals in spades is the... Read more... |
