playwrights
First Person: A Man of Good HopeSunday, 09 October 2016
To begin writing a book is to start something over which you are going to lose control. As it comes to life, a book acquires its own quiddity, its own interior authority, and if the writer does not obey this authority she ruins the book. A Man of... Read more... |
Who's afraid of Edward Albee?Saturday, 17 September 2016
"I've always thought there's nothing worse than coming to the end of your life and realising that you haven't participated in it, and so I write about people who've done that to a certain extent." Edward Albee has died at the age of 88, having... Read more... |
First Person: Boys Will Be BoysSunday, 26 June 2016
In the opening scene of Boys Will Be Boys, the lead character, Astrid, talks about how there’s a boys’ world and a girls’ world. Boys’ world is where you want to be. That’s where power is, that’s where fun is. Boys get to be boys and that means... Read more... |
The Mighty Walzer: ping-pong in the roundWednesday, 22 June 2016
It’s a little over two years since I was approached to adapt The Mighty Walzer by Howard Jacobson for Manchester Royal Exchange. I was living in Liverpool at the time and had recently seen That Day We Sang by Victoria Wood at the Exchange. It was... Read more... |
First Light: the story of the Tommies shot at dawnWednesday, 08 June 2016
Nothing quite prepares you for your first sight of Thiepval, the Memorial to the Missing of the Somme. I had read about the events it commemorated and, before that, been told about them as a young boy. I’d studied the war poets at school and as a... Read more... |
Alistair Beaton: 'If you’re bored, it’ll be my fault'Monday, 23 May 2016
It’s either serious or it’s funny. That’s a view I quite often encountered when working in Germany. A theatre professional there once advised me to remove all references to writing television comedy from my biography in the theatre programme.“Why?”... Read more... |
First Person: Tackling FGMThursday, 19 May 2016
I knew that if I was going to write a play about female genital mutilation, I would have to try and understand why any mother or grandmother would make their child undergo such a brutal procedure. In my research, I read many articles and accounts of... Read more... |
10 Questions for Playwright Joe PenhallTuesday, 10 May 2016
Joe Penhall first thwacked his way to the attention of British theatregoers more than 20 years ago with a series of plays about schizos and psychos and wackos. An iconoclastic laureate of lithium, his early hit Some Voices (1994), about a care-in-... Read more... |
'What’s he doing - this kid - where’s he going?'Tuesday, 05 April 2016
I notice a teenage boy hanging around the bus stops near where I live in south-east London. I’m reminded of myself when I was 17, after I’d left school with hardly any qualifications, looking for something to do, suddenly lost without the day-to-day... Read more... |
Bon voyage, Jean Anouilh!Sunday, 21 February 2016
In the icy early hours of 1 February 1918 a bizarre figure was seen wandering aimlessly along the platform of a railway station in Lyon. A solider. Lost. When asked his name he answered, “Anthelme Mangin”. Other than that he had no memory of who he... Read more... |
Around the World in 80 Days: why now?Friday, 27 November 2015
I adapted Around the World in Eighty Days very specifically for my own theatre company, Lookingglass Theatre of Chicago, where I am one of 24 multi-skilled ensemble members who are writers, directors, actors, and/or designers. Although Lookingglass... Read more... |
The Father, Wyndham’s TheatreTuesday, 06 October 2015
Dementia is an increasingly common theme in theatre, television and film. But although there are plenty of stories about old people suffering from Alzheimer’s, what does it feel like to experience this condition? French playwright and novelist... Read more... |
