Pink Floyd
Graham Fuller
Pink Floyd’s “Echoes”, the ineffable progressive rock epic that occupies side two of 1971’s Meddle, is having a moment. Nick Mason’s Saucerful of Secrets released a sensational one-sided 12-inch vinyl version of the track on Record Store Day, April 12. Recorded at the Centennial Hall in Frankfurt last August, the 23.04-minutes single – which plays from the centre outwards – reached number six in the vinyl chart, dropped, and is rising again. It’ll be on Radio One next, jostling for air time with Taylor, Sabrina, and Ed.Then there’s the new Pompeii version. At the ruined Italian city’s re- Read more ...
Mason Bates
What do Beethoven and Pink Floyd have in common?Narrative – ingeniously animated by music.From the Ninth Symphony to The Wall, narrative music has brought a new dimension to the forms and genres it has touched.Musical storytelling is on my mind this month as the London Philharmonic Orchestra performs Liquid Interface, my first large-scale exploration of musical narrative in the form of a “water symphony”. Premiered at the Kennedy Center for the Performing Arts in 2007, the work features watery orchestral textures and electronic sounds that range from field recordings of glaciers calving, to Read more ...
theartsdesk on Vinyl 35: Christmas 2017 Special with Pink Floyd, Mariah Carey, ELO, Madness and more
Thomas H. Green
The music business is about to disappear on holiday wholesale and we won’t see hide nor hair of it until mid-January. There’s just time for one last 2017 vinyl celebration. Regular readers should be warned that theartsdesk on Vinyl becomes rather easy-going at this time of year – must be all the Baileys – and prone to making allowances for the odd sliver of cheese and office-party silliness. It’s a Christmas special where, like Christmas itself, truly good music mingles more freely with the “fun” stuff, and music that might just make a good present. Have a top one. Enjoy yourself too much. Read more ...
Adam Sweeting
Roger Waters described The Final Cut, the last Pink Floyd album he appeared on, as “a requiem for the post-war dream”. Funnily enough, he could say much the same for Is This the Life We Really Want?, his fourth solo album. (The answer the title invites is of course supposed to be “No”).In “Broken Bones”, he explicitly lays the blame for what he sees as the world’s current morbid malaise on the aftermath of that self-same conflict: “When World War Two was over, well the slate was never wiped clean… we chose to adhere to abundance, we chose the American Dream”.As the album progresses, Waters, Read more ...
Adam Sweeting
The title of this exhibition is typical of Pink Floyd’s mordant view of the world, not to mention their sepulchral sense of humour. Needless to say, the band that took stage and studio perfectionism to unprecedented lengths have pushed the boat out here, memorialising over 50 years of their collective history with thoroughness and fanatical attention to detail.The event was four years in the planning, with all three surviving members pitching in and giving it their blessing, and drummer Nick Mason attending “many a long meeting” as he coordinated the event with curator Victoria Broackes and Read more ...
Thomas H. Green
Vinyl is not a cute, retro, style statement. Well, OK, it can be. But it’s also an analogue format that’s as current as its user wants it to be. Aiding this process, for those who are determinedly forward-looking, is the Love turntable (main picture). Created by Swiss design kingpin Yves Behar, working with LA-based Love CEO CH Pinhas, the tone-arm revolves around the record and, via infrared technology, is controllable from a phone, allowing listeners to traverse tracks as they please. The idea, promo-ed on Kickstarter, is that it makes the vinyl experience better for those more used to Read more ...
Russ Coffey
A single guitar note rang out over smouldering synth-chords. It was bent up a tone and then wavered in the air before gracefully falling. And so began the final residency of the Rattle That Lock tour. No hype. No support act. Just David Gilmour and his all-star band looking back on his long and prestigious career. At least that's how the programme described it. For everyone else this was Pink Floyd resurrected.Not the Nineties "stadium version", mind. This was more like early Floyd - a time when the band members were still totally immersed in the possibilities of making Read more ...
Kieron Tyler
Pictured above is the label of an exceptionally important Pink Floyd record issued last November. Only a thousand people bought a copy. That was the amount that hit shops. Pink Floyd 1965: Their First Recordings was a double seven-inch set with a historic importance inversely proportionate to its availability. It was the first ever outing for the earliest recordings by the band and, as such, the earliest compositions for them by its prime songwriter Syd Barrett. He died on 7 July 2006 at age 60, and a look at this hard-to-find yet significant release is a tribute to his memory.The band is the Read more ...
Adam Sweeting
Had he not become one of the pivotal members of Pink Floyd, it's not difficult to imagine that David Gilmour might have become an academic like his father Douglas (who was a lecturer in zoology and genetics at Cambridge), or maybe a high-flying lawyer with leftish inclinations. Despite having been at the vanguard of rock music in its greatest and most extravagant years, Gilmour was never a likely candidate for a dissolute life of rock'n'roll hedonism.During this expansive TV profile, he pondered over this himself. Inspired back in the Fifties by Bill Haley's "Rock Around the Clock" and Elvis' Read more ...
Barney Harsent
Growing up is a pain in the arse. Actually that’s not true, my arse has remained relatively unaffected by advancing years. In the last few months, however, I’ve managed to put my back out getting up off the sofa and inexplicably hurt my knee while trying to stand after retying a shoelace. I’ve also developed an acute fear of cholesterol, without really understanding what it is.On the basis of the two tracks I’d already heard on Rattle That Lock, I’d assumed that David Gilmour had managed to avoid such bodily rebellion and was dancing his way through the days. Both the title track and single “ Read more ...
Graham Fuller
The Endless River, a contemplatively ambient opus comprising four pieces made up of 17 instrumental sections and a concluding song, is Pink Floyd’s second “last” album. Their first sign-off was 1982’s dreary The Final Cut, virtually a Roger Waters solo excursion that demonstrated, as did much of The Wall, how crucial to Floyd’s characteristic sound were Richard Wright’s lambent keyboards-playing and his gently yearning vocals, not least on the Meddle masterpiece “Echoes”.Ousted during The Wall sessions, Wright rejoined guitarist-lead vocalist David Gilmour and drummer Nick Mason for the post- Read more ...
Graham Fuller
Let us go now to a foreign country. To the foreboding concrete tunnels and rooms of an RAF early-warning facility under the Sussex Downs in the early summer of 1973.The Lower Sixth has somehow procured the space for an epic late-night party. Cheap beer and cheaper cider is drunk. Cigarettes are smoked, self-consciously. Flared jeans and cheesecloth shirts are worn under Afghan coats, not with panache.There’s no dancing because there’s no DJ and no one has thought to bring any pop singles. Instead, there’s a pile of gatefold-sleeved albums beside the record player, each of which gets played to Read more ...