Pina Bausch
Ten Chi, Tanztheater Wuppertal Pina Bausch, Barbican TheatreMonday, 18 June 2012
The Japanese dance public is overwhelmingly female, so it’s not surprising that Pina Bausch’s paean to Saitama, Ten Chi, is so girly. The fourth in the series of “World Cities” that’s sold out London’s two great dance centres, the Barbican and... Read more... |
...Como El Musguito..., Tanztheater Wuppertal Pina Bausch, Sadler's WellsWednesday, 13 June 2012
If you are tired of life, tired of London, or even tired of love, muster the remaining fibres of your frazzled being and do whatever it takes to get tickets for ...como el musguito en la piedra, ay si, si, si... or any of the other performances in... Read more... |
Nur Du, Tanztheater Wuppertal Pina Bausch, Barbican TheatreMonday, 11 June 2012
Many people will be having their first taste of the late Pina Bausch’s dance-theatre in this copious London retrospective of 10 of her “World City” productions; others will have bought into several of the series, possibly by now wondering how many... Read more... |
Viktor, Tanztheater Wuppertal Pina Bausch, Sadler's WellsThursday, 07 June 2012
It stymies any tourist to sum up for others what they saw abroad. Still more challenging, to create (or recreate) for theatre as a choreographer something more than superficial, more than clichéd about Italy, Japan, Los Angeles, Istanbul, these most... Read more... |
Sadler's Wells Theatre, 2012 SeasonWednesday, 11 January 2012
Who would imagine that the search for new dance audiences would result in a cascade of fairy tales and dramas at Sadler's Wells, the focus for hip eyes on culture? But it is so - The Sleeping Beauty, Snow White and a Hans Christian Andersen folk... Read more... |
DVD: PinaFriday, 23 September 2011
The clips as you load the DVD show women in extremis - women tied to the end of a rope, women being assaulted by mass male groping, women dancing on pointe with bleeding chunks of meat stuffed into their ballet shoes. Pina Bausch’s commentaries on... Read more... |
Pina 3D/ Giselle 3DTuesday, 19 April 2011
Pina Bausch decided: “Words can’t do more than just evoke things - that’s where dance comes in.” Well, up to a point, Lord Copper. Only if they’re bad words and good dance - bad writhing instead of, say, Shakespeare’s words isn’t much of a swap. But... Read more... |
Iphigenie auf Tauris, Tanztheater Wuppertal Pina Bausch, Sadler's WellsFriday, 29 October 2010
Iphigenia is an abandoned child, almost murdered by her father, lost in bewilderment, captured and indoctrinated in an artificial existence. It hardly matters that her father was the legendary Greek hero Agamemnon, her mother the notorious... Read more... |
Kontakthof, Tanztheater Wuppertal Pina Bausch, Barbican TheatreSunday, 04 April 2010
A house of contact, a place to make contact - this bare, evocative title sits on one of Pina Bausch’s most appealing works, and also its most elastic. Brought this week to the Barbican posthumously, staged by her company on two amateur casts,... Read more... |
Pina on screenWednesday, 31 March 2010Film of Pina Bausch’s dances is rare, but linked to the London performances by Tanztheater Wuppertal this week the Barbican centre is showing a season of films about her theatre as well as her working methods, capped by the famous 1985 film of Café... Read more... |
theartsdesk Q&A: Meeting Pina BauschTuesday, 30 March 2010
This week the world-renowned Tanztheater Wuppertal Pina Bausch arrives in London - for the first time, without its towering creator. Last summer the German choreographer died at the age of 68. The company intends to continue, despite the dodgy track... Read more... |
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