thu 20/03/2025

performance art

Art of Change: New Directions from China, Hayward Gallery

At the Hayward Gallery a young woman falls over backwards; her flight is magically arrested at a gravity-defying point of imbalance. Since she is blinking, one can safely assume that she is alive, present, and human rather than a waxwork or an...

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Edinburgh Fringe: Camille O'Sullivan/The Road That Wasn't There

 Camille O'Sullivan: Changeling, Assembly Rooms *****The Assembly Rooms may have reopened for this year's Fringe following a very swanky refurb, but someone obviously forgot to put sufficient thought into the practicalities of getting people in...

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theartsdesk at the Avignon Festival

The vast Avignon Festival is not a neatly curated sequence of works which can be experienced - like certain art biennales or the Proms - as if on a conveyor belt. There are 50 productions in the official “In” during three weeks, and more than a...

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Tino Seghal: These Associations, Tate Modern

Tino Seghal’s Turbine Hall commission makes me wonder about fellow art critics. Do they not get out enough? I’m struck by how easily seduced they are by brief encounters with live, interactive artworks, as if spending so much time looking at...

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Art in Action, The Tanks, Tate Modern

You now have two choices when you roll down to the bottom of the Turbine Hall's slope. You can go left to the established Tate Modern collection of paintings and sculptures in white boxes, or right to a warren of performance and video art that fills...

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Turner Prize 2012 shortlist

Where’s Marcus Coates? The gangly shaman-artist was last seen communing with the dark spirit of the soon-to-be demolished Heygate Estate in the Elephant and Castle, but, hell, he’s nowhere on the Turner Prize 2012 shortlist.Coates is an artist whose...

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Yayoi Kusama, Tate Modern

Yayoi Kusama, one of Japan’s best-known living artists, has spent the past 34 years as a voluntary in-patient in a psychiatric hospital in Tokyo. Now 82, she was part of the New York avant-garde art scene of the Sixties, making work that anticipated...

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Turner and the Elements / Hamish Fulton: Walk, Turner Contemporary

Turner and the Elements is a visual joy and an intellectual pleasure. The backbone of the selection is Turner’s genuine engagement with the scientists of the day. The argument is that he amalgamated the traditional segregation of the...

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Lygia Pape: Magnetised Space, Serpentine Gallery

The Serpentine’s north gallery has been transformed into a magical space (main picture). Strung from floor to ceiling of the darkened room, shafts of copper wire glimmer in subdued lighting like sunbeams, or the searchlights that scanned the night...

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Edinburgh Fringe: Tiffany Stevenson/ Carl Donnelly/ The Two Wrongies

Tiffany Stevenson ★★★★The comic is currently appearing on Show Me the Funny on ITV, where her smily disposition is a welcome antidote to some of the sneery critics they have mustered. There’s boyfriend stuff in Cavewoman but Stevenson also delivers...

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Robin Rhode: Variants, White Cube Hoxton

Still from 'Piano Chair' by Robin Rhode

Robin Rhode’s animations are pure pleasure; there’s perfection in their simplicity. They are so perfectly tuned, so light on their feet, that one simply wants to enjoy them; but because they are multilayered, they offer more than momentary pleasure...

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Dave St-Pierre Company, Un Peu de Tendresse, Sadler's Wells

When asked if I wanted to go and see two dozen naked Canadians doing audience participation, the answer was, self-evidently, nonononononononono. And then, for good measure, NO. Well, I’m here to tell you, I was wrong. Wrong, wrong, wrong. And I...

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