thu 23/05/2024

Oxford

L'Olimpiade, Garsington Opera

Despite ever-more determined attempts by musicologists to broaden the baroque repertoire of our opera houses, Handel still very much has things his own way. But in this Olympic year a sly challenge has emerged from Antonio Vivaldi’s L’Olimpiade –...

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CD: Message to Bears - Folding Leaves

Oxford's Message to Bears project – a fluid collective around one Jerome Alexander – is one of music's best-kept secrets. In one and a half albums in 2008-9, Alexander created a new kind of ambient music: floating, rarefied chamber pieces in which...

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Art Gallery: Egyptian and Nubian Galleries, Ashmolean Museum

The Ashmolean Museum opens the doors to its Egyptian and Nubian galleries tomorrow and in these six refurbished rooms you’ll be able to see one of the greatest collections (among some 40,000 antiquities) outside Cairo. Designed by the architect Rick...

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theartsdesk Q&A: Choreographer Christopher Wheeldon

Those of us un-Zeitgeisty enough to miss the Royal Ballet’s first new full-length ballet in 20 years during its first run can now catch up. Opus Arte’s DVD release of the televised Alice’s Adventures in Wonderland tells a different story from the...

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Shared Experience: sharing the work

Opening up the process: Shared Experience's joint artistic director Polly Teale

Shared Experience is certainly living up to its name; in a radical departure from normal theatre conventions, the company is currently sharing part of its rehearsal process with audiences as it develops Helen Edmundson’s latest work, Mary Shelley,...

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Morse/Lewis/Hathaway: vote in our heretical Facebook poll

There is an intriguing heresy planted several paragraphs down in Adam’s review of Lewis, which resumed last night on ITV. “It’s the relationship between Lewis and Hathaway that makes the thing worth watching. In fact, it sometimes seems more...

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Lewis, ITV1

Read Adam Sweeting's review of "Intelligent Design", the last-ever episode of LewisAlthough its steepling body count is almost enough to rival the trail of carnage in The Walking Dead (which rose from the grave on 5 last night after its original...

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Summary of main Arts Council winners and losers

A sliderule of 11-15 per cent reductions in annual grants by 2015, compared with this year, has been applied to Britain's major orchestras, opera, dance, theatre and music organisations. One major gainer is London's Barbican Centre - one major loser...

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Giselle, Royal Ballet/ Swan Lake, Russian State Ballet of Siberia

The chasm between the top-class ballet available to London-area ballet-goers and the low-grade stuff peddled in the regions is the field where the battle to save ballet’s soul is nightly won or lost. Nothing could be more dispiriting than to see the...

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Any Human Heart, Channel 4

Any period drama that crops up on Sunday nights is now automatically billed as a potential replacement for Downton Abbey. Any Human Heart has duly been described thus, but isn't. Converted into a four-part series from William Boyd's 2002 novel, with...

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Kris Kristofferson, Festival Theatre, Edinburgh

“This song is for my kids – and all their Mommas.” Even at 74, Kris Kristofferson exudes the quietly satisfied air of experience of a man who has spent at least half his life drinking, shagging, smoking and strumming to his heart’s content, and now...

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Art Gallery: Howard Hodgkin - Time and Place

Howard Hodgkin: 'The grand figure of British non-figurative painting'. Pictured: 'Dirty Weather' (2001)

Howard Hodgkin is unquestionably the grand figure of British non-figurative painting. Often compared to Matisse in his use of intense colour, he has always insisted that his paintings are not abstract. They allude, he says, to memories of people and...

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