New York
theartsdesk
Welcome to another show, in which Joe guides us around some of the weirder, smokier corners of the broad church of hip hop, and discussion returns to how far genre can stretch and where originality can reside in a multi-channel, everything-available-at-once world. We also take a listen to more and less authentic sounds of South America courtesy of a Brit-in-Colombia, a Colombian Brit, and a legend of British underground sounds turning Colombian sounds into house music. There's some neo-psychedelia and neo-folk thrown into the mix for good measure.The Colombian Brit is one José Hernando Read more ...
Peter Culshaw
“It’s the oldest building in England,” Ana Matronic said breathlessly. “We’re probably going to behead someone.” The Tower of London is an unlikely venue for the fizzy pop monster that is Scissor Sisters, who dedicated one song to Anne Boleyn. In the end, no executions, or drawing or quartering, but they did have a couple of oversized beefeaters (pictured below) flanking the stage and dancing. Seeing them top the bill at the BT River of Music at the Americas Stage, you realise just how many pop classics they now have at their disposal from their four albums.It was a case of wishing you could Read more ...
igor.toronyilalic
You now have two choices when you roll down to the bottom of the Turbine Hall's slope. You can go left to the established Tate Modern collection of paintings and sculptures in white boxes, or right to a warren of performance and video art that fills two new large concrete barrel rooms - two options in gallery geometry and art practice. With the help of architects Herzog and De Meuron, Tate have incorporated the two disused oil drums into the gallery to provide a permanent platform for the immersive and interactive art forms that have come to dominate the visual arts over the past Read more ...
Lisa-Marie Ferla
It is sometimes hard to be enthused by midweek gigs. Last night was one of those occasions, at least for the 30 seconds I thought I was going to be watching most of the show on the iPhone screen of the six feet of beard that planked itself in front of me just in time for the music starting. Those are the nights you need, as Sharon van Etten might say, “something that’s hard to describe”. Something that changes your mood, and makes you smile, and doesn’t happen all of the time. Something fun.If you’re at all familiar with Tramp, the third album from Brooklyn-based van Etten which came out at Read more ...
Graham Fuller
If not as ensnaring as Double Indemnity, The Big Sleep, or Out of the Past, Otto Preminger’s urbane police procedural Laura is one of the best film noirs because it transcends the genre. It is an inverted women’s picture – about the hubris of a successful career girl cum Galatea – a savage critique of the decadence of Manhattan high society, and a commentary on the neurotic idealisation of beautiful women.It begins like Rebecca: the Wildean newspaper columnist Waldo Lydecker (Clifton Webb) musing, with the words “I shall never forget the weekend Laura Read more ...
Sarah Kent
For three months in the spring of 2010, New Yorkers were gripped by Abramovic fever. The mania owed its origins to a somewhat unlikely source – a retrospective at the Museum of Modern Art (MoMA) of a 63-year-old Serbian performance artist.Performance art is not exactly mainstream entertainment and Marina Abramovic is scarcely a household name, yet such was the enthusiasm generated by her exhibition that 750,000 people visited it in three months; many of whom queued all night for an audience with the artist.The hysteria was stoked up by shock/horror media coverage of nudity and stories about Read more ...
emma.simmonds
Once again bringing to screen the seemingly unfilmable (see also Naked Lunch and Crash), the audacious David Cronenberg takes on Don DeLillo’s 2003 novel - a novel which in the last decade has become frighteningly pertinent. Respectfully retaining much of DeLillo’s original dialogue, Cosmopolis is a paranoid, loquacious nightmare, a sly, searing study of the alienated super rich, a meditation on greed, emptiness and jealousy. It’s set almost entirely within the comfortable cocoon of a stretch limousine which, in the hands of Cronenberg, becomes an almost science fiction-style space. Read more ...
Lisa-Marie Ferla
At the age of 65, you would be forgiven for thinking that punk rock high priestess Patti Smith has every justification for winding down (the odd eccentric covers collection to keep the kids amused aside, of course). Indeed, her actions of the past couple of years - the highly-acclaimed memoir Just Kids, the self-curated musical retrospective Outside Society - bear all the hallmarks of an artist in reflective mode. Banga, Smith’s first new material since 2004’s Tramp, comes full circle in a sense: it was recorded at New York’s Electric Lady studios with many of the same personnel as were Read more ...
Lisa-Marie Ferla
It's been six years since Regina Spektor released Begin to Hope, a festival-friendly breakthrough album with a poppy sheen that easily loaned itself to mobile phone network marketing campaigns and the like. Six years then since the Moscow-born Bronx-raised artist, a tiny human beatbox with a shock of curls, took the kooky-girl-with-piano shtick into the mainstream. And yet, as this follow-up to 2009's Far makes clear, there's only so much of what makes Regina Spektor, well, Regina that can be major-label sanitised.What We Saw from the Cheap Seats begins simply enough: a poppy, piano-and-vocal Read more ...
bruce.dessau
Is this a sophisticated satire or a dumb, laugh-out-loud, nothing-is-sacred comedy? That is the question which pings around your head Sacha Baron Cohen's latest. The title is presumably a nod to Chaplin's The Great Dictator, but while that is still rated as a classic 72 years years after it was made, somehow you cannot see this piece of lightweight froth, in which Baron Cohen plays strutting but stupid North African potentate Admiral General Aladeen, being held in the same esteem for 72 weeks.Baron Cohen's fourth film marks a move away from the teasing and provoking of real people that made Read more ...
Veronica Lee
Where would America be without its diners? Or for that matter, where would US culture be without them? Now here's another dramatic piece set in America's version of the greasy spoon, a sassily scripted sitcom by Whitney Cummings and Michael Patrick King, who created Sex and the City. Whereas SATC was set in Manhattan, 2 Broke Girls is located in New York City's less monied, but nowadays more groovy, borough of Brooklyn.The set-up is very much of our times. Max Black (Kat Dennings) works two jobs to make ends meet: during the daytime, she is nanny to Brangelina, the twins of rich Manhattanites Read more ...