New York
Adam Sweeting
Throughout its preceding five episodes, The Undoing (Sky Atlantic) has skilfully, if a little shamelessly, kept the fickle finger of suspicion in perpetual motion. Though Hugh Grant’s oily, untrustworthy oncologist Jonathan Fraser has been smack in the centre of the frame for the horrific murder of Elena Alves (Matilda De Angelis), perhaps that only meant that creator David E Kelly had been laying the groundwork for a spectacular reveal somewhere in this final hour.The end of episode five had been startling enough, as Grace Fraser (Nicole Kidman) discovered the murder weapon (unless we were Read more ...
Saskia Baron
Director Claudia Weill’s landmark feature debut benefits from Criterion’s high quality re-issue, which was made possible after the American Library of Congress put the movie on the United States National Film Registry for preservation last year. Made piecemeal over four years, Girlfriends was the first American film to be wholly funded with grants and has been described as the grandmother of independent cinema. Back in 1978, this neo-realist comedy about two young women struggling to find their professional and romantic identities in New York became a festival hit; Woody Read more ...
Adam Sweeting
Plenty of pedigree wattage has been packed into this slickly addictive new HBO drama (showing on Sky Atlantic). The twin headliners are affluent Manhattan couple Grace and Jonathan Fraser (Nicole Kidman and Hugh Grant, the latter basking in the high-end prestige which has accrued since his virtuoso performance as Jeremy Thorpe in A Very English Scandal). It’s written by telly-doyen David E Kelley, creator of (among other things) Big Little Lies, which also starred Kidman.Big Little Lies probed the private lives and murky secrets of a group of wealthy but insecure Californians, while previous Read more ...
Graham Fuller
On the Rocks has an unusual premise. Laura (Rashida Jones), a New York City novelist and mother of two young daughters, suspects her husband Dean (Marlon Wayans) is having an affair with a co-worker, Fiona (Jessica Henwick). Laura confides her fears to Felix (Bill Murray) and they’re soon zipping around Manhattan at night pursuing Dean and Fiona in Felix’s dyspeptic Alfa Romeo. But Felix isn’t a seedy detective who does divorce work like Jack Nicholson in Chinatown – he’s a well-off, semi-retired art dealer and, what’s more, he’s Laura’s feckless father. The seventh feature written and Read more ...
joe.muggs
Alicia Keys is a puzzling mixture. On the one hand she’s the hyper-achieving, multi-platinum, 752-Grammy-winning America’s sweetheart, all dimply smiles, positive-thinking ultra sincerity and the kind of showbiz over-emoting and singing-technique-as-competitive-sport so beloved of talent show contestants. On the other, she’s an undeniably interesting artist on multiple levels.Solo and with her husband Swizz Beats she’s a skilled and prolific songwriter and producer for others as well as herself: the pair’s work on Whitney Houston’s “Million Dollar Bill” alone is premier league material. And Read more ...
graham.rickson
Mahler: Symphony No. 4 Turku Philharmonic Orchestra/Leif Segerstam, with Essi Luttinen (mezzo-soprano) (Alba)Leif Segerstam can be a maddeningly inconsistent conductor, a musician whose recordings can frustrate as much as they inspire. He’s recorded Mahler 4 before, unremarkably, with Danish forces on Chandos, so it’s good to report that this new Finnish version is a zinger. The Turku Philharmonic’s lean, clear sound suits this transparently scored symphony especially well, though there’s no lack of weight in the bigger climaxes. Intermittent dark clouds may threaten the symphony’s Read more ...
Matt Wolf
Remember when romcoms didn't try so hard? That question kept going through my head for the first half, or more, of Broken Hearts Gallery, a film from Canadian writer-director Natalie Krinsky that ultimately in tugging at the heart but has to go through some fairly tortured narrative hoops to get to that point. It's the incidental pleasures that accrue this time round as opposed to the inevitable genre tropes. Who would have thought, for instance, that a passing reference to Kenosha, Wisconsin, would have an entirely new and troubling resonance by the time of this film's release? At such Read more ...
Matt Wolf
After months spent sifting amongst the virtual, I'm pleased to report that live performance looks to be on the (socially distanced) rebound. The week ahead sees the start of a six-week run at the Open Air Theatre in Regent's Park of the alfresco venue's seismically exciting revival of Jesus Christ Superstar, this time performed in concert with multiple casts due to the vocal demands of the score. And the ever-wistful and beautiful A Little Night Music finds the onetime Olivier Award winners from Carousel (a lifetime ago, and yet the memory is entirely immediate) pairing up once again: Janie Read more ...
Graham Fuller
RKO’s Dance, Girl, Dance was remarkable as a vehicle for two emerging stars, Maureen O’Hara and Lucille Ball, that stealthily radicalised its backstage setting and tried to slap moviegoers out of their comfort zone – probably the reason it failed commercially on release in August 1940.The fifteenth and penultimate feature directed by Dorothy Arzner, Hollywood’s only female director of the 1930s and 1940s, turned a routine comic melodrama about rival hoofers into a vexed appraisal of the compromises faced by women performers striving for success, whether financially or creatively, in the Read more ...
Graham Fuller
“Know thyself” is the theme of A Rainy Day in New York. Woody Allen’s 48th film as writer-director, is – despite what you may have heard – at once his funniest and most reflective movie in years. Either wilfully archaic or stubbornly nostalgic, as his later work has tended to be, its story of a privileged youth who learns he must reject the life prescribed for him by an overbearing parent is universal; Allen’s unfamiliarity with Gen Z lingo and smarts doesn’t invalidate its core truths.Issued on DVD and Blu-ray (without extras) in the UK 52 days after its VOD release, the film remains Read more ...
Demetrios Matheou
At this year’s Oscars Bong Joon Ho brought the audience to its feet in honour of the director whose words had struck a chord with him as a film student. The comment, simple but difficult to adhere to in the cut-throat, risk-averse movie business, was that “the most personal is the most creative”. The director, Martin Scorsese.Of course, Scorsese’s The Irishman was also in contention in the same ceremony, the film a powerful continuation of themes, collaborations and inimitable film language of a career spanning more than 50 years – and proof that the American is still following his Read more ...
Markie Robson-Scott
The journalistic addiction-memoir is a crowded genre these days: Details editor Dan Perez chronicles his massive intake of Vicodin and other opioids in As Needed for Pain; New York Times columnist Eilene Zimmerman pieces together her husband’s drug addiction in Smacked, and now Terri White, editor-in-chief of Empire magazine and former editor of Time Out New York, shares with us her benders, blackouts and hospitalisations, somehow combined with an impressive career path, in the vivid, painful Coming Undone.Born in Derbyshire to a teenage mum “with the best bum in the village”, her childhood Read more ...