new writing
Jacqueline Rose: The Plague review - tracing our response to tragedySaturday, 17 June 2023
In The Plague: Living Death in Our Times, Jacqueline Rose makes a surprising pivot from her usual topics – Sylvia Plath, children’s fiction, Zionism, to name a few – to throw a spotlight on the Covid-19 pandemic. It was hard to process the... Read more... |
Caleb Azumah Nelson: Small Worlds review - Ghana and London dance togetherWednesday, 14 June 2023
Small Worlds, the second novel from Caleb Azumah Nelson, is a delight: a book with a real feeling for sound and dance, and a sense of place from London to Ghana and back again. It’s a story of a first romance, the intricacies of family life, the... Read more... |
Andrey Kurkov: Jimi Hendrix Live in Lviv review - a city speaks its multitudesSaturday, 10 June 2023
Rock music helped to subvert the Soviet Union by glamorising youthful rebellion and the West. In the opening scene of Andrey Kurkov’s novel Jimi Hendrix Live in Lviv, a bunch of ageing hippies gather at night on the anniversary of the American... Read more... |
F**cking Men, Waterloo East Theatre - sex and not much elseMonday, 22 May 2023
“This audience is very diverse, isn’t it?” joked one of the audience members at Fucking Men at Waterloo East Theatre, a reworking of Tony-winning writer Joe DiPietro’s seminal 2008 play (itself a reworking of Arthur Schnitzler’s La Ronde, written in... Read more... |
A Brief List of Everyone Who Died, Finborough Theatre review - 86 years, punctuated by fun and funeralsSaturday, 20 May 2023
The family pet dies. It’s a problem many parents face, and when Gracie learns from her evasive father that her dog isn’t just gone, but gone forever, her five-year-old brain cannot process it and so begins a lifelong relationship with deaths,... Read more... |
Biscuits for Breakfast, Hampstead Theatre review - hunger and an aching humanityThursday, 18 May 2023
Food is the centrepiece of Gareth Farr’s chilling new play Biscuits for Breakfast. Meals are described so delicately that the rich steams of them cooking are almost scented. But though they are prepared, shared and savoured with fondness,... Read more... |
Susan Finlay: The Lives of the Artists review - the knotted threads of memoir and artWednesday, 17 May 2023
Benvenuto Cellini’s My Life (1728) is not the artist-biography to which Susan Finlay’s The Lives of the Artists pays its most obvious homage, but it appears to have followed its advice. All men of achievement and honesty, Cellini argues, "should... Read more... |
Solmaz Sharif: Customs review - a poetics of exile and returnMonday, 01 May 2023
The language of poetic technique is perhaps weighted towards rupture, rather than reparation: lines end and break, we count beats and stress, experience caesurae (literally ‘cuttings’), and mark punctuation (literally ‘to prick’). Juxtaposition sets... Read more... |
It’s a Motherf**king Pleasure, Soho Theatre review - disability-led comedy hits hardMonday, 01 May 2023
Just when you’ve relaxed a little, privilege duly checked and confident that you won’t be guilt-tripped for nipping into that disabled loo a few years ago at the National (c’mon, the interval was nearly over and needs must), FlawBored drop a bomb... Read more... |
Lydia Sandgren: Collected Works review - the mysteries that surround us allTuesday, 18 April 2023
Lydia Sandgren’s debut novel, Collected Works, a bestseller in her native Sweden, has now been translated by Agnes Broomé into English, in all its 733-page glory. An epic family saga, it has flavours of the realism of her countryman, Karl Ove... Read more... |
The Dry House, Marylebone Theatre review - fine performances in Irish three-handerSaturday, 08 April 2023
Eugene O’Hare’s The Dry House is the kind of spare but oddly lyrical three-hander that would have made a good Wednesday Play back in the day. For Conor McPherson fans, it will seem like familiar terrain, with all the ingredients for an unusual... Read more... |
First Person: playwright Joe White on how he came to write his Hampstead Theatre hitFriday, 07 April 2023
Before I knew – or realised – I wanted to write about alcoholism in my play Blackout Songs (premiered last autumn at the Hampstead Downstairs and moving this weekend to the mainstage), I wanted to write about love and memory... Read more... |
