National Theatre
The Secret River, National Theatre review - turbulent tale of Australia's pastWednesday, 28 August 2019
Neil Armfield’s resonant, turbulent production of Kate Grenville’s classic Australian novel The Secret River sing out from the stage of the Olivier like an epic, with its conflicts, culture clashes, and quest for new territories. But there are no... Read more... |
Mr Gum and the Dancing Bear the Musical, National Theatre review – gleefully subversive family musicalThursday, 01 August 2019
A great hunk of rotting meat hangs centre stage, suspended over a rusty wheelbarrow. A figure in a bloody butcher’s apron picks through the stalls, searching for cans of ‘xxxtra cheap lager’. From the direction of the band, sinister Wurlitzer sounds... Read more... |
Peter Pan, Troubadour White City review - off to a flying startMonday, 29 July 2019
London’s Troubadour White City theatre has got off to a, literally, flying start. Sally Cookson‘s National Theatre-Bristol Old Vic adaptation of JM Barrie’s classic makes an exuberant comeback at this new venue, whose technical possibilities allow... Read more... |
Peter Gynt, National Theatre review - towering protagonist, middle-way productionThursday, 11 July 2019
Like Hamlet and both parts of Goethe's Faust, with which it shares the highest peak of poetic drama, Ibsen's Peer Gynt is very long, timeless enough to resonate in a contemporary setting and sufficiently ambiguous in its mythic treatment of the... Read more... |
Jellyfish, National Theatre review - Ben Weatherill's play hits the right notesThursday, 11 July 2019
The intense relationship between a single parent and a single child is ramped up to its highest level when it involves a mother whose daughter has learning disabilities. From that dynamic, writer Ben Weatherill has crafted a warm, engaging and... Read more... |
Rutherford and Son, National Theatre review - authentic northern taleTuesday, 28 May 2019
Githa Sowerby is the go-to playwright if you want a feminist slant on patriarchy in the industrial north in Edwardian times. Her 1912 classic, Rutherford and Son, has been regularly revived over the past 30 years, and now the National Theatreis... Read more... |
The Lehman Trilogy, Piccadilly Theatre review - stunning chronicle of determination and dollarsThursday, 23 May 2019
Mammon and Yahweh are the presiding deities over an epic enterprise that tells the story not just of three brothers who founded a bank but of modern America. Virgil asked his Muse to sing of ‘arms and the man’, yet here the theme becomes that of ‘... Read more... |
ANNA, National Theatre review - great thriller, shame about the toneWednesday, 22 May 2019
Stasiland is a fascinating mental space. As a historical location, the former East Germany, or GDR, is the archetypal surveillance state, in which each citizen spies on each other citizen, even if they are intellectual dissidents. The Communist... Read more... |
Small Island, National Theatre review - fun epic takes ages to warm upFriday, 03 May 2019
Novelist Andrea Levy's 2004 masterpiece, Small Island, is a tribute to the Windrush Generation, those migrants to England from the Caribbean that came first on the HMT Empire Windrush in 1948, and then subsequently on other ships. Being British... Read more... |
Top Girls, National Theatre review - dazzlingly perceptive classicThursday, 04 April 2019
Caryl Churchill is a phenomenal artist. Not only has she written a huge body of work, but each play differs in both form and content from the previous one, and she has continued to write with enormous creative zest and flair well into her maturity.... Read more... |
Follies, National Theatre review - the Sondheim spectacular returns, better than everSaturday, 23 February 2019
This is a golden age of London Sondheim revivals, with Marianne Elliott’s thrilling Company still playing in the West End, and Dominic Cooke’s Follies getting a hugely welcome second run at the National – both testament to a director’s... Read more... |
Tartuffe, National Theatre review - morality-heavy version of the comedy classicFriday, 22 February 2019
Here's a recipe for a successful National Theatre production: take a well-loved classical comedy, employ an outstanding young director and a talented writer (so much the better if they have a proven track record together) and cast gold-standard... Read more... |
