National Theatre
Stephen Sondheim in memoriam - he gave us more to seeTuesday, 30 November 2021
It seemed impossible and yet, the other evening, while idly flicking through emails, I learned the unimaginable: Stephen Sondheim, age 91, had passed away. And very quickly by all accounts, given that he was reported to have enjoyed a Thanksgiving... Read more... |
Manor, National Theatre review – ambitious, but unconvincingThursday, 25 November 2021
After all the tides of monologue plays have ebbed, British new writing is now paddling in the pools of state-of-the-nation drama. At the Royal Court, there is Al Smith’s Rare Earth Mettle, while the National Theatre is staging Moira Buffini’s Manor... Read more... |
Death of England: Face to Face, National Theatre at Home review - anti-racist trilogy ends with a bangTuesday, 23 November 2021
One of the absolute highpoints of new writing in the past couple of years has been the Death of England trilogy. Written by Roy Williams and Clint Dyer, these three brilliant monologues have not only explored vital questions of race and racism,... Read more... |
The Ocean at the End of the Lane, Duke of York's Theatre review - pure theatrical magicSaturday, 06 November 2021
This show has been a long time coming. Neil Gaiman had the first inklings of The Ocean at the End of the Lane when he was seven years old and living near a farm recorded in the Domesday Book. Several decades later, he wrote a short story for his... Read more... |
The Normal Heart, National Theatre review - Ben Daniels triumphantMonday, 04 October 2021
Hypocrisy. Is this the right word? I don’t mean the play, but the audience. Of course, in the middle of the current COVID 19 crisis, there’s bound to be a certain amount of discomfort when watching Larry Kramer’s 1985 modern activist classic about... Read more... |
Rockets and Blue Lights, National Theatre review - strong, but inconclusiveFriday, 03 September 2021
For more than three decades, playwright Winsome Pinnock has been at the forefront of new writing, often experimenting with form as well as documenting the lives of black Britons. Her new play’s original opening at the Royal Exchange Theatre in... Read more... |
Paradise, National Theatre review - war, woe, and a glimmer of hopeFriday, 13 August 2021
Philoctetes, Odysseus, Neoptolemus: the men’s names in Sophocles’ Philoctetes are all unnecessarily long and weighed down by expectations. Poet Kae Tempest’s lyrical new adaptation for the National Theatre focuses on the chorus, spinning out the... Read more... |
Under Milk Wood, National Theatre review - Michael Sheen at his most magneticThursday, 24 June 2021
There's commanding, and then there's Michael Sheen, who sweeps on to the Olivier stage 15 minutes or so into the new National Theatre revival of Under Milk Wood and scoops up the entire production with it. Inheriting a role made to order for this... Read more... |
After Life, National Theatre review - thanks for the memoriesMonday, 14 June 2021
Limbo, in Jack Thorne’s latest play, is a room lined ceiling-high with drawers, a sort of morgue rebooted as a vast filing system. It apparently provides comfy accommodation for the souls waiting to pass over, and its activities are run in tight... Read more... |
Romeo and Juliet, National Theatre online review - a triumphant hybridMonday, 05 April 2021
Shakespeare's enduring tale of star-crossed lovers is especially pertinent in a pandemic. The fatal plot twist depends on failed communication during an outbreak of pestilence, and one of the most famous lines is Mercutio's heartfelt, "A plague on... Read more... |
Dick Whittington, National Theatre at Home review - colourful and amiable entertainmentMonday, 11 January 2021
In a much-depleted and truncated pantomime season that withered on the vine, the National Theatre's debut production of Dick Whittington lasted only four performances before the show was cancelled; it has now released this recording, which will be... Read more... |
Best of 2020: TheatreSunday, 27 December 2020
"Goodbye": The single word lingered heavily in the air last March 16, as the scripted closing both of the terrific Southwark Playhouse revival of The Last Five Years and as an ancillary farewell to live theatre. Late afternoon on that same day, in... Read more... |
