National Theatre
13, National TheatreTuesday, 25 October 2011
Spooky coincidences make good drama. Mike Bartlett’s epic follow-up to his highly successful 2010 play Earthquakes in London begins with a mind-bogglingly weird situation: every morning in the metropolis, dozens of people wake up and they’... Read more... |
The Veil, National TheatreWednesday, 05 October 2011
Conor McPherson has set his latest play at an interesting point in Irish – and European – history. It is 1822, post-Napoleonic wars, and Ireland is in an economic mess, with impoverished peasants facing the failure of their crops for the second year... Read more... |
Grief, National TheatreWednesday, 21 September 2011
A new play by Mike Leigh is always an event. So there was a palpable excitement in the air at the Cottesloe Theatre (the smallest and most intimate of the three National Theatre auditoria) when his latest opened last night. With a cast that includes... Read more... |
theartsdesk Q&A: Director Mike LeighTuesday, 20 September 2011
There is somewhere called Leighland, where people may be ineffably sad or existentially cheerful, old or young, live in a high rise or a semi. But they are all recognisably inhabitants of the world famously conjured up over a long period of... Read more... |
St Matthew Passion, National TheatreTuesday, 20 September 2011
It’s not like we’re short of operas. Thousands of works spanning over 400 years make up the western operatic repertoire. Of these maybe 100 get a regular airing in contemporary opera houses, with only about 20 making it into the popular... Read more... |
The Kitchen, National TheatreThursday, 08 September 2011
It may not serve up all that much to get your teeth into, but Bijan Sheibani’s production of this 1959 play by Arnold Wesker looks fantastic on the plate. Giles Cadle’s saucepan-shaped set is framed by a giant chalkboard, scrawled over and over with... Read more... |
Double Feature: Edgar & Annabel/The Swan, Nightwatchman/There is a War, National TheatreFriday, 05 August 2011
It’s not much of an exaggeration to suggest that new plays by up-and-coming talents are something of an Achilles heel at the National Theatre. Even Mike Bartlett’s much lauded Earthquakes in London was a far more exciting production than it was a... Read more... |
A Woman Killed With Kindness, National TheatreTuesday, 19 July 2011
Can Thomas Heywood's prosy Jacobean drama of country folk hunting, card playing, screwing around, sliding aristocratically into debt and harrowing one another to death translate successfully to the aftermath of the First World War? Only, perhaps, as... Read more... |
Emperor and Galilean, National TheatreThursday, 16 June 2011
Miracles and omens, blind faith and free will: Ibsen’s epic 1873 drama sinks its teeth into some tough, meaty themes. That it neither breaks the jaw, nor proves totally indigestible in this British premiere is testament to the power of Jonathan Kent... Read more... |
One Man, Two Guvnors, National TheatreTuesday, 24 May 2011
Dropped trousers, audience participation and an onstage skiffle band fronted by a singer/songwriter boasting specs by way of Buddy Holly: what has become of the National Theatre's Lyttelton auditorium? Well, let's just say that for the entire first... Read more... |
The Cherry Orchard, National TheatreWednesday, 18 May 2011
A stench of decay rises from Howard Davies's production of this 1903 drama by Anton Chekhov. Ranyevskaya’s wooden home, designed with characteristic visual eloquence by Bunny Christie, is quietly rotting. Weeds sprout through cracks, the windows are... Read more... |
London Road, National TheatreThursday, 14 April 2011
The murders of five prostitutes in Ipswich: it’s hard to imagine a less likely subject for a musical, not least because the memory of the crimes of forklift-truck driver Steve Wright, committed in late 2006, is still so horribly fresh. But there is... Read more... |
