National Theatre
Rules for Living, National TheatreWednesday, 25 March 2015
The seasonal family reunion play is a hardy perennial. Like the Christmas tree that must take its place on the stage, it is usually spiky, dry and decorated with glittering ornaments – as in acidic jokes, acute embarrassments and ghastly... Read more... |
Man and Superman, National TheatreThursday, 26 February 2015
How do you take your rom-coms? Full-fat Hollywood schmaltz, Shakespearean, or lean and elegant – a Stoppard perhaps, or Coward? If your answer did not include “With lashings of social philosophy, ethics and a lengthy dream sequence, preferably... Read more... |
'I'm the photographer. Any nudity? Any fighting?'Wednesday, 18 February 2015
We are sitting in the lobby of the National Theatre in the early afternoon waiting for the photocall for Dara to begin. Six or seven photographers, one woman, all dressed in jeans and dark jackets with large camera bags, some on wheels. There is not... Read more... |
The Hard Problem, National TheatreThursday, 29 January 2015
Here's the genuine hard problem facing commentators confronted with Tom Stoppard's new play of the same name: how do you honour the legacy of this extraordinary writer's first play in nine years that also marks its director Nicholas Hytner's... Read more... |
Dara, National TheatreWednesday, 28 January 2015
The history play has roots that go deep into our culture. We love to see stories that are kitted out in fancy dress, and long to savour a past that resonates with our present. In the case of Dara, which is adapted by Tanya Ronder from an original by... Read more... |
Treasure Island, National TheatreThursday, 11 December 2014
This isn't just a piratical treasure hunt. The NT is also on a rescue mission. The master plan here is, surely, to retrieve Robert Louis Stevenson's vintage adventure story about buccaneers and buried gold from the clutches of shamelessly... Read more... |
3 Winters, National TheatreThursday, 04 December 2014
The single spacious room that is the central location of Tena Štivičić’s 3 Winters has seen plenty of ghosts. It’s part of an old Zagreb mansion, and through the course of the play witnesses the diverse events of Croatian history of the last 70... Read more... |
Behind the Beautiful Forevers, National TheatreWednesday, 19 November 2014
Behind the Beautiful Forevers, David Hare's adaptation of Katherine Boo's Pulitzer Prize-winning book, works as both play and portent. Viewed on its own terms, the evening grips throughout in its embrace of the multiple contradictions of... Read more... |
JOHN, National TheatreWednesday, 05 November 2014
It is no exaggeration to say that Lloyd Newson has created a new theatrical language. Verbatim drama and intricate choreography would seem, on paper, to be fatally competing elements, yet Newson’s hypnotic fusion charges both word and movement with... Read more... |
Here Lies Love, National TheatreWednesday, 15 October 2014
The National Theatre's new Dorfman auditorium gets off to a kick-ass start with Here Lies Love, the Off Broadway musical transplant that does for the closing months of Nicholas Hytner's tenure as artistic director what Jerry Springer the Opera did... Read more... |
The James Plays, National TheatreSaturday, 27 September 2014
Rona Munro’s trilogy of plays about Scotland’s Stuart kings premiered at the Edinburgh Festival when Scottish independence was, for many, still a cherished possibility; it transfers to London – within a clarion call of Westminster – just as the... Read more... |
Ballyturk, National TheatreWednesday, 17 September 2014
In his masterly essay in the programme for Enda Walsh's latest play, Colm Tóibín warns against attempting to pin his work to a particular philosophical position, but simply to read into it a metaphor for humanity's efforts to cope with life while... Read more... |
