National Theatre
Olivia Williams interview: 'Are you on drugs?' 'No I've just spent the day acting'Monday, 24 July 2017
Olivia Williams’s first film was, (in)famously, seen by almost no one. The Postman, Kevin Costner’s expensive futuristic misfire, may have summoned her from the depths of chronic unemployment, but the first time anyone actually clapped eyes on her... Read more... |
Barber Shop Chronicles, National Theatre review - foot-stompingly pleasurableThursday, 08 June 2017
The strapline for this joyful show is: “One day; six cities; a thousand stories.” Allowing for hyperbole, this is just about right. Performance poet Inua Ellams’s new show is set in a handful of cities that stretch across one part of the globe, from... Read more... |
Common, National Theatre review - Anne-Marie Duff fails to igniteWednesday, 07 June 2017
History is a tricky harlot. She is bought and sold, fought for and thrown over, seduced and betrayed – and always at the mercy of the winners. In a general election week, it is hard to deny that still now we are the progeny of the possessive... Read more... |
Salomé, National Theatre review - Yaël Farber’s version is verbose and overblownWednesday, 10 May 2017
Is God female? It says a lot about Yaël Farber’s pompous and overblown new version of this biblical tale at the National Theatre that, near the end of an almighty 110-minute extravaganza, all reason seemed to have vacated my brain, and its empty... Read more... |
10 Questions for sound designer Adam CorkTuesday, 09 May 2017
No one ever went to the theatre for the sound design. Indeed, only the nerdiest theatregoers could name a single practitioner of the art. But imagine attending a production by Katie Mitchell or Robert Icke or Ivo van Hove – or any less overtly... Read more... |
Angels in America, National Theatre review - Andrew Garfield and company soar in seismic revivalFriday, 05 May 2017
"We live past hope," or so remarks the AIDS-afflicted drag queen-turned-prophet, Prior Walter (Andrew Garfield), late in Angels in America. But surely not even Tony Kushner, author of the eight-hour theatrical landmark that some while ago entered... Read more... |
Sunday Book: Nicholas Hytner - Balancing ActsSunday, 30 April 2017
After the first preview of Mike Leigh’s play Two Thousand Years at the National Theatre, a young Guardian reporter accosted an audience member for his view of the play. The audience member gave his name as Nigel Shapps, his... Read more... |
Consent, National Theatre, review - thrilling revenge dramaWednesday, 05 April 2017
Rape is such a serious social issue that it’s hardly surprising that several recent plays have tackled it. I’m thinking of Gary Owen’s Violence and Son, James Fritz’s Four Minutes Twelve Seconds and Evan Placey’s Consensual. All of these discuss,... Read more... |
Anna Maxwell Martin: 'I like playing baddies' - interviewTuesday, 28 March 2017
She was Lyra in Philip Pullman’s His Dark Materials at the National, she has shared the stage with Eileen Atkins (in Honour and The Female of the Species), played Isabella in Measure for Measure, Regan in King Lear and Sally Bowles in Cabaret. She... Read more... |
My Country; A Work in Progress, National TheatreSaturday, 11 March 2017
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a production that has all the acrid flavour of virtue signalling. It is well known that in the wake of the referendum vote to Leave the European Union on 23... Read more... |
Ugly Lies the Bone, National TheatreFriday, 03 March 2017
Theatre increasingly uses digital delights to enhance audience enjoyment. And you can easily see why. Visual effects that mimic the experience of plunging into virtual reality inject a much-needed wow factor into otherwise quite mundane stories. And... Read more... |
Twelfth Night, National TheatreThursday, 23 February 2017
Everybody’s a little bit gay in Simon Godwin’s giddy new Twelfth Night at the National Theatre. From Andrew Aguecheek, vibrant in candy-coloured check, cuddling up to Sir Toby, and Antonio’s aggressive affection to Sebastian, to Orsino’s passionate... Read more... |
