wed 15/01/2025

mythology

Sicily: Culture and Conquest, British Museum

This exhibition – the UK's first major exploration of the history of Sicily – highlights two astonishing epochs in the cultural history of the island, with a small bridging section in between. Spanning 4,000 years and bringing together over 200...

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Kaash, Akram Khan Company, Sadler's Wells

This new run of Kaash is an interesting test case for Akram Khan Company as its eponymous founder approaches his retirement from stage performance (forecast for next year). Kaash was Khan's first full-length work, created in 2002 and widely...

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Until the Lions, Akram Khan, Roundhouse

As its first gift to dance fans, the new year has delivered not one but two chamber pieces about extraordinary women. Down in Covent Garden this week, Will Tuckett's Elizabeth for Royal Ballet dancers is exploring the life and loves of Queen...

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Beowulf: Return to the Shieldlands / Mr Selfridge, Series 4, ITV

The miracle of galloping digital technology has become a mixed blessing. We have iPads, space stations and self-parking cars. On the other hand, we also have what might be perfectly good TV programmes made ludicrous by absurd CGI monsters.ITV's new-...

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Jessica Jones, Netflix

After the roaring success of Daredevil this year, Marvel brings us the next instalment in the TV rendering of their universe – or part of it at least. Jessica Jones, created by writer Brian Michael Bendis and artist Michael Gaydos in 2001, is a...

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Orpheus, Royal Opera, Sam Wanamaker Playhouse

It’s Orfeo in the original Italian: not Monteverdi’s, nor yet another version of Gluck’s Orfeo ed Euridice, but a cornucopia of invention in the shape of the first Italian opera for the French court. When the Ensemble Correspondances presented its...

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Don Juan, Lesya Ukrainka Theatre, St James Theatre

Whose Don Juan – progenitor Tirso de Molina’s, Molière’s or Pushkin’s? None of the above. Unless you have some knowledge of Ukrainian culture, you won’t have heard of Lesya Ukrainka, born Larysa Petrivna Kosach-Kvitka in 1871 to a proudly...

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Guillaume Tell, Royal Opera

There are two operatic types who should leave Rossini’s epic swansong for the stage well alone. One would usually be a conductor who ignores many of the notes written by a master at the height of his powers, since even the least dramatic numbers...

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Samson et Dalila, Grange Park Opera

From “Printemps qui Commence“ (spring is beginning) to “Springtime for Hitler"... that really is quite some intellectual leap. Patrick Mason, an experienced and respected opera director, has uprooted the tale of Saint-Saëns's opera from biblical...

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Oresteia, Almeida Theatre

There are two fundamental ways to fillet the untranslatable poetry and ritual of Aeschylus, most remote of the three ancient Greek tragedians, for a contemporary audience. One is to find a poet of comparable word-magic and a composer to reflect the...

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Grayson Perry: Provincial Punk, Turner Contemporary

Imagine if broadcasters thought the only living pop star worth giving air time to was Lady Gaga. Imagine – the horror. It would be wall-to-wall Gaga for the foreseeable future. And then imagine if the only living contemporary artist commissioning...

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theartsdesk Q&A: Musician Jim Reid of The Jesus and Mary Chain

With The Jesus & Mary Chain reformed and currently touring their epochal debut album, Psychocandy, theartsdesk reaches into its archives to offer up a rare and very extensive interview with lead singer Jim Reid from 2010.Jim Reid (b 1961) is...

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