medical
emma.simmonds
Cinematic virtuoso Pedro Almodóvar’s contribution to the body horror subgenre is a sumptuous nightmare with the precision and looming malevolence of its psychotic surgeon’s blade. His 19th feature is a film for our age – an age which has seen radical and sometimes grotesque surgical reinvention - concerned as it is with the troubling question: what actually lies beneath?Based fairly loosely on the novel Tarantula by Thierry Jonquet, The Skin I Live In reunites Almodóvar with his former leading man of choice, Antonio Banderas. Banderas plays Robert Ledgard, a cutting-edge (excuse the pun), Read more ...
fisun.guner
This was the sort of science programme that an interested non-science person like me finds immensely irritating. It began with a series of statements which were, in fact, meaningless overstatements. Not only this, but these overblown statements tripped each other up: “Scientists think they’ve discovered the secrets of a healthy, happy, long life – for all of us” (don’t you just hate this kind of teasing nonsense that treats us all either like fools or Daily Mail readers?) was followed by, “This is one man’s struggle to unravel our destiny.” So what was it to be? A dramatic narrative about one Read more ...
judith.flanders
What is a "good" death? How do most of us want to die? These are not questions that we often stop to ask, particularly in the theatre, where deaths tend to be either heroic or sordid. Two years ago, however, the playwright Nell Dunn’s partner of three decades died slowly, painfully, of lung cancer. On his last day he felt as if he were drowning, but of the five NHS professionals who visited him at home, all were trained to prolong life, none to ease the suffering of the dying. Home Death, therefore, is her story, and those of others, about dying at home: good deaths, bad deaths.The 11 Read more ...
Sarah Kent
“As a student at Glasgow School of Art I used to visit the amazing anatomy, zoology and ethnographic collections at Glasgow University,” says Christine Borland. “I couldn’t understand why I was so intrigued, except for the question of how something so awful – so dead – could also be so beautiful. I was trying to unpick my responses, to understand how beauty and death could co-exist.”Ever since graduating in 1987, she has been unpicking her responses to medical specimens and old bones in installations that attempt to confer dignity on the dead. When she acquired a human skeleton from the Read more ...
fisun.guner
Dr Michael Mosley has been involved in some pretty hair-raising stunts in the course of filming various biology strands for the BBC. So, I imagine he might have felt something like relief filming his new series Inside the Human Body. With neither potholing nor bungee jumping, nor tearing down a steep hill in a giant, transparent ball in the offing, the only terrifying thing the engaging presenter was required to do, at least for this opening episode of a four-parter, was to hold an hour-old baby. This was a lovely, tender moment in a film that told the story of human conception and Read more ...
Adam Sweeting
So Monroe reached the end of series one, and I still couldn't read what its tone was supposed to be. Some artsdesk readers have expressed enthusiasm for the theme tune, but I find its jogging Celtic jauntiness symptomatic of Monroe's wider problems. Obviously you can't expect too much from a bit of title music, but surely it should give you a clue as to whether the show is a hard-hitting drama about life and death or a sitcom?Quips and badinage abound when Monroe (James Nesbitt) and his team are in action, and staff and patients alike are lucky to survive the barrage of one-liners Read more ...
Sarah Kent
A maypole greets you on entry to the Serpentine Gallery; don’t expect a cheery celebration of spring, though. Nancy Spero’s installation Maypole: Take No Prisoners II (2008) is a scream of rage against violence and its hapless victims. Dangling from coloured ribbons, dozens of decapitated heads hang in the air like an explosion of shrapnel. Mouths gape open in pain and terror - or is it hatred? One can’t be sure, since some seem to be spitting venom from bloody tongues as though, even in their death throws, they are intent on spreading a gospel of vengeance and destruction.The strength of the Read more ...
Adam Sweeting
James Nesbitt has always looked full of himself and too bumptious for comfort, so who better to play a smart-arse neurosurgeon who prides himself on his rock-steady hands and steely nerves? "What really matters is how well you handle losing," he bragged to his attending team of young doctors as they gathered round the latest sawn-open skull, delivering the line with the air of a riverboat gambler striking a match on the sole of his boot.He was showing his underlings how to insert a pressure-relieving catheter into the patient's head, a bread-and-butter routine – a no-brainer, even – within Read more ...
josh.spero
Probably the only person who would try and tackle cancer in a "humorous" way in Britain would be Frankie Boyle, and God knows he's not funny. No doubt we'd be treated to jokes about how unattractive women without hair are, or something equally enlightening. But while the British would come at this from an unpleasant angle, it is normally squeamish American TV which is in the true avant-garde. Hence, The Big C on More4.Laura Linney, saddled with infantile Oliver Platt as a husband and a son who seems on the cusp of rebellion, gets X-ray results with those ominous black spots, and it's terminal Read more ...
Veronica Lee
Medical dramas have a never-ending appeal to television viewers; but whereas British versions are more about the heartstrings than open-heart surgery, America prefers its programmes to be done with scalpel-sharp wit and incisive social commentary. So a warm welcome back to Nurse Jackie, a sassily written and joyously dark work set in a New York emergency room, for a second series.The Showtime programme follows in a distinguished line of well-written and pacy ensemble American medical dramas and comedies, including St Elsewhere, ER and Scrubs, and the more recent addition of House (although I Read more ...
aleks.sierz
Playwright Nina Raine has a gift for evocative play titles. Her 2006 debut was called Rabbit, and her sellout success at the Royal Court last year was Tribes. This time, we seem to be on safari with Tiger Country, but appearances can be deceptive. Raine's titles conceal as much as they reveal: Rabbit was not about furry creatures, but about chatty women; Tribes was not an anthropological study, but an account of the deaf community; and Tiger Country is located not in South-East Asia but in a busy London hospital.Playwright Nina Raine has a gift for evocative play titles. Her 2006 debut was Read more ...
Veronica Lee
When Getting On, a wonderfully lo-fi and dark sitcom, debuted last year, it had a run of just three episodes, which possibly reflected the BBC’s lack of faith in audiences being able to appreciate a programme rich in subtlety in its writing, acting and direction. But thankfully the Corporation has seen the light and the medical comedy now returns with a six-part run, and is as brilliantly observed and laugh-out-loud funny as ever.We are in general medical ward B4, in the kind of hospital that you hope doesn’t exist in real life but, given that Jo Brand, one of Getting On’s co-writers with Read more ...