Mali
CD: Tinariwen - EmmaarSunday, 09 February 2014
On seeing that new Tinariwen album, Emmaar, had been recorded at Joshua Tree (due to ongoing security problems in their native Mali) with a number of American guest musicians, my heart sank. I imagined some special guest-heavy yet artistically... Read more... |
Prom 54: World RoutesFriday, 23 August 2013
Why are the Malians always punching way above their weight in music? There may be some historical reasons. The French always were more welcoming to the culture of their empire than the Brits (and more used to foreign-language music), while Paris... Read more... |
theartsdesk in Zanzibar: The Nightingale Still SingsSunday, 10 March 2013
A crowd of men and younger women in full burkahs gathers, bewildered by the sight: an African woman, in West African “Mumu” (khaftan) and a covered head, playing Ghazals (Islamic calls to prayer). Accompanied by an acoustic guitar, a clear voice,... Read more... |
theartsdesk in Mali: Creation, Conservation and RestorationSunday, 17 February 2013
Timbuktu, the legendary "End of the World", does actually exist, and as everyone now knows, it's in Mali. It has just been thrust into the world’s focus after its recent liberation from the Al Qaeda-linked extremists who have occupied the north of... Read more... |
Interview: Bassekou Kouyaté, Mali maestroSunday, 17 February 2013
A couple of weeks ago on BBC’s Question Time one of the pundits airily commented that until recently no-one in the audience would have heard of Bamako, the capital of Mali. That wouldn’t be the case were there any world music fans there – for them,... Read more... |
Salif Keita, Royal Festival HallThursday, 14 February 2013
The only time the great Malian singer spoke at any length to last night’s audience was when he said, “I don’t know my birthday. I don’t know the day or the year. So any day can be my birthday. So can you please stand up and dance for my birthday.”... Read more... |
Sahara Soul, Barbican HallSunday, 27 January 2013
Bassekou Kouyaté’s ngoni looks like a real bugger to play. Its hollow body is the size and shape of a child’s cricket bat and its rounded fretless neck is thinner than that of a broomstick. It’s a mystery how anyone gets a note out of this ancestor... Read more... |
The Arts Desk Radio Show 7Monday, 03 September 2012
The seventh radio show from theartsdesk features a wealth of eclectic music, from grime to Bach, while Joe Muggs and Peter Culshaw discuss everything from French café culture of the Fifties to sub-Saharan politics in the Sudan and northern Mali.... Read more... |
2011: Ladies With Ukuleles and Blockbusters With BiteThursday, 29 December 2011
2011 was an excellent year for highly original music from female musicians, two of whom brandished ukuleles yet found quite different ways of using them.New England’s Merrel Garbus (otherwise known as Tune-Yards) put her foot down on the effects... Read more... |
Toumani Diabaté, St George's BristolThursday, 03 November 2011
Toumani Diabaté is the world’s greatest and best-known kora player. Plugged in deep to a musical tradition that goes back over seven centuries, this griot or jali takes his custodial role very seriously, but he is also an adventurer who has... Read more... |
Tinariwen, KokoThursday, 27 October 2011
An aura of mystique surrounds Tinariwen. The members of this group’s shifting line-up are from the Tuareg people, nomadic Berbers of the North African desert regions, and several have taken part in armed Tuareg rebellions in the past. This air of... Read more... |
Interview: Tinariwen, Poets in New YorkThursday, 27 October 2011
All was quiet in room 509 when I turned up with my bottle of Jura whisky. Tinariwen’s sound engineer, Jaja, was watching a vampire movie on TV. Elaga, their rhythm guitarist, was sitting at a small, darkly varnished table eating pasta from a... Read more... |
