LPO
Isserlis, LPO, Jurowski, BBC Proms review - a final hand full of acesFriday, 13 August 2021
We finished with a pure Hollywood moment when John Gilhooly – as Chair of the Royal Philharmonic Society – popped up after the warm applause to announce that the Society had awarded its gold medal to Vladimir Jurowski. Oddly, Covid rules meant that... Read more... |
Luisa Miller, Glyndebourne review – small-scale tragedy, big emotionsMonday, 02 August 2021
“Time-travelling” is how Enrique Mazzola, the superb first conductor of Glyndebourne’s last new production of the main season, described the slow-burn trajectory of Verdi’s semi-masterpiece Luisa Miller in his First Person here on theartsdesk.... Read more... |
First Person: conductor Enrique Mazzola on Verdi's time-travelling 'Luisa Miller'Friday, 30 July 2021
It is difficult to know why some operas succeed while others remain unknown. The reasons can be emotional or historical, or it might be as simple as a poor cast who couldn’t quite launch the opera into the stars. In the case of Luisa Miller, we have... Read more... |
Matthews, LPO, Ticciati, Glyndebourne review - out of this worldThursday, 17 June 2021
Why travel to Glyndebourne for a concert? Well, for a start, none of us has heard a Mahler symphony live in full orchestral garb for at least 15 months, and though the Fourth is smaller-scale than some, its innocent beginnings belie the cosmic... Read more... |
Swan Lake, LPO, Jurowski, Marquee TV review - full Tchaikovsky score perfectly pacedThursday, 03 June 2021
Two regrets and a tentative hope before full praise for what has to be the best complete Swan Lake in concert ever. Not everyone will be sorry, as I am, that Jurowski chose for his grand leavetaking as music director of the London Philharmonic... Read more... |
Il turco in Italia, Glyndebourne review – who knew 1950s neorealism could be such fun?Monday, 24 May 2021
The new Glyndebourne production of Rossini's Il turco in Italia has a truly winning smile on its face and a spring and a dance in its musical step. It is brimful of fun and good ideas, conveying the sense that a lot of joy has been had in its making... Read more... |
Isserlis, LPO, Elder, Southbank Centre online review – songs of life and deathThursday, 15 April 2021
The Southbank Centre automatically stuck the trusty “Bohemian Rhapsodies” headline on this London Philharmonic Orchestra concert of Czech music streamed from the still-deserted Royal Festival Hall. Given Janáček’s presence on the bill, they should... Read more... |
Bevan, LPO, Jurowski, RFH online review – never-ending storiesFriday, 01 January 2021
The LPO, and its soon-to-depart chief conductor Vladimir Jurowski, began its 2020 Vision season back in February. It set out to mix and match the music of three centuries and show how it echoes in contemporary works. Well, little of that turned out... Read more... |
L'enfant et les sortilèges, VOPERA, LPO, Reynolds online – Ravel and Colette reimaginedThursday, 26 November 2020
Colette’s sharply fantastical libretto for Ravel’s second one-act opera imagines wrongs exercised upon objects and animals by a naughty child revisited by the victims upon the perpetrator. In a giddying venture which may be the most imaginative use... Read more... |
Finley, LPO, Gardner, Royal Festival Hall (p)review - special magic ready for streamingThursday, 24 September 2020
There was a rainbow over the Royal Festival Hall as I crossed one of the Hungerford foot bridges for the first time in six months. The lights and noises inside did not betray the augury. Was it the sheer hallucinatory pleasure of being within the... Read more... |
Radio 3 In Concert, BBC Sounds - a wonderful week of musicTuesday, 28 April 2020
The absence of live concerts is not just affecting the "in the flesh" audiences, but also having a knock-on effect for the Radio 3 audience, used to hearing a live or as-live concert every night of the week. The BBC have instead gone to the archive... Read more... |
Denk, LPO, Vänskä, RFH review - 200 years of joy and sorrowSaturday, 29 February 2020
Three works two centuries apart, two of them rarities, with 100/200 years between each: that's no guarantee for programming success, and no way to fill a hall (though the London Philharmonic Orchestra admin deserves a good medal for the intricacy of... Read more... |
