love
Sunnymead Court, Tristan Bates Theatre review - a lovely lockdown romanceSaturday, 26 September 2020
The first words of Sunnymead Court, a new play at the Tristan Bates Theatre, are ominous. “We are transitioning from human experiences to digital experiences.” Oof. Thankfully, this isn’t another gloomy lockdown drama about the evils of Zoom quizzes... Read more... |
I'm Thinking of Ending Things review - only disconnectThursday, 03 September 2020
I’m Thinking of Ending Things ends in a giddying gusher of weirdness, the steady drip of earlier oddness finally bursting its narrative banks, till a horror scene becomes a Gene Kelly ballet, and an Oklahoma! tune is sung in bitter valediction by a... Read more... |
Sleepless, Troubadour Wembley Park Theatre review - love from afar in this amiable musicalWednesday, 02 September 2020
Originally due to premiere back in March, Sleepless – a musical version of the winning 1993 movie Sleepless in Seattle – now acts as a test case for the return of fully staged but socially distanced indoor theatre, AKA Stage 4 of the Government’s “... Read more... |
Matthias & Maxime review - psychology and romance make for cinematic goldThursday, 27 August 2020
The emotional rawness of Xavier Dolan’s films reflects a rare humanity and empathy. For someone still only 31, the French-Canadian writer and director displays an uncanny sense of the passionate turmoil that animates his characters. The subtle... Read more... |
Chemical Hearts review - turn off the soundSaturday, 22 August 2020
Musings on the agonies of adolescent love fall like dead weight in this wearying if well-acted adaptation by writer-director Richard Tanne of the 2016 Young Adult novel Our Chemical Hearts by Krystal Sutherland. 17-year-old Henry Page (Austin Abrams... Read more... |
Songs for a New World, The Other Palace Digital review - chimes with our extraordinary 'moment'Saturday, 25 July 2020
We’ve already had The Last Five Years in lockdown; now, we get a digital production of American composer Jason Robert Brown’s earliest work. A series of wistful pop/jazz numbers loosely linked thematically, rather than narratively, this 1995... Read more... |
Come As You Are review - a road trip with a differenceSaturday, 18 July 2020
At a point in the early noughties, every third film was a teen comedy about a road trip to lose one's virginity. It’s a genre most were glad to see the back of. What a pleasant surprise Come As You Are is then, which brings much needed heart and... Read more... |
Hamilton, Disney+ review - puts us all in the room where it happenedWednesday, 01 July 2020
The movie adaptation of Lin-Manuel Miranda’s In the Heights was meant to hit cinemas this summer, but, in response to Covid-19, has been put back to 2021. Instead, we get the early release on Disney+ of Miranda’s Hamilton – filmed, NT Live style,... Read more... |
A White, White Day review - white heatSaturday, 27 June 2020
This Icelandic film begins in the titular land of steam, as rain and mist envelop an erratic car which soon tumbles to its doom. The wife of rural policeman Ingimundur (Ingvar Sigurdsson) was driving, and the mystery of her death and open, infinite... Read more... |
The Last Five Years, The Other Palace Digital review - socially distanced heartbreakFriday, 26 June 2020
A musical featuring two people who are physically separated? Jason Robert Brown’s work is a shutdown natural – as this new digital theatre version demonstrates. Lauren Samuels and Danny Becker, who play doomed lovers Cathy and Jamie, recorded their... Read more... |
Antony and Cleopatra, National Theatre at Home review – Fiennes and Okonedo triumph in dragging tragedyMonday, 11 May 2020
Like an asp eating its own tail, the National Theatre's 2018 production of Antony and Cleopatra, streaming on YouTube until 14 May, begins as it will end. Director Simon Godwin's first tableau is the play's finale: Cleopatra (Sophie Okonedo) lies in... Read more... |
Romantic Comedy review - a not-so-guilty pleasureSaturday, 09 May 2020
Only those who really love you can deliver the hard truths, and for filmmaker Elizabeth Sankey, that one love is romantic comedies. Better known as one half of band Summer Camp, Sankey is a self-confessed romcom expert, having watched nearly every... Read more... |
