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james.woodall
How to be silly in Sheridan's most famous play: Celia Imrie and Harry Hadden-Paton in The Rivals
'Tis the season to be jolly. Or, if you're a small theatre and choose not to stoop to panto, time perhaps to be a little light, anyway, tickle some tastebuds. Richard Brinsley Sheridan's The Rivals (1775) is his best-known play, followed by The School for Scandal and The Critic. In his early twenties when he wrote The Rivals (and then, after its first London outing was howled down, rewrote it), Sheridan spawned a skittish, playful, self-consciously silly classic, arch and brilliant.And by jingo, wordy. In Jessica Swale's new production for the Red Handed Theatre Company, at the Southwark Read more ...
Ismene Brown
There are times when critics sheathe their quill tips, others when they don’t. Rupert Pennefather, the tall blond Englishman who has been earnestly promoted by the Royal Ballet as hard as they can to be the next Jonathan Cope, has attracted some devastating notices, and last night’s emergency outing as Romeo isn’t going to fatten his cuttings file. This new run of MacMillan’s feverish Romeo and Juliet was intended to open with the famed partnership of Tamara Rojo and Carlos Acosta, heading a rousing supporting cast. But Acosta was injured, and instead up stepped Pennefather, and never Read more ...
anne.billson
They're back! Bella Swan and Edward Cullen (otherwise known as Kristen Stewart and Robert Pattinson) are once again smooching on a screen near you. I turned up one hour early for a showing of the new Twilight movie, and the damn thing was already sold out. Which suggests the film will do every bit as well as, if not better than, its predecessor, which made $383 million worldwide.Look on the bright side - maybe this will persuade studio executives they don't need to aim every single movie at adolescent males. The adolescent female market can be every bit as lucrative. What do young women want Read more ...
Aleks Sierz
Your mother should know: Miranda Foster and Jade Williams in Shraddha
Oh dear, poor Pearl is in a bit of pickle. She's 17, and her mum wants to know what she's doing talkin' to Joe, a young lad from the local estate. After all, Pearl is meant to be engaged to Clive, her childhood sweetheart. And he'd come running if only Pearl would whistle. But she ain't interest'd. Anyhow, Pearl's mum knows what's what, and she reckons that mixed marriages never work. You see, Pearl is a Romany Gypsy and Joe is just a "Gorger" boy - that's Romany for anyone who isn't "one of us". Set a couple of years ago in East London, Shraddha - which is Romany for "You are what's in your Read more ...
Jasper Rees
The door to a pristine apartment is opened by a rivetingly beautiful young woman. “You're early," she says matter-of-factly. "I was just masturbating.” Has a date, and indeed a romantic comedy, ever started so winningly? Not that it goes so well for short, fat, snub-nosed Mark Bellison. At the restaurant she informs him that she’s way out of his league and the evening will not conclude in sex or even a kiss. And the waiter hits on her, unsuccessfully. Mark takes all this on the chin because he’s used to it. Everyone is. In the brilliant conceit of Ricky Gervais’s The Invention of Lying, this Read more ...
Graham Rickson
The film critic Mark Kermode maintains that if a film is advertised on the side of a bus, it will inevitably be rubbish. Opera North are advertising this revival of Tim Albery’s 2004 Così fan tutte extensively on the sides of buses here in Leeds. Kermode’s theorem evidently doesn’t hold for opera.This production is an invigorating, life-enhancing evening which showcases all that Opera North excel at: it is visually imaginative, crisply sung and underpinned by marvellous orchestral playing. The witty English-language version (in an uncredited translation) is always audible. Conducting is by Read more ...
ryan.gilbey
Superbad was a modern-day coming-of-age comedy with inexplicable 1970s trimmings (the title, groovy credits sequence, Richard Pryor references and so on). Now its director, Greg Mottola, has made a period piece proper in the form of Adventureland, set in the mid-1980s in a cheesy, dilapidated Pittsburgh theme park where the rides make you throw up, and the stalls are rigged against any customer hoping to win more than a dying goldfish.The movie is breezy and well-observed, but also deeply conventional. It may poke fun at a tacky nightclub called Razzmatazz, which bills itself as “A Read more ...