love
Banine: Days in the Caucasus review - revolutions, pogroms and loveSunday, 21 April 2019
By fifteen Ummulbanu Asadullayeva — or Banine, to call her by the name under which she wrote and translated — had already lived more than most of us will in a lifetime. She’d experienced great love, married, been both a refugee and returnee,... Read more... |
My Enemy's Cherry Tree: Wang Ting-Kuo review - a masterpiece from TaiwanSunday, 07 April 2019
Early every evening, Miss Baixiu comes to sit in an isolated café. She is the daughter of Luo Yiming, the respected employee of a successful commercial bank in charge of loans throughout central Taiwan. As a rich man, an aesthete and a... Read more... |
Director Jason Barker: ‘Trans lives are often portrayed so bleakly’Thursday, 04 April 2019
When Jason and Tracey were trying for a baby, the worst happened. Tracey was diagnosed with breast cancer, and although she eventually recovered, was unable to carry a child. For Jason, the answer was clear - as a trans man, he would become pregnant... Read more... |
Fiddler on the Roof, Playhouse Theatre, review – energetic production whips up an emotional stormThursday, 28 March 2019
In an age where political, social, and gender norms seem to be in perpetual meltdown, it should be pretty much impossible for a musical that begins with a song celebrating ‘Tradition’ to strike a chord. Yet from the moment that the cast of Trevor... Read more... |
Betrayal, Harold Pinter Theatre review - Tom Hiddleston anchors a bold, brooding revivalThursday, 14 March 2019
The grand finale of Jamie Lloyd’s remarkable Pinter at the Pinter season is this starry production of one of the writer’s greatest – and certainly most personal – works, inspired by his extramarital affair with Joan Bakewell. The 1978 play is... Read more... |
Border review - genre-defying Oscar-nominated Swedish filmSaturday, 09 March 2019
This might just be the most challenging film review I’ve had to write in decades. The best thing would be to go and see Border knowing nothing more than that it won the prize for most innovative film at Cannes. Don't watch the trailer, and... Read more... |
The Lady from the Sea, Print Room at the Coronet review - freedom to choose?Monday, 18 February 2019
Ellida (Pia Tjelta) has a choice to make, the outcome of which will bind her future to her past or her present, each represented by a man. On the one hand, there is the tempestuous seafaring Stranger (Øystein Røger) to whom, long ago and in a fit of... Read more... |
If Beale Street Could Talk review - love defies racism in James Baldwin adaptationSunday, 10 February 2019
Films that show a young couple’s love deepening are rare because without personal conflict there’s no narrative progression. They're especially rare in the current mainstream American cinema since romantic dramas are commercially risky, though LGBTQ... Read more... |
Burning review - an explosive psychological thrillerSaturday, 02 February 2019
Burning, which is the first film directed by the Korean master Lee Chang-dong since 2010’s Poetry, begins as the desultory story of a hook-up between a pair of poor, unmotivated millennials – the girl already a lost soul, the boy a wannabe writer... Read more... |
Counting Sheep, The Vaults review - visceral recreation of an uprisingThursday, 31 January 2019
Is there a connection between revolution and theatre? The answer has to be yes – a visceral one. The supremacy of symbols, the collective strength of a crowd, a sense that some kind of pressure valve is being released to challenge the dominant... Read more... |
Magda Szabó: Katalin Street review - love after lifeSunday, 13 January 2019
This is a love story and a ghost story. The year is 1934 and the Held family have moved from the countryside to an elegant house on Katalin Street in Budapest. Their new neighbours are the Major (with whom Mr Held fought in the Great War) and his... Read more... |
Aspects of Love, Southwark Playhouse review - discourse keeps passion at bayFriday, 11 January 2019
“Love Changes Everything”, as immortalised by Michael Ball, is the most enduring feature of Andrew Lloyd Webber, Don Black and Charles Hart’s 1989 musical – a moderate West End success, and a Broadway flop. Jonathan O’Boyle’s production, seen last... Read more... |
