London
Disclaimer, Apple TV+ review - a misfiring revenge saga from Alfonso CuarónTuesday, 15 October 2024
It seems to be silly season for big-name directors. First, Coppola’s Megalopolis and Steve McQueen’s Blitz: why? Now Alfonso Cuarón’s Disclaimer: double why?What happens in the minds of directors whose careers have matured and whose audiences have... Read more... |
London Film Festival 2024 - the Vatican, the Blitz, a trip to Poland and a surfin' nightmareSaturday, 12 October 2024
ConclaveDirector Edward Berger won an Oscar for his last feature, All Quiet on the Western Front (2022), but here he concerns himself with the more intimate and claustrophobic battlefield of the Vatican. The Pope (Bruno Novelli) has died, and under... Read more... |
The Lehman Trilogy, Gillian Lynne Theatre review - three brothers, two crashes, one American DreamFriday, 11 October 2024
Merchant bankers then eh? It’s not a slang term of abuse for nothing, as the middlemen collecting the crumbs off the cake (in Sherman McCoy’’s analogy from The Bonfire of the Vanities) have a reputation for living high on the hog off the ideas and... Read more... |
Lygia Clark: The I and the You, Sonia Boyce: An Awkward Relation, Whitechapel Gallery review - breaking boundariesThursday, 10 October 2024
Brazilian artist Lygia Clark is best known for taking her abstract sculptures off the pedestal and inviting people to interact with them. Dozens of constructions named Bichos (Beasts or Critters) (pictured below right) are hinged... Read more... |
French Toast, Riverside Studios review - Racine-inspired satire finds its laughs once up-and-runningWednesday, 09 October 2024
It’s always fun jabbing at the permanently open wound that is Anglo-French relations, now with added snap post-Brexit, its fading, but still frothing, humourless defenders clogging up Twitter and radio phone-ins even today. So it’s probably timely... Read more... |
Joan, ITV1 review - the roller-coaster career of a 1980s jewel thiefSaturday, 05 October 2024
If you’re looking for an advertisement for how crime doesn’t pay, Joan will do very nicely. Written by Anna Symon, this six-part series is based on the memoirs of real-life jewel thief Joan Hannington, whose light-fingered accomplishments earned her... Read more... |
Monet and London, Courtauld Gallery review - utterly sublime smogFriday, 04 October 2024
In September 1899, Claude Monet booked into a room at the Savoy Hotel. From there he had a good view of Waterloo Bridge and the south bank beyond. Setting up his easel on a balcony, he began a series of paintings of the river and the buildings on... Read more... |
Angela Hewitt, Wigmore Hall review - Scarlatti miniatures outshine Brahms behemothWednesday, 25 September 2024
If Angela Hewitt’s recital last night at the Wigmore Hall was a meal, it would have been two light, fresh – but nourishing – courses, followed by a big suetty pudding, splendidly cooked but sitting slightly heavy on the stomach. The delightful... Read more... |
Michael Craig-Martin, Royal Academy review - from clever conceptual art to digital decorWednesday, 25 September 2024
Michael Craig-Martin was the most playful and provocative of the conceptual artists. His early sculptures are like visual puns, a play on the laws of nature. On the Table, 1970 (pictured below right), for instance, appears to defy gravity. Four... Read more... |
The Truth About Harry Beck, London Transport Museum Cubic Theatre review - mapping the life of the London Underground map's creatorFriday, 20 September 2024
Iconic is a word the meaning of which is moving from the religious world into popular culture – win a reality TV show dressed as a teapot, and you can be sure that your 15 minutes of fame will be labelled iconic across social media. Not quite... Read more... |
The Band Back Together, Arcola Theatre review - three is a dangerous numberMonday, 16 September 2024
We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that the person or the performance? When Ellie walks in, he leaps up like a cat on a hot tin roof, nervous as a kitten, and we know –... Read more... |
The Critic review - beware the acid-tipped penSaturday, 14 September 2024
The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be dispelled by a soundtrack featuring “Midnight and the Stars and You,” the song that Stanley Kubrick used to ominous... Read more... |
