London
Grenfell: System Failure, Playground Theatre review - if this doesn't make you angry, nothing willSaturday, 25 February 2023
It’s been five years since 72 people died in the Grenfell Tower fire in West London. Five years and no arrests, as countless placards and posters around the neighbourhood point out.The Grenfell Tower Inquiry into how the tragedy occurred – why it... Read more... |
LPO, Adès, RFH review - tempests and infernosThursday, 23 February 2023
I was really looking forward to hearing music from Thomas Adès’s ballet The Dante Project again, after being so excited by it at the Royal Ballet last year. By contrast, I was seriously disappointed by his opera of The Tempest in 2003, and hoped to... Read more... |
Sylvia, Old Vic review - great leads, rambling storyFriday, 17 February 2023
For many years, I would ask groups of students to vote in elections because “it’s important to honour those who gave up so much to ensure that the likes of us can”. Some would nod, others would shrug, a few might have inwardly scoffed – too... Read more... |
Graceland, Royal Court review - quiet desolation is too literaryThursday, 16 February 2023
Is new writing becoming increasingly literary? Recently, some of the language being used by younger playwrights seems to me to be becoming too subtle, something to be savoured on the page rather than strongly felt in live performance. Certainly,... Read more... |
Peter Doig, Courtauld Gallery review - the good, the bad and the unfinishedThursday, 16 February 2023
I once gave Peter Doig a tutorial, when he was a student at Chelsea College of Art. He had little to say about his strange images and I came away feeling I’d seen something unique, but was unable to tell if he was a very good painter or a very bad... Read more... |
The Gold, BBC One review - gripping dramatisation of the 1983 Brink's-Mat bullion robberyTuesday, 14 February 2023
The raid on the Brink’s-Mat warehouse at Heathrow in November 1983 has entered the folklore of British crime and criminology. The gang of six armed robbers had expected to find £3m in cash, but instead got away with £26m worth of gold bullion. The... Read more... |
Phaedra, National Theatre review - stunning acting in stunning showMonday, 13 February 2023
How can old texts speak to us now? The point is not just to adapt classics, but to reimagine them – and that’s exactly what hotshot Australian director Simon Stone does. Having brilliantly staged Lorca’s Yerma with Billie Piper, he now turns his... Read more... |
Magic Mike's Last Dance review - ludicrous and radical gyrationsSaturday, 11 February 2023
Magic Mike began as a cautionary tale rooted in Channing Tatum’s spell as a teenage stripper, then morphed into a franchise of reality and theatre shows. Now this second sequel brings original director Steven Soderbergh back, and leaps into pure... Read more... |
Smoke, Southwark Playhouse review - dazzling Strindberg updateMonday, 06 February 2023
A play’s title can be an almost arbitrary matter – there’s no streetcar but plenty of desire in that one for example – and it might have crossed Kim Davies’ mind to call her play Ms Julie, since it is a reimagining of August Strindberg’s... Read more... |
Titus Andronicus, Sam Wanamaker Playhouse review - notorious play hits and missesFriday, 03 February 2023
If All's Well That Ends Well, Measure for Measure and Troilus and Cressida have earned the sobriquet "‘problem plays", what price Titus Andronicus? Does a director seek out a Saw vibe for the horror? Do they go for a deadpan Spinal Tap’s... Read more... |
Lemons Lemons Lemons Lemons Lemons, Harold Pinter Theatre review - cool cast chills the dramaThursday, 02 February 2023
Culture which arrives from the margins to the mainstream is a classic phenomenon. In the case of Sam Steiner’s Lemons Lemons Lemons Lemons Lemons it has taken almost a decade for this two-hander to make the journey from a student production at... Read more... |
Sound of the Underground, Royal Court review - loud and triumphantly proudMonday, 30 January 2023
Ever been to a queer club? You know, drag cabaret night at Madame Jojo’s, or the Black Cap or Her Upstairs. No? Well, not to worry – the Royal Court’s latest provides a fabulously extravagant simulation of the experience with its staging of Sound of... Read more... |
