London
Dead Dad Dog, Finborough Theatre review - Scottish two-hander plays differently 35 years on, but still entertainsSaturday, 14 October 2023
I know, I was there. Well, not in Edinburgh in 1985, but in Liverpool in 1981, and the pull of London and the push from home, was just as strong for me back then as it is for Eck in John McKay’s comedy Dead Dad Dog. Back in London for the... Read more... |
Thea Gilmore, Union Chapel review - after Afterlight, a challengeSaturday, 14 October 2023
Recently recovered from her fifth bout of Covid, Thea Gilmore last night made a return to London’s Union Chapel, a wonderfully atmospheric venue where the price to pay for a concert is a numb bum (unless you remember to hire a cushion). For the... Read more... |
Sunset Boulevard, Savoy Theatre review - Nicole Scherzinger stuns in an exceptional productionFriday, 13 October 2023
Jamie Lloyd has the gift that keeps on giving. Hot on the heels of recent productions on Broadway and at the National Theatre, the visionary director is back in the West End with a stupendous reimagining of Andrew Lloyd Webber’s modern classic... Read more... |
Album: Nitin Sawhney - IdentityFriday, 13 October 2023
Nitin Sawhney never fails to produce albums that draw on the talent of his brilliant friends, touch on issues of current urgency, and bridge musical styles with great deftness and in a way that avoids the frequent artifice of fusion.Perhaps more... Read more... |
Blue Mist, Royal Court review - authentic, but not entirely convincingThursday, 12 October 2023
Multiculturalism, according to the Home Secretary, has failed, so where does that leave British Black and Asian communities? Well, certainly not silent. In Mohamed-Zain Dada’s vigorous 90-minute debut play, Blue Mist, the pronouncements of the... Read more... |
The Changeling, Southwark Playhouse review - wild ride proves too bumpy to land all its pointsThursday, 12 October 2023
Writing about the upcoming 60th anniversary of the founding of the National Theatre in The Guardian recently, the usually reliable Michael Billington made a rare misstep. He called for the successor to Rufus Norris, the departing artistic director,... Read more... |
Death of England: Closing Time, National Theatre review - thrillingly and abundantly aliveTuesday, 10 October 2023
It’s closing time somewhere in the East End. Nah, not the pub, but at a small local shop. Inside, Denise is banging around with some big pans, while Carly is packing up the flowers. Their business is coming to an end and they are about to hand over... Read more... |
Imposter 22, Royal Court Theatre review - ace on representation, less so on structureWednesday, 04 October 2023
The Royal Court’s collaboration with Access All Areas (AAA) may not be theatre’s first explicit embrace of the neurodiverse community on stage: Chickenshed has five decades of extraordinary inclusive work behind them and Jellyfish, starring Sarah... Read more... |
Boiling Point, BBC One review - chef drama that's simmering nicelyMonday, 02 October 2023
The problem facing any chef series is that its daily dramas are essentially rooted in the same small, sweaty space. It’s like one of the reductions prepared there, all the flavours compressed into an intense spoonful of sauce.As in Disney+’s... Read more... |
I Fagiolini, Hollingworth, Kings Place review - magnificent Monteverdi VespersSunday, 01 October 2023
It was great to see Kings Place full on Saturday night for I Fagiolini’s take on the Monteverdi Vespers, added, rock’n’roll style, as an “additional date due to public demand” after the Friday show sold out. And it was superb. Hearing the Vespers,... Read more... |
PJ Harvey, Roundhouse, London review - incandescent perfectionSunday, 01 October 2023
London’s Roundhouse is a very special venue. For decades the circular shed, with its elegant ironwork supporting structures has hosted a wonderful and varied series of performances. Like a great cathedral, the space has a hallowed feel about it. The... Read more... |
Unbelievable, Criterion Theatre review - Derren Brown-directed show misses his otherworldly dangerFriday, 29 September 2023
Unbelievable is a strange title for a slightly strange show, the brainchild of Derren Brown, Andrew O’Connor and Andy Nyman, a trio with an impeccable pedigree in creating successful magic-based events. It’s a strange title because suspension... Read more... |
