London
Graham Fuller
Blitz, set on a vast CGI canvas in September 1941, is an improbable boy’s adventure tale that depicts the misery and terror that was inflicted on East Londoners by Germany’s eight-month bombardment. The enemy in the movie is not airborne, however. Writer-director Steve McQueen made it to educate audiences about contemporaneous white racism in Britain – proof that not all the British pulled together during the time of total war.It's a timely film given the race riots and hate crimes stoked by far-right agitators this summer – when would it not be timely? It gets its vital message across, Read more ...
aleks.sierz
Hanif Kureishi’s 1990 novel The Buddha of Suburbia begins like this: “My name is Karim Amir, and I am an Englishman born and bred, almost”. Almost. Yes, that's good. We are in 1970s south-east London, and this immediately introduces, despite its tentative tone, the protagonist as a young man trying to define his identity.Like the original book, this stage adaptation — by director Emma Rice with help from Kureishi — explores the tensions between East and West, Buddhism and Islam, suburb and city, glam rock and punk, gay and straight, with some of the characters adopting fake identities as well Read more ...
Gary Naylor
It is unsurprising to learn in the post-show Q&A that each audience receives Jonathan Maitland’s new play based on his 2006 memoir differently. My house laughed a lot (me especially) but some see the tragic overwhelming the comic, and the laughs dry up. When it comes to humour, as is the case with mothers, it’s each to their own.It’s an unusual production right from the off when the playwright, who is also a main character, is also acting himself too – but not entirely, as there’s a pre-teen and post-teen version of him too, played by different actors. Got all that? When you add his Read more ...
Jim Bob
For a few months a couple of years ago, when you googled the name Jim Bob, although you’d get a lot of information about me, Jim Bob, the lead singer from 1990s UK indie punk heroes Carter The Unstoppable Sex Machine, the main image would be a picture of Donald Trump. I never fully understood why. I think it had something to do with the name "Jim Bob" being a thesaurus entry for "redneck".Anyway, here’s a chapter from my new book Where Songs Come From – The Lyrics and Origin Stories of 150 Solo and Carter USM Songs. It’s my first ever book of lyrics. I like to think of it as a memoir or Read more ...
Bernard Hughes
What’s it like to be in the middle of an orchestra, hugger-mugger with the violas, looking directly over the flautist’s shoulder? Last night’s immersive concert by Sinfonia Smith Square gave the us the chance to find out, the players spread around Smith Square Hall on podiums, with the audience encouraged to wander round as the performance unfolded. It was at once a revealing but also somewhat frustrating experience.The hour-long programme explored the plight of the UK’s temperate rainforest. You may not (I didn’t) realise the UK had any temperate rainforest, but it does – and centuries ago Read more ...
Saskia Baron
One of the many pleasures of the London Film Festival is the chance to see high-quality documentaries on the big screen. If lucky, these films might get a brief, specialist cinema release, but all too often non-fiction features are destined for TV. Seeing them projected full-size in the dark with a live audience sharing the experience is a far better way of gauging their impact than watching them alone in a living room. Victoria Mapplebeck’s Motherboard (pictured above) got the warmest reception: its sold-out screenings were greeted with laughter and a standing ovation. It’s a Read more ...
Gary Naylor
The misadventures and misbehaviours of the English upper-middle class is catnip for TV executives. All those posh types on which us hoi polloi can sit in delicious self-righteous judgement, as we marvel at their cut glass accents, well-tailored clothes and ostentatious wealth. Meanwhile their worlds are always collapsing due to villainy, venality or misconceived virtue. Lovely stuff! While such tales are seldom far from a screen, they are often far from a stage, the challenge of scaling down just too intimidating for most adaptors. Not so Shaun McKenna and Lion Couglan who took on the Read more ...
mark.kidel
Purveyors of extraordinary energy and euphoria, Underworld never miss a beat. The new album – 30 years on from their debut, and their exposure in Danny Boyle’s Trainspotting – once again features music that will always be better live, in the midst of a bouncing throng, ablaze with smiles of joy, than on the best stereo at home, or state-of-the-heart cordless headphones.Karl Hyde and Rick Smith recommend that listeners avoid shuffle mode, as this new offering is programmed as a sequence, raising a storm, driven by the electronic bass drum, pulsating synths and Underworld’s trademark Read more ...
Gary Naylor
Theatre is a strange dish. A recipe can be stacked with delicious ingredients, cooked to exacting standards, taste-test beautifully at the halfway mark, yet leave you not quite full, not exactly satisfied, disappointed that it didn’t come out quite as expected when plated up. Autumn certainly looks good when you lay everything out on the kitchen table. A celebrated source novel from an award-winning writer (Ali Smith) adapted by Harry McDonald, fresh from his critical success, Foam, at the Finborough and Brexit, a hot button topic even eight years on, at its heart. Roll in a stellar cast Read more ...
Gary Naylor
Straddling the USA Presidential elections, Simple8’s run of Land of the Free could not be better timed, teaching us an old lesson that wants continual learning – the more things change, the more they stay the same.We open on the Booth family kids rehearsing Julius Caesar (a motif that runs through the play) with John Wilkes Booth already displaying narcissistic tendencies in kids’ squabbles. That changes when their father, a successful British-born actor with a murky past, returns from touring to dominate the space, physical and mental. It’s easy to spot the damage done to Wilkes and one’s Read more ...
Gary Naylor
There’s a moment in writer/co-director, Jonathan Brown’s, gritty new play, Knife on the Table, that justifies its run almost on its own. Flint, a decent kid going astray, is "invited" to prove he’s ready for the next step in his drug-dealing career by stabbing Bragg, another "soldier", who has become more trouble than he’s worth.I immediately thought of The Godfather and the iconic, seductive, even beautiful language in which this rite of passage is labelled "making your bones". So much gangster culture is framed by the script, cinematography and charismatic acting of Francis Ford Read more ...
joe.muggs
Londoner Ayman Rostom has been around the block and then some. For some 25 years he’s been a hip hop producer as Dr Zygote, for the past decade he’s made wiry and weird house music as The Maghreban – both of these aliases are still, it seems, fully functioning. Before that still he made jungle and drum’n’bass in the initial 90s boom. And now he’s got a new alias to write, as you may guess by the album title, some very sad songs.There has always been a deep strand of outsiderdom, of being the odd one out, of not doing things in the typically correct order, to his music. So it’s no wonder that Read more ...