London Film Festival
LFF 2013: AdoreThursday, 17 October 2013
Naomi Watts’s rare misstep with Diana is forgotten as this playfully provocative tale of female friendship and forbidden love unfolds. It’s an equally rare return to Australia for Watts, who plays Lil, whose deep childhood bond with Roz (Robin... Read more... |
LFF 2013: We Are the Best!Thursday, 17 October 2013
The Lukas Moodysson who made Together in 2000 has been missing in action ever since. Its charmingly optimistic look at a Seventies Swedish commune and tremendous use of Abba was followed by severe and sometimes experimental films, self-flagellating... Read more... |
LFF 2013: Under the SkinWednesday, 16 October 2013
It's been nine years since Jonathan Glazer's last film, the courageous and underrated Birth. If that film had its moments of audacity then Under the Skin - an adaptation of Michel Faber's gloriously revolting novel - is a real feast of filmmaking... Read more... |
LFF 2013: Night MovesWednesday, 16 October 2013
Jesse Eisenberg’s second film of the LFF is Kelly Reichardt’s low-budget, simmering thriller, confirming his work-led choices since The Social Network. “This was the only blockbuster I was offered,” he deadpanned, asked at the first screening’s Q... Read more... |
LFF 2013: Don JonWednesday, 16 October 2013
Playing against his wholesome appeal, Joseph Gordon-Levitt's debut outing as a writer/director spins a comedy of internet porn addiction, love, family, church – and a man who loves to do his own cleaning. Set in contemporary New Jersey, Gordon-... Read more... |
Like Father, Like SonTuesday, 15 October 2013
From the simplest of precepts Japanese director Kore-eda Hirokazu spins a marvellously tender story of parents and children in Like Father, Like Son, as well as a subtle portrayal of the nuances of contemporary Japanese society. The emotions resound... Read more... |
LFF 2013: Inside Llewyn DavisTuesday, 15 October 2013
Showbiz is a cruel and mysterious cosmic code that can grind the artist down, before he comes close to cracking it. That’s the message behind the Coen brothers’ elegy to the Greenwich Village folk scene of 1961. Llewyn Davis (Oscar Isaac) stands... Read more... |
LFF 2013: The DoubleMonday, 14 October 2013
Richard Ayoade's follow-up to the highly promising Submarine centres on another pretty hopeless young man; yet this time his protagonist's predicament is considerably more grave, even if matters are no less amusing. Based on the novella by Fyodor... Read more... |
LFF 2013: Abuse of WeaknessMonday, 14 October 2013
In 2004 French director Catherine Breillat suffered a stroke. Three years later, she was cheated out of nearly a million euros by a known conman whom she was intending to cast in a film. She later suggested he took advantage of her still-reduced... Read more... |
LFF 2013: Blue Is the Warmest ColourSunday, 13 October 2013
Go for the lesbian sex, leave knowing relationships are all the same: that's the nutshell of French-Tunisian director Abdellatif Kechiche's explicit, intimate and lengthy drama Blue Is the Warmest Color (aka Le Vie D’Adèle), the Palme d’Or winner at... Read more... |
LFF 2013: Grand CentralSaturday, 12 October 2013
Rebecca Zlotowski catches the blue-collar underbelly of France at dangerous work and uneasy play in her second feature Grand Central. Tahar Rahim from A Prophet leads as Gary, rejected by his family and looking for any job going: it turns out to be... Read more... |
LFF 2013: Mystery RoadSaturday, 12 October 2013
Awful crimes are being committed in an Australian outback town: young girls murdered, and dumped in culverts. But what makes it worse for Aboriginal detective Jay Swan (Aaron Pedersen), newly returned to his small hometown from the city, is the... Read more... |
