sun 19/05/2024

LGBT+

Brokeback Mountain, @sohoplace review - emotionally inert take on acclaimed tale of queer love

For a masterclass in expansive adaptation, one could do worse than turn to Ang Lee’s Oscar-winning Brokeback Mountain, based on American author Annie Proulx’s 1997 short story of the same title. Proulx’s restrained but searing tale of the queer...

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The Blue Caftan review - unstitching repression in Morocco

The eponymous garment in The Blue Caftan is a thing of beauty meticulously stitched and embroidered by Halim (Saleh Bakri), a maalem or master tailor, in one of Morocco’s oldest medinas. His craftmanship, with its focus on intricate...

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The Vortex, Chichester Festival Theatre review - naturalism clogs up Coward's pipes

Sometimes I go outside and look at our kitchen drain. Where there should be a vortex there’s a largely static pool. Tree roots have recently grown through the old pipes, their clumps colonised with fat, dog hair and coleslaw bits, and though a bit...

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Album: 100 gecs - 10,000 gecs

If popular music is dead and done and there’s nowhere left to go, rising duo 100 gecs, from St Louis, Missouri, are here to prove there’s still deranged fun to be had cannibalising the corpse. The second album from the pair, both in their late...

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Joyland review - a tender tragedy

Partially banned in Pakistan, Saim Sadiq’s debut uses a young man’s affair with a trans woman to reveal the sadness and brutality of the nation’s patriarchal norms. It’s also a deeply sympathetic character study written from under the country’s skin...

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Linck & Mülhahn, Hampstead Theatre review - problems as well as pleasures

With the total loss of its Arts Council funding, Hampstead Theatre’s future as a specialist new writing venue is in doubt. But before anything drastically changes, the playwrights and plays developed by Roxanna Silbert, who was edged out as artistic...

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Sound of the Underground, Royal Court review - loud and triumphantly proud

Ever been to a queer club? You know, drag cabaret night at Madame Jojo’s, or the Black Cap or Her Upstairs. No? Well, not to worry – the Royal Court’s latest provides a fabulously extravagant simulation of the experience with its staging of Sound of...

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As You Like It, @sohoplace review - music-filled, warm-hearted celebration

The scene is set onstage in the first minutes. And it remains a stage throughout this harmonious production. The action takes place in a severe court and a more liberal forest, but really the setting is always a place of imagination, a theatre....

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Album: Christeene - Midnite Fukk Train

Christeene is not so much a musical entity, as a performative assault, an artist who pushes drag somewhere visceral, caustic, wilfully edgy and defiantly unpolished. The creation of New York-based, Louisiana-raised Paul Soileau, her videos and shows...

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Something in the Air, Jermyn Street Theatre review - evocative London mood music

As its title suggests, Peter Gill’s Something in the Air is an elusive piece – it’s about catching at instinct, responding to intuition, bringing together overlapping hints of present and past lives. From these different stories, spun out of lived...

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The Doctor, Duke of York's Theatre review - Juliet Stevenson will see you now

Robert Icke is an expert in corporate tragedy. I don’t mean that in a bad way - just that he has a penchant for taking classics (Hamlet, The Oresteia, Mary Stuart) and transporting them, with the help of designer Hildegard Bechtler, to the frosted-...

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Bright Half Life, Kings Head Theatre review - ups and downs of a tender lesbian love affair

A tender love story has arrived at the Kings Head theatre from the US, where its author, Tanya Barfield, is an award-winning playwright for both television and theatre. The plot is simple: two women — one white, one Black — meet in an office where...

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