mon 25/11/2024

Leeds

Masque of Might, Opera North review - a tale of ecological virtue

Sir David Pountney’s creation of a “masque” performance for our times, recycling music Purcell wrote for his, is downright good entertainment even if the plotline’s a bit incoherent.Now that’s a virtue, if you look at the 17th century models he’s...

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Music Reissues Weekly: Pale Saints - In Ribbons

In an interview following the release of Pale Saints’ March 1992 second album In Ribbons, the band’s Ian Masters expressed his admiration for Eyeless in Gaza, Laura Nyro and Television. He told Option magazine “I find it incredible how much I am...

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Falstaff, Opera North review - going green and having fun

There’s a charmingly retro feel to Opera North’s new Falstaff, which comes from it being done as part of their new “green”, i.e. ecologically conscious, season.Leslie Travers’ set is made of bits from other productions and – most notably – shows...

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First Person: Director Sir David Pountney on creating a new 'Masque of Might' from the music of Purcell

Purcell came very early to me. When I was a chorister at St. John’s Cambridge “Jehova quam multi sunt” was a perennial favourite and we were thrilled by the evenings when George Guest brought in some string players to accompany Purcell’s verse...

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Music Reissues Weekly: Keeping Control, Where Were You - Leeds and Manchester navigate the aftershocks of punk

“Keeping Control” were the watchwords adopted by The Manchester Musicians’ Collective, an organisation founded in April 1977 to bring local musicians together and give them platforms. On 23 May 1977, it put on its first show – also the first live...

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'Right now, we're in chaos': pianist and Leeds Lieder director Joseph Middleton on catastrophic cuts to arts funding

“If you want a picture of the future, imagine a boot stamping on a human face – for ever.” Replace a few of George Orwell’s words in 1984 and most musicians right now would find alarming resonance in the statement: “If you want a picture of the...

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The Pearl Fishers, Opera North review - focus on the mystery

The Pearl Fishers is very much a mid-19th century Romantic opera, with a plot that’s basically a love triangle set in an exotic location. Its writers, Michel Carré and Eugène Cormon, were not the greatest of plot inventors, and after hearing the...

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Album: Nia Archives - Sunrise Bang ur Head Against the Wall

We are way, way past the point where it makes any sense to talk of jungle or drum’n’bass “revivals”. Thirty years from the emergence of jungle from the rave scene, its tempo and tropes have remained a staple sound for generation upon generation of...

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Ariadne auf Naxos, Opera North review - funny and beautifully sung

Rodula Gaitanou’s production of Richard Strauss’s Ariadne auf Naxos is a hugely entertaining treatment of an opera that brings its fair share of problems to any company, and the chief virtue of Opera North’s presentation (a co-production with...

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The Cunning Little Vixen, Opera North review - magic of a classic staging

It’s good to think that there are some opera productions – not just compositions – that in themselves can have the status of classics. David Pountney’s 1980 interpretation of Janáček’s The Cunning Little Vixen must be high on a list of contenders...

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Orfeo ed Euridice, Opera North review - more than a concert

Though billed as a “concert performance”, this was really much more than that. With the resources of their own theatre, Opera North’s team present a staging that employs a big, built-up and raked floor, with a simple platform in the centre and a...

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Orpheus, Opera North review - cross-cultural opera in action

Within its own aspirations, Orpheus is a complete triumph. “Monteverdi reimagined”, as Opera North subtitled it from the start, is an attempt to unite (and contrast, and compare, and cross-fertilise) early baroque opera with South Asian classical...

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