journalism
Selva Almada: Dead Girls review – the stark proximity of women to violenceSunday, 06 September 2020
Selva Almada’s newly translated work has a stark title in both English and the original Spanish: Dead Girls, or Chicas Muertas. That apparent bluntness belies the hybrid sensitivity that makes up the pages. Its subject matter is the murders of three... Read more... |
Mr Jones review - a timely testament to journalismFriday, 07 February 2020
While the horrors of Hitler’s rule are well documented, Joseph Stalin’s crimes are less renowned, so much so that in a recent poll in Russia he was voted their greatest ever leader. This chilling fact made acclaimed director Agnieszka Holland feel... Read more... |
Filmmaker Agnieszka Holland: 'Without journalism, democracy will not survive'Tuesday, 04 February 2020
Agnieszka Holland is one of Europe's leading filmmakers. Growing up in Poland under Soviet rule, her films have often tackled the continent's complex history, including the Academy Award-nominated Europa, Europa, In Darkness and Angry Harvest. In... Read more... |
Jodi Kantor & Megan Twohey: She Said review – better than the moviesSunday, 22 September 2019
October 5th in the United States is a day for righteous rage. In 2016 it marked the release of the infamous "Access Hollywood" tape in which Donald Trump made his now-infamous “grab them by the pussy” comment. In 2017, it was the date the New York... Read more... |
Our Women on the Ground: Essays by Arab Women Reporting from the Arab World ed. Zahra Hankir review – journalism from the front linesSunday, 11 August 2019
Many of the women in this pioneering collection of essays have faced unimaginable hardship in their pursuit of truth – persecution by extremist groups as well as the loss of family members and friends. The tone of this collection is, however, best... Read more... |
Chimerica, Channel 4 review - fake news, true dramaThursday, 18 April 2019
Chimerica is a stage-to-screen adaptation that has certainly kept up with the times. When it opened at the Almeida back in 2013 – a West End transfer followed, along with an Olivier award for Best New Play – Lucy Kirkwood’s drama was (very... Read more... |
Alys, Always, Bridge Theatre review - mildly perverse but rather dispiritingThursday, 07 March 2019
Okay, so this is the play that will be remembered for the character names that have unusual spellings. As in Alys not Alice, Kyte not Kite, etc. Anyway, Lucinda Coxon's adaptation of journalist Harriet Lane's 2012 bestseller for the Bridge Theatre... Read more... |
A Private War review - Rosamund Pike burns with passion in well-meaning biopicSaturday, 16 February 2019
The Sunday Times war correspondent Marie Colvin lived such a fearless life that it's a shame this celluloid biopic isn't correspondingly brave. Sincere to a fault and bolstered by a blazing performance from an impassioned Rosamund Pike, Matthew... Read more... |
theartsdesk Q&A: Matthew Heineman on directing 'A Private War'Saturday, 02 February 2019
The release of Matthew Heineman’s film A Private War, about the tumultuous life and 2012 death of renowned Sunday Times war correspondent Marie Colvin, has gained an added edge of newsworthiness from this week’s verdict by Washington DC’s US... Read more... |
Michael Peppiatt: The Existential Englishman review - we'll always have ParisSunday, 27 January 2019
In this memoir, subtitled “Paris Among the Artists”, Michael Peppiatt presents his 1960s self as an absorbed, irritatingly immature and energetically heterosexual young man let loose in Paris to find himself (or not). The young art historian,... Read more... |
Director Alexandria Bombach: 'I feel like a completely different person'Wednesday, 23 January 2019
Nadia Murad caught the world’s attention when she spoke at the United Nations Security Council. She spoke of living under ISIS, daily assaults, escaping, and the current plight of the Yazidi people, in refugee camps and still under ISIS control. It... Read more... |
Press, BBC One, series finale review - scarcely credible but highly entertainingThursday, 11 October 2018
It’s difficult to tell whether Press (BBC One) came to praise newspapers or to bury them. The slugfest between preachy liberal do-goodery and mucky market-led skulduggery ended in a score draw, with the main protagonists living to fight another day... Read more... |
