Jewish culture
Fiddler on the Roof, Barbican review - lean, muscular delivery ensures that every emotion rings trueWednesday, 04 June 2025
It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings might rob a show of the glitter and allure it once had.For Jordan Fein’s impassioned, magical Fiddler... Read more... |
The Last Musician of Auschwitz review - a haunting testamentTuesday, 13 May 2025
“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring to the genocide perpetrated by the Nazis in concentration camps like Auschwitz-Birkenau, where she was... Read more... |
What We Talk About When We Talk About Anne Frank, Marylebone Theatre review - explosive play for todayFriday, 18 October 2024
An incendiary play has opened at the Marylebone, the adventurous venue just off Baker Street. Bigger houses were apparently unwilling to stage it, fearing anti-Israeli protests. Their loss.Nathan Englander has expanded his short story of the same... Read more... |
The Lehman Trilogy, Gillian Lynne Theatre review - three brothers, two crashes, one American DreamFriday, 11 October 2024
Merchant bankers then eh? It’s not a slang term of abuse for nothing, as the middlemen collecting the crumbs off the cake (in Sherman McCoy’’s analogy from The Bonfire of the Vanities) have a reputation for living high on the hog off the ideas and... Read more... |
Songs We Carry, Ana Silvera and Saied Silbak, Kings Place review - harmony between Arab and JewMonday, 07 October 2024
As the Middle East continues to fragment in hate and horror, a tragic unfolding of events with roots reaching back to the middle of the last century, any sign of love and deeply felt collaboration provides a welcome beacon, and signals the... Read more... |
Edinburgh Fringe 2024 reviews: REVENGE: After the Levoyah / Puddles and AmazonsThursday, 22 August 2024
REVENGE: After the Levoyah, Summerhall ★★★★★ The Jews have had enough. After decades – centuries, in fact – of suspicion, name-calling, finger-pointing and violent persecution, they can’t even leave their Gants Hill or Barkingside flats, where... Read more... |
Fiddler on the Roof, Regent's Park Open Air Theatre review - dazzling gem of a production marks its diamond anniversaryThursday, 08 August 2024
If I were a rich man, I'd be inclined to put together a touring production of Fiddler on the Roof and send it around the world, a week here, a week there, to educate and entertain. But, like Tevye, I also have to sell a little milk to put... Read more... |
A House in Jerusalem review - a haunted house and countrySunday, 02 June 2024
The Israel-Palestine conflict aptly infuses a haunted house in Muayad Alayan’s story of layered loss. The Shapiro family home in Jerusalem which grieving British-Jewish husband Michael (Johnny Harris) and daughter Rebecca (Rebecca Calder) retreat to... Read more... |
theartsdesk Q&A: Marco Bellocchio - the last maestroSaturday, 27 April 2024
The last of the old maestros is standing tall. Marco Bellocchio was a Marxist firebrand when he made his iconoclastic debut with Fists in the Pocket (1965). Now aged 84, he makes intellectually and emotionally muscular, hit epics about abused... Read more... |
Nachtland, Young Vic review - German black comedy brings uneasy humour and discomfiting relevanceThursday, 29 February 2024
If Mark Twain thought that a German joke was no laughing matter, what would he make of a German comedy? That quote came to mind more than once during Patrick Marber’s production of Marius von Mayenburg’s 2022 play, Nachtland. I know it’s... Read more... |
The Merchant of Venice 1936, Criterion Theatre review - radical revamp with a passionate agendaMonday, 26 February 2024
It’s an unhappy time to be staging Shakespeare’s problematic play, given its antisemitic content, so hats off to adaptor-director Brigid Larmour and actor Tracy-Ann Oberman for persevering with this updated version, now in the West End. Their... Read more... |
Occupied City review - unquiet Nazi crimesTuesday, 13 February 2024
“I feel as if I am live reporting from a shipwreck,” Dutch-Jewish journalist Philip Mechanicus wrote en route to his concentration camp murder. Steve McQueen’s four-hour reverie on Amsterdam’s Nazi occupation teases out the scars of that arbitrary,... Read more... |
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