Jewish culture
Nachtland, Young Vic review - German black comedy brings uneasy humour and discomfiting relevanceThursday, 29 February 2024If Mark Twain thought that a German joke was no laughing matter, what would he make of a German comedy? That quote came to mind more than once during Patrick Marber’s production of Marius von Mayenburg’s 2022 play, Nachtland. I know it’s... Read more... |
The Merchant of Venice 1936, Criterion Theatre review - radical revamp with a passionate agendaMonday, 26 February 2024It’s an unhappy time to be staging Shakespeare’s problematic play, given its antisemitic content, so hats off to adaptor-director Brigid Larmour and actor Tracy-Ann Oberman for persevering with this updated version, now in the West End. Their... Read more... |
Occupied City review - unquiet Nazi crimesTuesday, 13 February 2024“I feel as if I am live reporting from a shipwreck,” Dutch-Jewish journalist Philip Mechanicus wrote en route to his concentration camp murder. Steve McQueen’s four-hour reverie on Amsterdam’s Nazi occupation teases out the scars of that arbitrary,... Read more... |
The Most Precious of Goods, Marylebone Theatre review - old-fashioned storytelling of an all-too relevant taleTuesday, 30 January 2024As last week’s news evidenced, genocide never really goes out of fashion. So it’s only right and proper that art continues to address the hideous concept and, while nothing, not even Primo Levi’s shattering If This Is a Man, can capture the scale of... Read more... |
Don't Destroy Me, Arcola Theatre review - a theatre history curioWednesday, 17 January 2024British Theatre abounds in forgotten writers. And in ones whose early work is too rarely revived. One such is Michael Hastings, best known for Tom & Viv, his 1984 biographical drama about TS Eliot and his wife Vivienne, so in theory it’s great... Read more... |
Song of Songs, Pam Tanowitz/David Lang, Barbican Theatre review - sublime music and intricate dance bring life to a 2,000-year-old love poemMonday, 16 October 2023On the whole the Bible is not big on sex and sensuality, with the exception of one very short book in the Old Testament. The Song of Solomon – aka Song of Songs – is a hymn to carnal pleasure, one whose vivid descriptions of perfect flesh and... Read more... |
A different angle on the Anne Frank story in 'A Small Light'Wednesday, 03 May 2023The Diary of Anne Frank became a Broadway play and has formed the basis of a lengthy catalogue of films and TV series, but the name of Miep Gies is rather less well-known. Yet without Gies the Anne Frank story might never have reached the wider... Read more... |
Fleishman Is in Trouble, Disney+ review - mid-life crises in ManhattanWednesday, 01 March 2023As films and television series based in New York City tend to do, Fleishman Is in Trouble opens with an aerial shot of Manhattan – except, significantly, this sequence is presented upside down. To the celestial sound of tinkling arpeggios, the slim... Read more... |
Watch on the Rhine, Donmar Warehouse review - Lillian Hellman's 1940 play is still asking awkward questionsWednesday, 11 January 2023We’re reminded, in a grainy black and white video framing device, that, as late as the summer of 1941, the USA saw World War II as just another European war. As brilliantly illustrated in Phillip Roth’s The Plot Against America, not only was such... Read more... |
Three Minutes: A Lengthening review - superb portrait of a vanished worldMonday, 05 December 2022We hear the projector whirr as the mute 16mm film flows through the sprockets and on to the screen. For three minutes and a little longer we watch children and adults spilling out of buildings, intrigued by the novelty of a camera on their streets.... Read more... |
Q&A: Bianca Stigter, director of 'Three Minutes: A Lengthening'Saturday, 12 November 2022Holidaying in Europe with his wife Lisa and friends in August 1938, David Kurtz of Flatbush, Brooklyn, whose family left Poland in 1892 when he was four, returned to his hometown of Nasielsk (population 7,000), 33 miles north-west of Warsaw. There,... Read more... |
Good, Harold Pinter Theatre review - brilliant but half-bakedThursday, 13 October 2022“The bands came in 1933.” So begins C P Taylor’s Good, a play that tries its hardest to resist being Googled. It was first performed by the RSC in 1981; this production, starring David Tennant as a mild-mannered German professor who gradually... Read more... |
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