sun 14/07/2024

Japan

Tokyo Vice, Series 2, BBC iPlayer review - an exciting ride that stretches credibility

It’s entirely fitting that Jake Adelstein should have a poster for All the President’s Men on the wall of his Tokyo apartment, since it was the filmic apogee of the notion of journalist as superstar. But where Alan J Pakula’s 1976 movie had Robert...

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Blu-ray: Two Films by Yasujirō Ozu

It’s interesting to discover that sound wasn’t the norm in Japanese cinema until the mid-1930s: the huge cost of investing in pricey new studio technology and equipping scores of rural cinemas with amplification proving prohibitive.Yasujirō Ozu...

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Spirited Away, London Coliseum review - spectacular re-imagining of beloved film

Legions of Ghibli fanatics may love the heartwarming My Neighbour Totoro and the heartbreaking Grave of the Fireflies, but they revere Spirited Away, their, our, The Godfather and The Wizard of Oz rolled into one. Totoro has been magnificently...

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Evil Does Not Exist review - Ryusuke Hamaguchi's nuanced follow-up to 'Drive My Car'

While Ryusuke Hamaguchi’s Evil Does Not Exist doesn’t cast a spell as strongly as his Oscar-winning hit Drive My Car, it is a thought-provoking film well worth seeing for anyone with an interest in ecology or a penchant for...

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Monster review - superbly elliptical tale of a troubled boy

Monster is one of those films that you really shouldn’t read too much about before you see it, and if you are anything like me, you’ll want to watch it all over again when it ends. It’s an intricately told psychological drama that grips from the...

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theartsdesk Q&A: Wim Wenders on 'Perfect Days'

Wim Wenders’ latest narrative film Perfect Days might seem an uncommonly mellow work by the maker of Alice in the Cities (1974), The American Friend (1977), Paris, Texas (1984), and Wings of Desire (1987), but it still finds the 78-year-old...

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The Boy and the Heron review - elegiac swan song by the Japanese anime master

Admirers of Hayao Miyazaki will find much to love in The Boy and the Heron, which he has said will be his final feature before retiring from film-making at the age of 82. It’s a beautifully crafted piece of work with all the tropes...

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Pacific Overtures, Menier Chocolate Factory review - lesser-known Sondheim scores afresh

This is, by my reckoning at least, the third major London production over the years of Pacific Overtures, Stephen Sondheim and John Weidman's dazzling curiosity of a show first seen on Broadway in 1976 and reappraised ever since in stagings...

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Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questions

A polar bear stands guard over the seal pup it has just killed (main picture). How could photographer, Hiroshi Sugimoto have got so close to a wild animal at such a dangerous moment? Even if he had a powerful telephoto lens, he’d be risking life and...

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Edinburgh Fringe 2023 reviews: PLEASE LEAVE (a message) / Shadow Kingdom

PLEASE LEAVE (a message), Underbelly, Cowgate ★★★★One of (brilliantly named) London-based theatre collective Clusterflux’s actors sent me a Twitter DM to request a review of their new show: here that review is, a few days later. Yucca...

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Plan 75 review - dystopian vision of euthanasia in Japan

It’s not a great moment for older audiences contemplating an outing to the cinema. They could have their intelligence insulted with the feeble, sugary comedy, Book Club: The Next Chapter or they could choose Plan 75 and find...

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Blu-ray: The Bullet Train

Last year’s Brad Pitt vehicle Bullet Train was an affable action comedy except in those parts – including the dreadful coda – when it was an insufferably smirky one. Freighted with more thrills, intelligence, gravitas, and social commentary, 1975’s...

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