Italy
william.ward
Ottorino Respighi: more than picturesque
The latest subject in the BBC Four series of composer portraits by Christopher Nupen is Ottorino Respighi. One of the most unfairly neglected major composers of the first half of the 20th century, his reputation has suffered less from not being considered at all, but for having been confined to his trilogy of tone poems that evoke respectively the Fountains, the Pines and the Traditional Festivals of Rome. Nupen's film, made in 1982, puts a welcome case for his more challenging but less well-known work.Composed over the course of 12 tumultuous years – from Italy’s disastrous participation in Read more ...
james.woodall
Antonio Pappano (b. 1959) enjoys the best of two opulent worlds. At the Royal Opera House in London (now his home city), he's well stuck in to his seventh season as music director, basking in popularity and plaudits previous incumbents could only have dreamt of. In Rome, he's director of the Orchestra of the Accademia Nazionale di Santa Cecilia, a post he took up in 2005. The orchestra, over 100 years old - the Accademia itself goes back to the 1580s - is based at an extraordinary Renzo Piano-designed structure, called the Auditorium Parco della Musica, a couple of kilometres north of the Read more ...
william.ward
The rapturous reception for Zaha Hadid’s groundbreaking, breathtaking new confection in Rome, Il Museo dell’Arte del XXIesimo Secolo - the 21st-Century Art Museum (MAXXI for short) - has reopened for the umpteenth time one of Italy’s favourite cultural debates. Why the hell does it take so long to build anything decent in our capital city, especially when we have one of the finest traditions - if not the finest - in architecture, civil engineering and construction, of anywhere in the whole world?Well, “Rome,” as the old expression counselling patience in all things has it, “wasn’t built in a Read more ...
william.ward
Italy's quiz-show host Mike Bongiorno: 'a Warholian genius for fascinating, entrancing dullness'
“Guarda, è come se fosse morta la regina Elisabetta, sai?” I didn’t really need the comparison with the hypothetical demise of our own beloved monarch to be spelled out for me by my partner, a somewhat reserved professor of Paediatric Neurology at one of Rome’s leading hospitals, in order to drive home the deep shock engendered by the sudden death of Italy’s best-loved veteran TV compère on the collective psyche of a nation.True to his quietly heroic and endlessly energetic persona, Mike Bongiorno did not die what our Anglo-Saxon warrior forebears used to call a “cow’s death” – ie in bed, or Read more ...