Ireland
igor.toronyilalic
If the second half of the 20th century saw opera throttled by existential crises, and left composers wondering whether the only future for the art form was for it to be hung out to dry, or to become an arcane intellectualised annex for the musical games then in vogue, Gerald Barry's one-act opera, La plus forte (2006) - receiving its UK premiere in a concert performance last night - marks the end of hostilities. So effortlessly does Barry seem to rise above the tangled, stagnant realities of recent operatic and musical convention, and return and restore the art form to the business of Read more ...
peter.quinn
A bad cover version can be a dangerous thing. Imagine, for example, that your first encounter with the brilliant Gershwins was Kiri Te Kanawa's egregious Kiri Sings Gershwin. This, potentially, could be so distressing that it might put you off George and Ira for life. In fact, it could put you off music for life. Rather than "(Sittin' On) The Dock of the Bay", Michael Bolton's typically understated take makes you want to throw yourself in. And then there's Sting's John Dowland tribute, Songs from the Labyrinth. This was released over two years ago, so there's a possibility that Dowland has Read more ...
sheila.johnston
Cheering news for Brits in Cannes (always assuming anyone is actually able to travel there this year). Originally rumoured to be in line for the Critics' Week, a young British filmmaker, Alicia Duffy, has now secured an even better berth: her first feature has been selected by the Directors' Fortnight, the prestigious parallel (and rival) event to the main competition.All Good Children is about two young Irish boys who move to rural France after the death of their mother and, we're told, "hypnotically plays out in the gap between childish fantasy and adult reality". Duffy's prize-winning Read more ...
aleks.sierz
Monologue is a boring word, but in the hands of an Irish pensmith it can create some pretty exciting theatre. From a writer such as Conor McPherson or Mark O’Rowe the monologue can set the night alight with its storytelling brio. Word-drunk on these great draughts of bubbling verbal nectar, you soon feel you know the speakers as well as your own family. Yes, a good monologue is that beguiling. Which is exactly the case with Elaine Murphy’s first play, now visiting west London, a lovely and loving set of monologues which create an emotionally rich picture of three generations of Dublin women. Read more ...
fisun.guner
Richard Hamilton, the true father of Pop art and spiritual descendant of Duchamp, is not a particularly prolific artist. Rather, he sticks to an idea and works on it over several editions and in different media, so that we get a large body of work repeating the same image in paint, in collage, in photography and in mixed media. For Hamilton, now 87, in so much of what he has done over the decades the key idea cannot be conveyed by a single unique work of art, because the key idea is often to do with the multiplicity of images: in other words, the medium is the message.Modern Moral Matters, Read more ...
theartsdesk
Two films with a East European flavour, Katalin Varga and Tales from the Golden Age, are among our March selection, which also includes the lovely, bittersweet Irish drama Kisses. Our US release (available worldwide, of course, by mail-order) is Wim Wenders' Paris, Texas with succulent extras. Alastair Sim stars in Guy Hamilton's 1954 film of An Inspector Calls, while the late Edward Woodward lives on in the Callan box-set. The footballer-producers Ashley Cole and Rio Ferdinand score a resplendent own goal in our stinker, Dead Man Running.Films we have covered previously, including Fantastic Read more ...
Veronica Lee
For the life of me I cannot understand why London Assurance is not performed more often. It’s a rollicking comedy, written in 1841 but which has a Restoration heart, with a cast list that includes a wideboy named Dazzle, a valet Cool, a servant Pert, a lawyer Meddle and - hold your sides - a horsey broad brandishing a whip named Lady Gay Spanker. Calm down, now.Dion Boucicault’s comedy of manners (written when he was only 21) is a witty commentary on town versus country and many of its lines could have been written yesterday. Mostly, though, it’s a chance for some of our greatest thespians Read more ...
Adam Sweeting
Horses, Liz Mermin's "intensely strange" but bewitching documentary about a year in the life of a trio of Irish "horse athletes", has already been seen at the Sheffield Doc/Fest and at the ICA in London. Now, recut and retitled Race Horses, it comes to BBC Four's Storyville tonight (March 11) at 9pm. Read theartsdesk's interview with Liz Mermin here, and take a gallop with Joncol, Cuan na Grai and Ardalan.
Veronica Lee
What a joy to welcome Dara O Briain back into the stand-up fold. The Irishman has been away from live performance for five years because he has been busy hosting the panel show Mock the Week and mucking about in boats on various Three Men... series, both on the BBC, and writing a travelogue, Tickling the English, which is about to be released in paperback. His hunger to interact with an audience is almost palpable as he strides to the front of the stage.O Briain is one of the brightest and most quick-witted comics around as the first half of this show (which I saw at the glorious Winter Read more ...
Jasper Rees
Neil Jordan’s smaller films have often betrayed a fascination with wispy visitants from the borderlands of gender. In The Crying Game the beautiful young call girl turns out, in one of cinema’s more jawdropping reveals, to be somewhat less she than he. Breakfast on Pluto found Cillian Murphy’s girly boy swishing around working-class Dublin in frocks and furs. And now comes Ondine, Jordan’s reimagining of the watery fable transplanted to the rugged shores of Cork. In this mystic Celtic wilderness a creature with wavy tresses spun as if from luxuriant silk wanders lost among the secret coves. Read more ...
Jasper Rees
For six years from 1988, when Sinn Fein was banned from direct broadcasting, Gerry Adams could be seen on television, but not heard. Instead, actors would read his words while his lips soundlessly moved. What would the architects of that ban have said if they’d been told that one day the political face of the Provisional IRA would be given an hour on television to make a programme about Christ? "Jesus wept?" "He’s got a bloody cheek?"We already know what the Daily Mail has said. Adams has been paid 10 grand for his participation in The Bible: A History, and do they not like that. In this Read more ...
Graham Fuller
The Lovely Bones, Alice Sebold’s 2002 bestseller about a murdered 14-year-old who hovers in metaphysical limbo over her grieving family, was once to have been filmed by the Scottish director Lynne Ramsay. On the evidence of Ramsay’s Ratcatcher and Morvern Callar, her take on Sebold’s novel would have been a moodily lyrical but deadpan reverie that wouldn’t have skirted its engagement with evil. When Ramsay’s involvement ended, the project was inherited by Peter Jackson, who for all his spectacular CGI work on The Lord of the Rings knew when to leaven Tolkien’s epic saga with restraint and Read more ...