Ireland
alexandra.coghlan
“Last night’s tenor was superb, wasn’t he? Such Italianate passion at the top of his range…” In the pub, the streets and – in this case – over the cereal and croissants of a hotel breakfast, there’s only one topic of conversation in Wexford for 10 days every autumn: opera. During festival time this tiny Irish town on the river Slaney undergoes something of a sea-change. Doctors, plumbers and shop-assistants all transform themselves into the festival staff, ushering audiences, erecting staging and assisting artists.It all makes for an atmosphere of excitement, further fuelled by the festival’s Read more ...
Aleks Sierz
Finding the mythic echoes of the ancient Greeks in stories about the modern world is not just confined to past greats such as TS Eliot, but is also used by contemporary adapters of old tragedies. Yet Colin Teevan’s new play, which shadows the lives of Irish navvies working in England with echoes from Greek tragedy, goes one better. Asked by the director Lucy Pitman Wallace to rewrite the Oedipus myth through the lens of Krapp’s Last Tape, the playwright has come up with The Kingdom.Teevan’s ambitious idea is to marry stories from the great migrations of Irish workers to England, from the 19th Read more ...
sheila.johnston
Samuel Beckett recalled sinking into a "whirl of depression" while writing All That Fall. Audiences at this production - those, that is, who have managed to score a ticket for this short, sold-out run - are unlikely to emerge into Jermyn Street in a similarly gloomy frame of mind.Apart from the exceptional nature of the evening - a rarely seen piece and a superlative cast in an intimate, up-close, 70-seater setting - All That Fall is revealed here as a bawdy, bucolic comedy, and a perversely life-affirming one full of marvellous one-liners, even if they are, of course, also spiked with grim Read more ...
Lisa-Marie Ferla
The first anniversary of Amy Winehouse’s death seems like both a temptation and an opportunity for a sensationalist, hyperbolic tribute. Refreshingly, this Arena film, which told the story of the night that a superstar in the making performed to an 85-capacity church in the Irish fishing village of Dingle, for the most part avoided the clichés: the word “tragedy” wasn’t even mentioned until 38 minutes in.“You don’t just go to Dingle by accident,” Philip King, director of Irish music series Other Voices, explained by way of introduction. Every winter the show manages to attract some of the Read more ...
theartsdesk
Blur: 21Bruce DessauThe recent closure of Word magazine has been seen by some as linked to the demise of "Fifty Quid Man". Who can afford such a wallet-frightening splurge these days on the kind of music the monthly's writers wrote so eloquently about? Well, have a chat with your friendly bank manager because this lavish tribute to the winners of the Britpop long game retails at £134.99 and is just about worth it. Every stage of Blur’s career is here – apart from, annoyingly, one their recent new tracks, "The Puritan" – charting the band's evolution from pre-Madchester incarnation Seymour to Read more ...
graeme.thomson
The fact that the latest in a long line of Dara O Briain DVDs is already on sale on Amazon is pretty impressive considering that he hasn’t recorded it yet. I know this because the second show of his four-night run at the Playhouse happened to be the one immediately before the gig being filmed for a timely pre-Christmas release. If it captures the warmth and verve of last night’s show it might even turn out to be one of those rare comedy DVDs worth buying.Nearing the end of his long Craic Dealer tour (Tesco raised objections to him naming the DVD after the tour, apparently concerned it would Read more ...
Natalie Shaw
Nicky Byrne, Shane Filan, Cian Egan and Mark Feehily announced they were retiring Westlife in October 2011, but not before this final farewell tour. It proved to be an opportunity to roll out the red carpet for Facebook-status emoting and self-pity about entering the post-fame abyss. The endless video clips squeezed in throughout their two-hour set (no sign of Brian McFadden, who left in 2004) must surely have exhausted even the most devoted attendees at some point during the evening.Their live show is at least more entertaining than their albums, although its most interesting side effect was Read more ...
Ismene Brown
We’ve seen a few American film and TV actresses grace the West End stage with surprising potency, but no one surely will surpass Laurie Metcalf for profound emotional truth-telling in Eugene O’Neill’s shattering family drama, given an unbeatably cast new production in London’s West End. Metcalf's by no means famous over here now, so long after her brilliant stint in Roseanne Barr's Nineties sitcom, but this is one of those performances you won't forget, up there in the Vanessa Redgrave class.The play, set exactly a century ago, famously portrays O’Neill’s own family, so much so that he would Read more ...
Veronica Lee
For a small(ish) city, Belfast punches well above its weight where the arts are concerned. Northern Ireland's capital may have only 270,000 residents (with a further 500,000 in its catchment area), but it has a notable array of large venues serving several art forms in a vibrant cultural scene. The city houses the Grand Opera House and the newly renovated Lyric Theatre, the Odyssey Arena, the Kings Hall, the Ulster Hall and the Waterfront Hall; and now another venue is about to open in the city centre - the MAC, or Metropolitan Arts Centre.The MAC, in the newly created Saint Anne's Square Read more ...
Ismene Brown
Better late than never. It took till Act 3 for a new Juliet to fledge her wings and shed the nervous caution, but Melissa Hamilton, debuting yesterday afternoon in probably the Royal Ballet’s most coveted ballerina role, suddenly did what we all knew she could, and after a subdued first act seized the drama and the story. And, in Romeo’s phrase, light broke - the sun in the east. A fair new Juliet.Hamilton, a blonde beauty of 23, is the most interesting performer of young-generation girls at Covent Garden, an Irish child and late starter rejected by the Royal Ballet School, who refused to be Read more ...
Thomas H. Green
Some people – a very few – just have it. Never mind whether her songs appeal, or the style in which she performs them, but Sinéad O’Connor’s presence is extraordinary - as, of course, is her voice. She sings “I Am Stretched on Your Grave” a capella, dedicating it to PC David Rathband, the policeman blinded by Raoul Moat who recently committed suicide. The Queen Elizabeth Hall falls to pin-drop silence; O’Connor’s singing, which flecks wrenching forcefulness with heartbreak vulnerability, is relentless - it brooks no doubt. The song itself, translated from a 200-year-old Irish gravestone elegy Read more ...