wed 25/12/2024

installation

Phyllida Barlow: RIG, Hauser & Wirth, London

Every surface in my house is covered in plaster and brick dust, and wood, sand, cement, plaster and wire mesh are strewn all over the place. Furniture, carpets and pictures are covered in dust sheets and piled into two sealed rooms. You’ve guessed...

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Ryan Gander: Locked Room Scenario, Artangel in Hoxton, N1

Will a crumpled piece of paper unlock the mystery of 'Locked Room Scenario'?

What are the most common responses to a work of contemporary art? I can think of two: “A six-year-old could have done that” (feel free to substitute “I” or “anyone”) and “But what does it actually mean?” Ryan Gander is an artist who is rather...

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theartsdesk in New York: A Rooftop Ramble in the High Line Park

'A dramatic statement, 25ft off the ground': High Line Park in Manhattan

The High Line Park on the far west side of Manhattan, built on an old elevated train track, is a unique combination of everything New Yorkers love - fabulous views, a piece of history, a traffic-free zone (no dogs, skateboards or bicycles), unusual...

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theartsdesk in Folkestone: Art Echoes by the Seaside

The locals are understandably proud of Folkestone; Everywhere Means Something to Someone is an idiosyncratic guidebook offering an insider’s view of the town that bears witness to the depth of people’s attachment to it. Put together for the ...

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Tessa Farmer, Danielle Arnaud Art Gallery/Crypt Gallery

In Tessa Farmer’s world a mummified cat can become an entertainment complex for fairies and bugs

The world of artist and entomologist Tessa Farmer really is a world, wholly self-contained and free of human kind – unless you see her tiny warring fairies as symbolic of mankind’s conscience-free decimation of our planet’s environment and co-...

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theartsdesk in Paris: Inside Anish Kapoor's Leviathan

All aboard! 4000 visitors a day are queuing up for a voyage in the belly of a whale. Anish Kapoor’s Leviathan, a commission for the Monumenta series at the Paris Grand Palais, is a runaway success, one of those Zeitgeist-attuned mega-installations...

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Christine Borland & Kerry Tribe, Camden Arts Centre

Christine Borland: 'Cast From Nature'

“As a student at Glasgow School of Art I used to visit the amazing anatomy, zoology and ethnographic collections at Glasgow University,” says Christine Borland. “I couldn’t understand why I was so intrigued, except for the question of how something...

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Ai Weiwei, Lisson Gallery & Somerset House

Ai Weiwei: 'Circle of Animals/ Zodiac Heads'

It is now 37 days since Ai Weiwei was detained at Beijing international airport by the Chinese authorities. His family and friends have heard nothing since. His lawyer, to whom under Chinese law he must have access, was arrested as well, and since...

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Mike Nelson to represent Britain at the Venice Biennale

Mike Nelson: 'The Memory of HP Lovecraft'

Mostly the Venice Biennale passes me by entirely: ho-hum, another tired bit of Brit Art, I think, and turn the page. But Mike Nelson, twice nominated for the Turner Prize, is a terrific artist, too little seen, too odd, too unsettling to have...

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Revealed, Turner Contemporary

The opening of Turner Contemporary is being heralded as one of the most important cultural events of the year. Described as "a national and international venue in the regions" the gallery, it is hoped, will attract visitors from London and abroad...

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Mona Hatoum: Bunker, White Cube Mason's Yard

The latest exhibition from Beirut-born, sometime Turner Prize-nominee Mona Hatoum – best known for sending a camera through her inner tubes and projecting the results – explores themes of displacement and geographical and political tension. I know...

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Martin Creed, Hauser & Wirth

Installation view of Martin Creed's 'Mothers' at Hauser & Wirth, Savile Row

Who could not love Martin Creed? The tweed-encased harumphers of the world adore him, because they can say, “That’s not art,” and, “My cat could do that,” and have an all-round wonderful time. Conceptualists have it easy: what could be more fun...

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