indie
The Vaccines, Barrowland, Glasgow review - pacy but predictable rock'n'rollTuesday, 26 April 2022
You could never accuse the Vaccines of being the most subtle of bands. When the London quintet ran through the intro to “Surfing in the Sky”, their frontman Justin Young started to shoogle around onstage as if, yes, he was riding a surfboard, in... Read more... |
theartsdesk on Vinyl 70: Marianne Faithful, Honey Bane, Tinariwen, Kraftwerk, PJ Harvey, Dowdelin and moreTuesday, 26 April 2022
Spring is in the air and vinyl is, as always, on the turntable here at theartsdesk on Vinyl. We’ve been ploughing through all the latest releases and reissues, played loud on a large sound system, each evaluated as fully as possible. Below you’ll... Read more... |
Teenage Fanclub, Union Chapel review - pushing forward with gustoWednesday, 20 April 2022
Teenage Fanclub open their set with “Home”, the first single from their last album Endless Arcade. It’s followed by the title track, “Endless Arcade”. The first was written by Norman Blake, the second by Raymond McGinley – the album’s sole... Read more... |
The Mission, Chalk, Brighton review - the hits, delivered straight, to an enthused crowdWednesday, 13 April 2022
“Play something we can dance to,” heckles a fan. “Fuck off, we are not a dance band,” fires back Wayne Hussey, leader of The Mission. He’s right. They’re not. But still there is dancing.One especially notable aspect of this gig is the total and... Read more... |
Album: Kurt Vile - (Watch My Moves)Wednesday, 13 April 2022
Although the term “hipster” has become degraded to well beyond cliché, Kurt Vile is one of those artists whose fans may indeed have that in-the-know smugness. With Vile, though, this is not a bad thing. Given the increasingly confidence-shedding... Read more... |
Album: Nicole Faux Naiv - Moon RallyMonday, 04 April 2022
Although Moon Rally has unambiguous musical roots, pinning down where it’s from is trickier. The album’s title nods to Air’s Moon Safari, as does a fair degree of the rhythmic chug and shimmering atmospherics. Sweden’s Radio Department come to mind... Read more... |
The Weather Station, Scala review - communion achieved against the oddsThursday, 24 March 2022
Acknowledging the contrast between personal and public situations, The Weather Station’s Tamara Lindeman says “I have a lot of songs about not being heard, yet I’m holding this microphone.” An individual’s voice can be ignored, but if it’s given a... Read more... |
Dream Wife, St Lukes and the Winged Ox, Glasgow review - an exhilarating reminder of live music's powerThursday, 24 March 2022
Rakel Mjöll has a nice line in understatement. “We released this album in July 2020”, she said at one point, referring to her band’s sophomore record “So When You Gonna...” before adding, dryly, “which wasn’t the best time”. Finally, nearly two... Read more... |
The Coral, Barrowland, Glasgow review - pop experimentalists prove overly smoothMonday, 21 March 2022
Even blessed with youthful confidence, when the Coral first stepped out on the Barrowland stage 21 years ago to support the late, great Joe Strummer it’s hard to imagine they could have foreseen that they’d be able to return to the same stage over... Read more... |
White Lies, SWG3, Glasgow review - indie veterans get their groove onThursday, 17 March 2022
White Lies began their set as many bands would end it, with a familiar hit ringing out and an explosion of confetti over the crowd. Such a tactic made you wonder if the three-piece would peak too soon here, mirroring the band’s commercial fortunes... Read more... |
Music Reissues Weekly: Broadcast - Maida Vale Sessions, Microtronics, Mother Is The Milky WaySunday, 13 March 2022
In 2000, Broadcast’s first album The Noise Made By People entered the UK’s mainstream Top 100 and claimed the top spot on the dance charts. Three years later, their second album Haha Sound was in the Top Ten of America’s dance/electronic charts. It... Read more... |
Album: Midlake - For the Sake of Bethel WoodsSaturday, 12 March 2022
After a count in, the first lines of album opener "Commune" are “I’ve been away now far too long, lost and alone with no commune.” Fair enough. For the Sake of Bethel Woods is Midlake’s first album since 2013’s Antiphon.The second track is “Bethel... Read more... |
