wed 30/04/2025

indie

Album: Shearwater - The Great Awakening

The title The Great Awakening is a metaphor for America’s switch from its previous presidential administration to the current: the arrival of a new era and, with it, a fresh phase of life. Emblematic of this is the xenarthran, a type of armadillo,...

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Bloc Party, Barrowland, Glasgow review - falling back on past glories brings a jubilant response

As Bloc Party singer Kele Okereke noted at one point in this gig, his band have now been visiting Glasgow for nearly two decades. Yet few of the shows played in that 18 year span, which have touched upon nearly all of the city’s main music venues,...

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Album: Wren Hinds - A Child's Chant for a New Millennium

Side Two of A Child’s Chant for a New Millennium opens with “Wrenbird,” a consideration of whether it’s possible to have a bird’s freedom of mobility. “Anywhere but here,” sings Wren Hinds. He may not be happy where he is, but the accompanying...

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Album: Yama Warashi - Crispy Moon

Crispy Moon is a musical kaleidoscope encompassing free-jazz skronk, Japanese folk melodies, Krautrock insistence, echoes of Recurring-era Spacemen 3, South African percussion styles and space rock. One is overlain onto another, or there are...

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Album: Liam Gallagher - C'Mon You Know

While Britpop was a retrogressive media construct, Oasis were a genuine socio-musical phenomenon (albeit also retrogressive!). And at their heart was, of course, Liam Gallagher, bullishly Manc, sneeringly rude and pugnaciously charismatic, a proper...

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Tallies, Old Blue Last review - Canadian quintet rejuvenates indie prototypes

Toronto’s Tallies have acknowledged their fondness for Aztec Camera, The Smiths and The Sundays. Add Cocteau Twins into the building blocks, too. Encountering a band so strongly immersed in the back catalogues of familiar names can obscure what’s...

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Album: Everything Everything - Raw Data Feel

Since their 2010 debut, Man Alive, Everything Everything have dissected the various structures of human relationships, from socio-political to interpersonal, but all in their own experimental art-rock sound.As a result, their recent albums took on...

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Transgressive Records showcase, The Great Escape, Brighton review - five acts offer intriguing pop alternatives

Onstage at The Old Market in Hove, New York’s Mykki Blanco has been waving around a knot of garlic bulbs as if it were a wand or occult aspergillum. At some point during Blanco’s punchy rendition of 2016 single “Loner”, or possibly the dizzier “...

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Album: Dubstar - Two

Dubstar didn’t really fit the niche where the 1990s put them. Signed to Food Records, original home of Blur, they were lumped in with Britpop but their music was always closer to the thoughtful electronic pop of Saint Etienne, and they also had –...

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Album: Arcade Fire -WE

When the pandemic closed in, Canadian experimental indie rock troupe Arcade Fire were on the cusp of heading into the studio to record their new album. COVID had other plans. But rather than pause, the husband and wife duo of Win and Regine...

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The Divine Comedy, Usher Hall, Edinburgh review - a pleasing pop trip through the years

Careful consideration is needed when leaving your seat at a Divine Comedy gig. “He’s off for a drink,” observed Neil Hannon of the audience member ambling away during a rendition of “Gin Soaked Boy”, before adding, accurately, “this song’s excellent...

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Album: Warpaint - Radiate Like This

Radiate Like This is the first album in six years from American indie rock outfit Warpaint. The wait is, in part at least, down to Covid, which took hold just after they’d finished early recording sessions, forcing the band – like the rest of the...

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