indie
Thomas H. Green
Indigo de Souza, a singer from North Carolina, has established some reputation, mostly in the States, for combining indie, pop and emotionally open lyrical heft. This is her fourth album, but her first on a larger label, Loma Vista (she was previously on Bright Eyes-associated Saddle Creek). On Precipice she lays down a fusion of chart-style femme-pop and heartfelt guitar anthems.It’s usually engaging and sometimes outstanding. Precipice was put together with musician-producer Elliott Kozel, who’s worked with SZA, Billie Eilish’s brother FINNEAS, and others. It has a polish to it – Read more ...
Kieron Tyler
Stylistically, Utopia wears multiple faces. Opening cut “London 1757” drifts by like a twig floating upon an unhurried stream. Next, “Dancing on Volcanoes” swings, employs a staccato guitar and suggests a late-Sunday afternoon dance floor. The kind of scene embraced by a post-comedown crowd. Further in, “Ghost of You” has a soul ballad edge; Randy Crawford were her background in Broadcast-inclined, indie-experimenta.Utopia is Wales’ Gwenno Saunders' fourth solo album and, unlike its predecessors, it lacks a specificity defining how it is delivered: it is not fully in Welsh, it is not fully in Read more ...
Thomas H. Green
Around eight years ago, London singer-songwriter Lail Arad started releasing one-off tracks with Canadian singer JF Robitaille, once of Montreal indie outfit The Social Register (Arad’s own 2016 album The Onion is an undiscovered diamond that should be sought out).The pair now finally release a debut album which contains a few of these singles (although not “The Photograph” and “We Got It Coming”– Spotify those two). Their literate indie guitar-pop, touched with alt-folk sensibilities, is a sprightly listen spotted with a few true jewels.It's music built for these times. The chirpily doomed, Read more ...
James Mellen
Lorde’s trajectory is continually fascinating. From the minimalist, sparse electropop of Pure Heroine to the similar but more grandiose production of Melodrama was a linear progression, but then came the acoustic guitars and organic percussion of Solar Power.Though, like Melodrama it was produced by pop powerhouse Jack Antonoff, it had the laid back vibe of an artist who’d ditched her mobile phone and got back to nature – and divided fans. Now, the DIY aesthetics and pop-up warehouse events to promote Virgin suggested it might be a Read more ...
Kieron Tyler
A Sober Conversation is the work of a master songwriter, one who knows how to achieve their goals. As the album’s nine tracks pour from the speakers, comparisons come to mind: 20/20 and Smiley Smile-era Beach Boys, Lindsey Buckingham, the early solo years of Todd Rundgren.But nothing sounds quite like any of these – spikiness is never far. The initially dreamy opening track “The Tent” is punctuated by squalls of noise. Next, on the sumptuous “Two Legged Dog,” dense, overstated keyboards contrast with the jaunty melody. Part of the point seems to be undermining anything which might lean into Read more ...
Thomas H. Green
VINYL OF THE MONTHFrank From Blue Velvet I Am Frank (Property of the Lost) + Column258 Interloper (The Workshop Sessions, Volume One) (Property of the Lost)Hastings label Property of the Lost has grown into a potent force, its stable of artists impressive, usually attached to a US-indebted garage aesthetic. Local band Frank From Blue Velvet’s eponymous 2022 debut was a tasty amalgam of southern gothic country filtered through punk sensibilities, its stand-out song, “Church of Prosperity” a deathless hit at Theartsdesk on Vinyl Mansions. I Am Frank steps forward and sideways, offering a Read more ...
Kieron Tyler
After the evening’s second song “The Last of England,” Patrick Wolf cautions “I’ve got nothing left to say.” During the shows leading up to this outing promoting his new album Crying the Neck, he says he felt “like I’ve been drag-queen story hour” and, in Kingston, “a preacher.” He’s talked out. All that there is to say has been said.Of course, this does not prove to be the case. There is tons to relate. He says the album’s “On Your Side” was written on bus journeys between central London’s Gray’s Inn Road and the Royal Marsden Hospital. How, now he lives in Kent rather than London, that Read more ...
Jonathan Geddes
Had a passer-by from outwith Newcastle been asked to guess what was taking place at St James' Park, football would have been the likely answer. It felt like nearly every person walking to see Sam Fender was clad in a replica top, bearing the name of club legends past and present or, most commonly, the official kit released to mark Fender's newest album.A canny piece of marketing that, and pity any Sunderland fans in attendance, hearing terrace chants belted out disparaging their club as people queued for entry. The party atmosphere continued inside with a string of warm-up tunes connected to Read more ...
joe.muggs
Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”: unambiguously a lyrical barrage at her childhood friend and frequent collaborator Inflo, who Simz is currently suing for alleged failure to repay £1.7 million in loans for ambitious recording and performance projects.It’s a topic she returns to on at least two other tracks on the album, going into quite some detail about her sense of betrayal and broken trust and the impact of this on her sense of self and creative process. It feels kind of bleak that Read more ...
Kieron Tyler
For the first half-hour of this show – on the day before the release of his new album Alan Sparhawk With Trampled by Turtles – Alan Sparhawk moves ceaselessly. Whirling, arms sweeping like the sails of a windmill, gliding across the stage. He sings, his voice treated: auto-tuned, pitch-shifted. The only breaks come with momentary pauses to set rhythm tracks for the next song. Then, off again.His old band Low – abruptly terminated with the death in 2022 of his wife and musical partner Mimi Parker – were often dubbed “slowcore.” Minimalist yet always primed to create a huge sound they were not Read more ...
Thomas H. Green
VINYL OF THE MONTHEmily Saunders Moon Shifts Oceans (The Mix Sounds)It’s de rigeur nowadays, if you love music, to love Joni Mitchell. She is, of course, a great soul, but her music never connected here. That said, I have a favourite Joni Mitchell song. It’s the 1975 number “The Dry Cleaner From Des Moines”. I also have a soft spot for the parent album, Mingus. Mitchell was accompanied on it by Herbie Hancock, Wayne Shorter and Jaco Pastorius. A red hot line-up. Jazz fusion usually goes down like cold sick round here but Mitchell's foray is the exception to the rule. A decade ago Emily Read more ...
Thomas H. Green
How do you solve a problem like Sports Team? Taking them at face value, they’re a living metaphor for the slow music biz relegation of the working class in favour of the privileged, a bunch of snarky ex-Cambridge University students who make smug guitar pop, a Brideshead Revisited version of The Kooks. And yet, and yet, that’s too trite, too obvious; they mine their background and image with self-awareness, their songs smart, ironic observations of the world they’re perceived to inhabit. They’re gunning for Roxy Music’s elegant trick of rendering monied louche wryly cool. On their third album Read more ...