thu 24/04/2025

indie

Snayx/Shelf Lives/Monakis, Patterns, Brighton review - storming, punking triple-header

Patterns is a small, low-ceilinged, underground, seafront venue. Tonight it would be a feast for any passing ancient succubae who happens to feed on raw human energy. From 7.00 PM until 10.00 PM, the room plays host to a package tour of three rising...

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Album: Emma Anderson - Pearlies

Well, this is lovely. Pearlies opens with “I Was Miles Away”, a puffball of a sonic cloud which marries twinkling electronica with guitar-led shoegazing. It has a familial resemblance with the sort of thing perfected by Sweden’s I Break Horses, but...

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Thea Gilmore, Union Chapel review - after Afterlight, a challenge

Recently recovered from her fifth bout of Covid, Thea Gilmore last night made a return to London’s Union Chapel, a wonderfully atmospheric venue where the price to pay for a concert is a numb bum (unless you remember to hire a cushion). For the...

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The Last Dinner Party, SWG3, Glasgow review - affection and adulation for rising stars

The first declaration of love for the Last Dinner Party arrived approximately one song into their set. “I love you too,” declared a delighted looking Abigail Morris, the band’s pirouetting frontwoman, in response, and the ensuing hour suggested...

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Album: Thea Gilmore

The artist formerly known as Afterlight returns with her first self-titled album, a collection of songs which “delves into the cracks between the paving slabs of life's big themes” and which explores “the understanding that comes with experience”."...

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Music Reissues Weekly: Pale Saints - In Ribbons

In an interview following the release of Pale Saints’ March 1992 second album In Ribbons, the band’s Ian Masters expressed his admiration for Eyeless in Gaza, Laura Nyro and Television. He told Option magazine “I find it incredible how much I am...

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Album: Teen Jesus and the Jean Teasers - I Love You

Canberra band Teen Jesus and the Jean Teasers continue the recent tradition of Australian indie bands having unwieldy comedy names. However, their music, as laid out on their debut album, has higher aspirations, bridging their scuzzy punkin’ roots...

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Album: Sufjan Stevens - Javelin

Sufjan Stevens, so we’ve heard, has just been struck down with a rare and immobilising disease – the Guillain-Barré syndrome. With characteristic courage and faith, he has thrown himself into physical rehabilitation. That he should be so reduced and...

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PJ Harvey, Roundhouse, London review - incandescent perfection

London’s Roundhouse is a very special venue. For decades the circular shed, with its elegant ironwork supporting structures has hosted a wonderful and varied series of performances. Like a great cathedral, the space has a hallowed feel about it. The...

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The National, OVO Hydro, Glasgow, review - commanding arenas with ease

There remains something disconcerting about seeing the National as arena rockers. Perhaps it’s the nonchalant stage entrance as they stroll on, a far cry from the pyro heavy displays this Glasgow venue usually witnesses. Maybe it’s the unassuming...

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Lorelle Meets The Obsolete, The Lexington review - forceful Mexicans generate an irresistible sonic whirlpool

Can there be too much repetition? Is there a limit to the level of rhythmic insistence which can be tolerated? Judging by the enthused reaction to this sold-out show from Mexico’s Lorelle Meets The Obsolete where a heads down, no-nonsense pulse...

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Album: Teenage Fanclub - Nothing Lasts Forever

Nothing Lasts Forever opens with a drone, a weightless prologue of guitar feedback evoking the initial moments of the Buffalo Springfield’s “Everydays,” written by Stephen Stills and heard on his band’s 1967 second album Again. Teenage Fanclub’s...

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