thu 08/05/2025

horror

Bacurau review – way-out western

After his two mysterious, tightly-coiled and idiosyncratic first features, Neighbouring Sounds and Aquarius, the masterful Brazilian director Kleber Mendonça Filho lets his hair down with an exhilarating, all-guns-blazing...

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Vivarium review – housing ladder to hell

Imagine being trapped in your perfect home forever. It’s easy if you try now, as Vivarium’s allegory about property and parenthood is deepened by events. Following young couple Gemma (Imogen Poots) and Tom (Jesse Eisenberg) through a Black Mirror­-...

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The Lighthouse review - shiver me timbers

A creepy lighthouse on a remote island, a blistering storm, a mermaid languishing on the shore and two fabulously bewhiskered actors chewing up the scenery like there’s no tomorrow. The Lighthouse feels like it’s been washed up in a bottle...

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The Grudge review - non-stop shocks wear out their welcome

The 18-year-old Japanese horror hit Ju-On (The Grudge) was remade once before, as – yes – The Grudge (2004), with Sarah Michelle Gellar. Now it's re-rebooted in this stylishly photographed but fatally crass incarnation directed by Nicolas Pesce, who...

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The Outsider, Sky Atlantic review - double trouble in small-town Georgia

Stephen King’s novels have generated an impressive lineage of successful adaptations. This HBO treatment (on Sky Atlantic) of his 2018 novel The Outsider, developed by Richard Price and featuring screenwriting input from Dennis Lehane, is shaping up...

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Dracula, BBC One review - horrific, and not in a good way

“Bela Lugosi’s dead,” as Bauhaus sang, in memory of the star of 1931’s Dracula. But of course death has never been an impediment to the career of the enfanged Transylvanian blood-sucker. Filmed and televisualised almost as frequently as Sherlock...

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Ghost Quartet, Boulevard Theatre review - a beguiling journey into the beyond

London’s latest new theatre opens with an appropriately otherworldly Halloween offering: American composer Dave Malloy’s teeming 2014 song cycle, which played at the Edinburgh Festival in 2016. It’s a superb piece for demonstrating the benefits of...

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Doctor Sleep review - heartfelt return to the Overlook Hotel

Stanley Kubrick’s The Shining ended in ice, Stephen King’s in fire which consumed the Overlook Hotel. King’s frightening, emotionally rich novel was written by an alcoholic about an alcoholic, Jack Torrance, and his suffering family. Kubrick’s film...

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The Addams Family review - more treat than trick

Starting life as a comic strip in 1938, The Addams Family seems to have reinvented itself for every generation. It’s the story of an odd-ball family from ‘The old country’ (where that is geographically located is by-the-by), who love the grim and...

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Werewolf review - post-Holocaust horrors

There used to be this myth that we knew nothing about the concentration camps until the victors opened their gates in 1945, and that the survivors were then nursed back to health. The Russians put out newsreels filmed weeks later of nurses tending...

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Ready or Not review - bloody awful

Equal measures class system satire and Scream or Saw genre knockoff, Ready or Not is entirely appalling, except perhaps to those forgiving hipsters in the crowd who will view its ineptitude as some deliberate "meta" statement all its own....

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It Chapter Two review – time to stop clowning around

Just two years after It Chapter One became the most successful horror film ever made, Pennywise the Dancing Clown is once again giving the American town of Derry absolutely nothing to laugh about. But this time around it’s audiences who...

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